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Table of Contents

  1. Fugitivity and the Filmic Imagination
  3. pp. 3-4
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.3
  5. restricted access
  1. Exile and the “Burden of Representation”: Trends in Contemporary Sub-Saharan Francophone African Filmmaking
  2. Melissa Thackway
  3. pp. 5-20
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.5
  5. restricted access
  1. Passing Films and the Illusion of Racial Equality
  2. Karen M. Bowdre
  3. pp. 21-43
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.21
  5. restricted access
  1. “New Nollywood”: Kunle Afolayan
  2. Jonathan Haynes
  3. pp. 53-73
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.53
  5. restricted access
  1. Evolving Nollywood Templates for Minor Transnational Film
  2. Moradewun Adejunmobi
  3. pp. 74-94
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.74
  5. restricted access
  1. From Yorùbá to YouTube: Studying Nollywood’s Star System
  2. Noah Tsika
  3. pp. 95-115
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.95
  5. restricted access
  1. Nollywood: Outline of a Trans-ethnic Practice
  2. Akin Adesokan
  3. pp. 116-133
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.116
  5. restricted access
  1. Elmina: Obroni Art or Popular Melodrama?
  2. Jane Bryce
  3. pp. 134-150
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.134
  5. restricted access
  1. World Cinema versus Subjectivity: How to Read Tunde Kelani’s Abeni
  2. Kenneth W. Harrow
  3. pp. 151-167
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.151
  5. restricted access
  1. Nollywood and the Limits of Informality: A Conversation with Tunde Kelani, Bond Emeruwa, and Emem Isong
  2. Connor Ryan
  3. pp. 168-185
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.168
  5. restricted access
  1. “Homosexuality Is Not Un–African; What Is Un–African Is Homophobia”: An Interview with Wanuri Kahiu on Jambula Tree
  2. Olivier Barlet
  3. pp. 186-190
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.186
  5. restricted access
  1. Interrelated Worlds: The Africultures Manifesto
  2. The Africultures Editorial Staff and Team, Melissa Thackway
  3. pp. 191-194
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.191
  5. restricted access
  1. Hollywood’s Africa after 1994 ed. by MaryEllen Higgins (review)
  2. Charles J. Sugnet
  3. pp. 195-197
  4. restricted access
  1. Black Power TV by Devorah Heitner (review)
  2. Delphine Letort
  3. pp. 197-200
  4. restricted access
  1. Audre Lorde: The Berlin Years, 1984–1992 by Dagmar Schultz (review)
  2. Tiffany N. Florvil
  3. pp. 201-203
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.201
  5. restricted access
  1. Making Virginia Durr Less Blue: Preserving Eyes on the Prize
  2. Nadia Ghasedi
  3. pp. 204-212
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.204
  5. restricted access
  1. News from the Black Film Center/Archive
  2. Stacey Doyle, Chinedu Amaefula
  3. pp. 213-215
  4. restricted access
  1. Professional Notes and Research Resources
  3. pp. 216-218
  4. restricted access
  1. Editor’s Notes
  3. pp. 1-2
  4. restricted access
  1. Introduction: Nollywood—An Archive of African Worldliness
  2. Carmela Garritano
  3. pp. 44-52
  4. DOI: https://doi.org/10.2979/blackcamera.5.2.44
  5. restricted access
  1. Notes on Contributors
  3. pp. 219-222
  4. restricted access