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In this Issue

Table of Contents

  1. Comprehensive Index to Asian Theatre Journal: Vols. 1-19
  2. David V. Mason
  3. pp. 261-350
  4. DOI: https://doi.org/10.1353/atj.2002.0024
  5. restricted access
  1. Contemporary Korean Theatre: Playwrights, Directors, Stage Designers (review)
  2. Richard Nichols
  3. pp. 351-354
  4. DOI: https://doi.org/10.1353/atj.2002.0023
  5. restricted access
  1. Zhongguo Jingju Shi (History of China's Jingju) (review)
  2. Colin Mackerras
  3. pp. 355-357
  4. DOI: https://doi.org/10.1353/atj.2002.0034
  5. restricted access
  1. Chikamatsu: Five Late Plays (review)
  2. Katherine Saltzman-Li
  3. pp. 357-359
  4. DOI: https://doi.org/10.1353/atj.2002.0038
  5. restricted access
  1. Spirits of Another Sort: The Plays of Izumi Kyōka (review)
  2. Samuel L. Leiter
  3. pp. 360-362
  4. DOI: https://doi.org/10.1353/atj.2002.0033
  5. restricted access
  1. Requiem on the Great Meridian andSelected Essays (review)
  2. David G. Goodman
  3. pp. 362-364
  4. DOI: https://doi.org/10.1353/atj.2002.0028
  5. restricted access
  1. The Man Who Saved Kabuki: Faubion Bowers and Theatre Censorship in Occupied Japan (review)
  2. Julie A. Iezzi
  3. pp. 364-367
  4. DOI: https://doi.org/10.1353/atj.2002.0029
  5. restricted access
  1. Fault Lines: Cultural Memory and Japanese Surrealism (review)
  2. John D. Swain
  3. pp. 367-369
  4. DOI: https://doi.org/10.1353/atj.2002.0041
  5. restricted access
  1. Theater and the Politics of Culture in Contemporary Singapore (review)
  2. Yoshiko Fukushima
  3. pp. 369-371
  4. DOI: https://doi.org/10.1353/atj.2002.0027
  5. restricted access
  1. The Singapore Trilogy (review)
  2. Craig Latrell
  3. pp. 372-374
  4. DOI: https://doi.org/10.1353/atj.2002.0031
  5. restricted access
  1. Voices in Bali: Energies and Perceptions in Vocal Music and Dance Theater (review)
  2. Margaret Coldiron
  3. pp. 375-378
  4. DOI: https://doi.org/10.1353/atj.2002.0022
  5. restricted access
  1. Kathakali Dance-Drama: Where Gods and Demons Come to Play (review)
  2. Marlene B. Pitkow
  3. pp. 378-382
  4. DOI: https://doi.org/10.1353/atj.2002.0039
  5. restricted access
  1. Dramacontemporary: India (review)
  2. Martin Russell
  3. pp. 383-386
  4. DOI: https://doi.org/10.1353/atj.2002.0040
  5. restricted access
  1. Asian American Actors: Oral Histories from Stage, Screen, and Television (review)
  2. Randy Barbara Kaplan
  3. pp. 386-388
  4. DOI: https://doi.org/10.1353/atj.2002.0030
  5. restricted access
  1. Mongolian Music, Dance and Oral Narrative: Performing Diverse Identities (review)
  2. Colin Mackerras
  3. pp. 388-390
  4. DOI: https://doi.org/10.1353/atj.2002.0035
  5. restricted access
  1. Lord of the Dance: The Mani Rimdu Festival in Tibet and Nepal (review)
  2. Claudia Orenstein
  3. pp. 390-392
  4. DOI: https://doi.org/10.1353/atj.2002.0036
  5. restricted access
  1. Theatrical Costume, Masks, Make-Up and Wigs: A Bibliography and Iconography (review)
  2. Rebecca Cunningham
  3. p. 392
  4. DOI: https://doi.org/10.1353/atj.2002.0026
  5. restricted access
  1. The Continuum: Beyond the Killing Fields (review)
  2. Claudia Orenstein
  3. pp. 393-395
  4. DOI: https://doi.org/10.1353/atj.2002.0037
  5. restricted access
  1. Swing in Beijing (review)
  2. Claire Conceison
  3. pp. 396-398
  4. DOI: https://doi.org/10.1353/atj.2002.0025
  5. restricted access
  1. From the Editor
  2. Samuel L. Leiter
  3. pp. iii-iv
  4. DOI: https://doi.org/10.1353/atj.2002.0032
  5. restricted access