We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE
OR

Volume 3, Number 1, Winter 2011 (The New Series)

Table of Contents

Editor’s Notes

pp. 1-2

Call for Special Issue Submissions

Precious and the Novel Push

pp. 3-4

Afrosurrealism in Film/Video

pp. 5-6

Haile Gerima’s Black Radical Tradition On Screen: African Cinema of Liberation at Home and Abroad

pp. 7-8

Articles

“Woman Thou Art Bound”: Critical Spectatorship, Black Masculine Gazes, and Gender Problems in Tyler Perry’s Movies

pp. 9-30

Flora Gomes, Filmmaker in Search of a Nation

pp. 31-53

The Last King of Scotland and the Politics of Adaptation

pp. 54-74

“Draggin’ the Chain”: Linking Civil Rights and African American Representation in The Defiant Ones and In the Heat of the Night

pp. 75-95

Interviews

“Buses Are a Comin’. Oh Yeah!”: Stanley Nelson on Freedom Riders

pp. 96-122

Africultures Dossier

FESPACO 2011: A Festival Under Threat

pp. 123-133

“This Is the Last FESPACO I’ll Be Coming To”: An Interview with Mahamat-Saleh Haroun

pp. 134-140

“The Way to Help Us Is to Give Us Our Funding on Time!”: An Interview with Michel Ouedraogo, Delegate General of FESPACO

pp. 141-145

Documents

FeCAViP Manifesto (1990): Federation of Caribbean Audiovisual Professionals

p. 146

Poster Gallery: Coming Attractions

pp. 147-162

Book Reviews

Blaxploitation Films of the 1970s: Blackness and Genre (review)

pp. 163-165

The Witch’s Flight: The Cinematic, the Black Femme, and the Image of Common Sense (review)

pp. 165-168

Dance and the Hollywood Latina: Race, Sex and Stardom (review)

pp. 168-171

Archival News

Preserving Rare Interviews with African American Filmmakers

pp. 172-180

Professional Notes and Research Resources

Professional Notes and Research Resources

pp. 181-186

Contributors

Notes on Contributors

pp. 187-190