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Volume 32, Number 1, Spring 2015

Table of Contents

From the Editor

pp. iii-iv | DOI: 10.1353/atj.2015.0002

Plays

Manzai Tichiuchi (Vendetta of Performers of “Myriad-Year” Felicity): A Kumi Odori by Tasato Chōchoku, as Staged by Kin Ryōshō in 1982

pp. 1-36 | DOI: 10.1353/atj.2015.0006

Kōji (Three Tangerines): A Kyōgen from the Ōkura School, Introduction and Translation

pp. 37-45 | DOI: 10.1353/atj.2015.0010

“Beneath the Surface” of Told by the Wind: An Intercultural Experiment in Performance Dramaturgy and Aesthetics

pp. 46-78 | DOI: 10.1353/atj.2015.0013

Articles

An Activist Engaged in the Process of “Guilt to Responsibility”: Revisiting the Remains of Badal Sircar in Bangladesh

pp. 79-106 | DOI: 10.1353/atj.2015.0016

Three Relations between History and Stage in the Kunju Scene Slaying the Tiger General

pp. 107-135 | DOI: 10.1353/atj.2015.0019

Forgiving Thị Mầu, a Girl Who Dared to Defy: Performance Change and Chèo Theatre in Northern Vietnam

pp. 136-158 | DOI: 10.1353/atj.2015.0000

The Impossibility of Being Taiwanese in Chi Wei-jan’s Utopia Ltd.

pp. 159-189 | DOI: 10.1353/atj.2015.0004

The Popular Itinerant Theatre of Maharashtra, 1843–1880

pp. 190-227 | DOI: 10.1353/atj.2015.0008

Uses of the Sampur in the Halus (Refined) Style of Yogyakarta Court Dance

pp. 228-244 | DOI: 10.1353/atj.2015.0012

Pardeh Khani: A Dramatic Form of Storytelling in Iran

pp. 245-258 | DOI: 10.1353/atj.2015.0015

The Gaps between Us: Multilingualism and Immigration in Alfian Sa’at’s Cook a Pot of Curry

pp. 259-279 | DOI: 10.1353/atj.2015.0018

Decoding Kuo Pao Kun: A Close Reading of No Parking on Odd Days and The Coffin Is Too Big for the Hole

pp. 280-294 | DOI: 10.1353/atj.2015.0022

Report

Chinese Shadow Puppetry’s Changing Apprentice System: Questions of Continuance and a Survey of Remaining Shadow Puppet Practitioners in Mainland China, 2008–2013

pp. 295-318 | DOI: 10.1353/atj.2015.0003

Performance Review

Lift: Love is Flower the dir. by Jeff Chen (review)

pp. 319-323 | DOI: 10.1353/atj.2015.0007

Film Review

On Wayang: My Life with Shadows dir. by Larry Reed and Gina Liebrecht (review)

pp. 324-326 | DOI: 10.1353/atj.2015.0011

Book Reviews

Performing Hybridity in Colonial-Modern China by Siyuan Liu (review)

pp. 327-330 | DOI: 10.1353/atj.2015.0014

Illicit Worlds of Indian Dance: Cultures of Exclusion by Anna Morcom (review)

pp. 330-333 | DOI: 10.1353/atj.2015.0017

Recollecting Resonances: Indonesian-Dutch Musical Encounters ed. by Bart Barendregt and Els Bogaerts (review)

pp. 333-335 | DOI: 10.1353/atj.2015.0020

Korean P’ansori Singing Tradition: Development, Authenticity, and Performance History by Yeonok Jang, and: Korean Musical Drama: P’ansori and the Making of Tradition in Modernity by Haekyung Um (review)

pp. 336-339 | DOI: 10.1353/atj.2015.0001

Captive Audiences/Captive Performers: Music and Theatre as Strategems for Survival on the Thai-Burma Railway 1942–1945 by Sears A. Eldredge (review)

pp. 339-342 | DOI: 10.1353/atj.2015.0005

Books Received

pp. 343-344 | DOI: 10.1353/atj.2015.0009

Color Insert

pp. Color Insert 1-Color Insert 4 | DOI: 10.1353/atj.2015.0021