We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE
OR

Volume 32, Number 2, Fall 2015

Table of Contents

From the Editor

p. v | DOI: 10.1353/atj.2015.0045

Special Issue Section: Women in Asian Theatre

Introduction: Women in Asian Theatre: Conceptual, Political, and Aesthetic Paradigms

pp. 345-355 | DOI: 10.1353/atj.2015.0051

Special Issue Articles

The Ronggeng, the Wayang, the Wali, and Islam: Female or Transvestite Male Dancers-Singers-Performers and Evolving Islam in West Java

pp. 356-386 | DOI: 10.1353/atj.2015.0057

Onna Mono: The “Female Presence” on the Stage of the All-Male Traditional Japanese Theatre

pp. 387-415 | DOI: 10.1353/atj.2015.0027

Lokhon Luang, the Cambodian Court Theatre: Toward a Decline of Women’s Supremacy?

pp. 416-439 | DOI: 10.1353/atj.2015.0033

From Private Zashiki to the Public Stage: Female Spaces in Early Twentieth-Century

pp. 440-463 | DOI: 10.1353/atj.2015.0038

Women in Balinese Topeng: Voices, Reflections, and Interactions

pp. 464-492 | DOI: 10.1353/atj.2015.0043

Women in Indian Puppetry: Negotiating Traditional Roles and New Possibilities

pp. 493-517 | DOI: 10.1353/atj.2015.0049

Women in Revolutionary Theatre: IPTA, Labor, and Performance

pp. 518-535 | DOI: 10.1353/atj.2015.0055

Pritham Chakravarthy: Performing Aravanis’ Life Stories

pp. 536-555 | DOI: 10.1353/atj.2015.0025

Taiwanese Jingju Performances Featuring Women’s Writing: Meng Xiaodong and The Ghostdom River

pp. 556-565 | DOI: 10.1353/atj.2015.0031

Special Issue Performance Reviews

A Fairy in the Wall dir. by Sohn Jin-chaek (review)

pp. 566-569 | DOI: 10.1353/atj.2015.0036

Much Ado About Nothing dir. by Iqbal Khan (review)

pp. 570-572 | DOI: 10.1353/atj.2015.0041

Regular Issue Materials

Masks of Sumatra

pp. 575-597 | DOI: 10.1353/atj.2015.0047

Emerging Scholar Paper

Not-Feminism: A Discourse on the Politics of a Term in Modern Indian Theatre

pp. 598-618 | DOI: 10.1353/atj.2015.0053

Report

Twenty Years of Suasana: Producing Malay Dance-Drama

pp. 619-635 | DOI: 10.1353/atj.2015.0023

Founder of the Field

Rulan Chao Pian 卞赵如兰 (1922–2013)

pp. 636-647 | DOI: 10.1353/atj.2015.0029

Reviews

Transnational

In Transit: The Formation of the Colonial East Asian Cultural Sphere by Faye Yuan Kleeman (review)

pp. 648-652 | DOI: 10.1353/atj.2015.0034

Brown Boys and Rice Queens: Spellbinding Performance in the Asias by Eng-Beng Lim (review)

pp. 652-655 | DOI: 10.1353/atj.2015.0039

The Happy Hsiungs: Performing China and the Struggle for Modernity by Diana Yeh (review)

pp. 655-658 | DOI: 10.1353/atj.2015.0044

China

Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China by Rossella Ferrari (review)

pp. 659-663 | DOI: 10.1353/atj.2015.0050

The Columbia Anthology of Yuan Drama ed. by C. T. Hsia, Wai-Yee Li, and George Kao (review)

pp. 663-671 | DOI: 10.1353/atj.2015.0056

Japan

The Bunraku Puppet Theatre of Japan: Honor, Vengeance, and love in four Plays of the 18th and 19th Centuries by Stanleigh H. Jones (review)

pp. 672-675 | DOI: 10.1353/atj.2015.0026

Henry Black: On Stage in Meiji Japan by Ian McArthur (review)

pp. 675-680 | DOI: 10.1353/atj.2015.0032

India

Terror and Performance by Rustom Bharucha (review)

pp. 681-683 | DOI: 10.1353/atj.2015.0037

The Colonial Staged: Theatre in Colonial Calcutta by Sudipto Chatterjee (review)

pp. 683-685 | DOI: 10.1353/atj.2015.0042

Contemporary Indian Dance: New Creative Choreography in India and the Diaspora by Ketu H. Katrak (review)

p. 686 | DOI: 10.1353/atj.2015.0048

The Performance of Nationalism: India, Pakistan, and the Memory of Partition by Jisha Menon (review)

pp. 687-689 | DOI: 10.1353/atj.2015.0054

Illicit Worlds of Indian Dance: Cultures of Exclusion by Anna Morcom (review)

pp. 689-692 | DOI: 10.1353/atj.2015.0024

The Natyasastra and the Body in Performance: Essays on Indian Theories of Dance and Drama ed. by Sreenath Nair (review)

pp. 692-695 | DOI: 10.1353/atj.2015.0030

Indian Modern Dance, Feminism, and Transnationalism by Prarthana Purkayastha (review)

pp. 695-698 | DOI: 10.1353/atj.2015.0035

Globalization, Nationalism and the Text of Kichaka-Vadha: The First English Translation of the Marathi Anticolonial Classic, with a Historical Analysis of Theatre in British India. Rakesh Solomon (review)

pp. 698-702 | DOI: 10.1353/atj.2015.0040

Dancing Bodies of Devotion: Fluid Gestures in Bharata Natyam by Katherine C. Zubko (review)

pp. 702-703 | DOI: 10.1353/atj.2015.0046

Indonesia

The Dance that Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia by Rachmi Diyah Larasati (review)

pp. 704-707 | DOI: 10.1353/atj.2015.0052

Heirs to World Culture: Being Indonesian, 1950–1965 ed. by Jennifer Lindsay and Maya H. T. Liem (review)

pp. 707-710 | DOI: 10.1353/atj.2015.0058

Books Received

pp. 711-712 | DOI: 10.1353/atj.2015.0028