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In this Issue

Table of Contents

  1. The Cross Currents of Modern Theatre and China’s National Theatre Movement of 1925–1926
  2. Siyuan Liu
  3. pp. 1-35
  4. DOI: https://doi.org/10.1353/atj.2016.0015
  5. restricted access
  1. The Eternal Thread: Gunsam Lee’s First Play in English
  2. Wook-Dong Kim
  3. pp. 36-56
  4. DOI: https://doi.org/10.1353/atj.2016.0019
  5. restricted access
  1. Performing Bidesiyā in Bihar: Strategy for Survival, Strategies for Performance
  2. Brahma Prakash
  3. pp. 57-81
  4. DOI: https://doi.org/10.1353/atj.2016.0023
  5. restricted access
  1. A Culture Hero: Xiangsheng (Crosstalk) Performer Guo Degang
  2. Shenshen Cai
  3. pp. 82-103
  4. DOI: https://doi.org/10.1353/atj.2016.0000
  5. restricted access
  1. The Lure of Sadness: The Fever of Yueju and The Butterfly Lovers in the Early PRC
  2. Lanjun Xu
  3. pp. 104-129
  4. DOI: https://doi.org/10.1353/atj.2016.0004
  5. restricted access
  1. Dramatizing 1Malaysia in Contemporary Chinese Lion Dance
  2. Loo Fung Ying, Loo Fung Chiat
  3. pp. 130-150
  4. DOI: https://doi.org/10.1353/atj.2016.0008
  5. restricted access
  1. Grup Gedebong Goyang: Female, Funny, and Foreign
  2. Tiffany Strawson
  3. pp. 151-169
  4. DOI: https://doi.org/10.1353/atj.2016.0013
  5. restricted access
  1. A Preliminary Overview of Dutch East Indies and Indonesian Xiqu History and Present Practice
  2. Josh Stenberg
  3. pp. 170-197
  4. DOI: https://doi.org/10.1353/atj.2016.0017
  5. restricted access
  1. The Sixth International Theatre Olympics in Beijing
  2. Jae Kyoung Kim
  3. pp. 198-202
  4. DOI: https://doi.org/10.1353/atj.2016.0021
  5. restricted access
  1. Manshin: Ten Thousand Spirits dir. by Park Chan-kyong (review)
  2. Jungmin Song
  3. pp. 203-206
  4. DOI: https://doi.org/10.1353/atj.2016.0025
  5. restricted access
  1. Makutharama: Rama’s Crown and the Grand Offering of the Kings: Sesaji Raja Suya (Wayang Educational Package) by Purbo Asmoro and Kathryn Emerson (review)
  2. Matthew Isaac Cohen
  3. pp. 206-213
  4. DOI: https://doi.org/10.1353/atj.2016.0002
  5. restricted access
  1. The Routledge Companion to Puppetry and Material Performance ed. by Dassia N. Posner, Claudia Orenstein, and John Bell (review)
  2. Jennifer Goodlander
  3. pp. 214-216
  4. DOI: https://doi.org/10.1353/atj.2016.0006
  5. restricted access
  1. Modern Asian Theatre and Performance 1900–2000 by Kevin J. Wetmore Jr., Siyuan Liu, and Erin B. Mee, and: The Methuen Drama Anthology of Modern Asian Plays ed. by Siyuan Liu and Kevin J. Wetmore Jr. (review)
  2. Kathy Foley
  3. pp. 217-220
  4. DOI: https://doi.org/10.1353/atj.2016.0011
  5. restricted access
  1. The Columbia Anthology of Modern Chinese Drama (Abridged Edition) ed. by Xiaomei Chen (review)
  2. Xing Fan
  3. pp. 221-223
  4. DOI: https://doi.org/10.1353/atj.2016.0016
  5. restricted access
  1. City of the Dead and Song of the Night by Gao Xingjian (review)
  2. Whit Emerson
  3. pp. 223-225
  4. DOI: https://doi.org/10.1353/atj.2016.0020
  5. restricted access
  1. Chinese Opera: The Actor’s Craft by Wang-Ngai Siu with Peter Lovrick (review)
  2. Guanda Wu
  3. pp. 225-226
  4. DOI: https://doi.org/10.1353/atj.2016.0024
  5. restricted access
  1. Tansuo Mingdai Nanxi Sida Shengqiang Zhi Jincun ed. by Heidi Yeung Kwai (review)
  2. Josh Stenberg
  3. pp. 226-229
  4. DOI: https://doi.org/10.1353/atj.2016.0001
  5. restricted access
  1. Banâras Revisited: Scholarly Pilgrimages to the City of Light ed. by István Keul (review)
  2. David Mason
  3. pp. 230-232
  4. DOI: https://doi.org/10.1353/atj.2016.0005
  5. restricted access
  1. Embodied Lives: Reflections On the Influence of Suprapto Suryodarmo and Amerta Movement ed. by Katya Bloom, Margit Galanter, and Sandra Reeve (review)
  2. Matthew Isaac Cohen
  3. pp. 233-236
  4. DOI: https://doi.org/10.1353/atj.2016.0009
  5. restricted access
  1. Islands of Imagination: Volume One: Modern Indonesian Plays ed. by Frank Stewart (review)
  2. Jennifer Goodlander
  3. pp. 236-239
  4. DOI: https://doi.org/10.1353/atj.2016.0014
  5. restricted access
  1. Kabuki at the Crossroads: Years of Crisis, 1952–1965 by Samuel L. Leiter (review)
  2. David Jortner
  3. pp. 240-242
  4. DOI: https://doi.org/10.1353/atj.2016.0018
  5. restricted access
  1. Creating Kabuki Plays: Context of Kezairoku, “Valuable Notes on Playwriting.” by Katherine Saltzman-Li (review)
  2. Kathy Foley
  3. pp. 242-245
  4. DOI: https://doi.org/10.1353/atj.2016.0022
  5. restricted access
  1. America’s Japan and Japan’s Performing Arts: Cultural Mobility and Exchange in New York, 1952–2011 by Barbara E. Thornbury (review)
  2. David Jortner
  3. pp. 246-248
  4. DOI: https://doi.org/10.1353/atj.2016.0026
  5. restricted access
  1. L’Eblouissement D’Un Regard: DéCouverte et Réception Occidentales du Théâtre Japonais de la Fin du Moyen ¢ge À la Seconde Guerre Mondiale by Jean-Jacques Tschudin (review)
  2. Stanca Scholz-Cionca
  3. pp. 248-253
  4. DOI: https://doi.org/10.1353/atj.2016.0003
  5. restricted access
  1. DMZ Crossing: Performing Emotional Citizenship Along the Korean Border by Suk-Young Kim (review)
  2. Jae Kyoung Kim
  3. pp. 254-257
  4. DOI: https://doi.org/10.1353/atj.2016.0007
  5. restricted access
  1. From The Editor
  2. Kathy Foley
  3. pp. v-vi
  4. DOI: https://doi.org/10.1353/atj.2016.0010
  5. restricted access
  1. Color Insert
  3. pp. Color Insert 1-Color Insert 4
  4. DOI: https://doi.org/10.1353/atj.2016.0012
  5. restricted access