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Table of Contents

  1. Call for Papers
  3. pp. 2-3
  4. restricted access
  1. Call for Papers
  3. pp. 4-5
  4. restricted access
  1. Call for Papers
  3. pp. 6-7
  4. restricted access
  1. Toward a Transnational African Cinema: Image and Authenticity in La Vie sur terre
  2. Sarah Hamblin
  3. pp. 8-30
  4. DOI: https://doi.org/10.2979/blackcamera.3.2.8
  5. restricted access
  1. The Rosa Parks Story: The Making of a Civil Rights Icon
  2. Delphine Letort
  3. pp. 31-50
  4. DOI: https://doi.org/10.2979/blackcamera.3.2.31
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  1. Gathering the Scattered Pieces: A Conversation with Akin Omotoso
  2. Jane Bryce
  3. pp. 51-57
  4. DOI: https://doi.org/10.2979/blackcamera.3.2.51
  5. restricted access
  1. Filmmaking is My Life, Politics My Mistress—donnie l. betts
  2. Michael T. Martin
  3. pp. 58-84
  4. DOI: https://doi.org/10.2979/blackcamera.3.2.58
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  1. Nothing But a Man: Filmmaker's Perspective
  2. Robert Young
  3. pp. 91-100
  4. DOI: https://doi.org/10.2979/blackcamera.3.2.91
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  1. Nothing But a Man: Cinematic Principles and Practice at Work
  2. Michael T. Martin, David Wall
  3. pp. 101-127
  4. DOI: https://doi.org/10.2979/blackcamera.3.2.101
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  1. Can't Stay, Can't Go: What Is History to a Cinematic Imagination?
  2. Terri Francis
  3. pp. 128-139
  4. DOI: https://doi.org/10.2979/blackcamera.3.2.128
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  1. Historicity and Possibility in Nothing But a Man: A Conversation with Khalil Muhammad
  2. Michael T. Martin, David Wall
  3. pp. 140-163
  4. DOI: https://doi.org/10.2979/blackcamera.3.2.140
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  1. Close-Up: Civil Rights, Labor, and Sexual Politics on Screen in Nothing But a Man (1964)
  2. Judith E. Smith
  3. pp. 164-193
  4. DOI: https://doi.org/10.2979/blackcamera.3.2.164
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  1. Close-Up Gallery: Nothing But a Man
  3. pp. 194-204
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  1. The Ambivalence of French Funding
  2. Olivier Barlet
  3. pp. 205-216
  4. DOI: https://doi.org/10.2979/blackcamera.3.2.205
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  1. Queer in Black and White: Interraciality, Same Sex Desire, and Contemporary African American Culture (review)
  2. Benjamin Grimwood
  3. pp. 217-219
  4. DOI: https://doi.org/10.2979/blackcamera.3.2.217
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  1. The Black Film Center/Archive: Thirty Years of Archival and Educational Progress
  2. Leslie Houin
  3. pp. 220-236
  4. DOI: https://doi.org/10.2979/blackcamera.3.2.220
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  1. Professional Notes and Research Resources
  3. pp. 237-242
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  1. Editor's Notes
  3. p. 1
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  1. Nothing But a Man: An Introduction
  2. Michael T. Martin, David C. Wall
  3. pp. 85-90
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  1. Notes on Contributors
  3. pp. 243-246
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