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Table of Contents

  1. The Ronggeng, the Wayang, the Wali, and Islam: Female or Transvestite Male Dancers-Singers-Performers and Evolving Islam in West Java
  2. Kathy Foley
  3. pp. 356-386
  4. DOI: https://doi.org/10.1353/atj.2015.0057
  5. restricted access
  1. Onna Mono: The “Female Presence” on the Stage of the All-Male Traditional Japanese Theatre
  2. Galia Todorova Gabrovska
  3. pp. 387-415
  4. DOI: https://doi.org/10.1353/atj.2015.0027
  5. restricted access
  1. Lokhon Luang, the Cambodian Court Theatre: Toward a Decline of Women’s Supremacy?
  2. Suppya Hélène Nut
  3. pp. 416-439
  4. DOI: https://doi.org/10.1353/atj.2015.0033
  5. restricted access
  1. From Private Zashiki to the Public Stage: Female Spaces in Early Twentieth-Century Nō
  2. Barbara Geilhorn
  3. pp. 440-463
  4. DOI: https://doi.org/10.1353/atj.2015.0038
  5. restricted access
  1. Women in Balinese Topeng: Voices, Reflections, and Interactions
  2. Margaret Coldiron, Carmencita Palermo, Tiffany Strawson
  3. pp. 464-492
  4. DOI: https://doi.org/10.1353/atj.2015.0043
  5. restricted access
  1. Women in Indian Puppetry: Negotiating Traditional Roles and New Possibilities
  2. Claudia Orenstein
  3. pp. 493-517
  4. DOI: https://doi.org/10.1353/atj.2015.0049
  5. restricted access
  1. Women in Revolutionary Theatre: IPTA, Labor, and Performance
  2. Prarthana Purkayastha
  3. pp. 518-535
  4. DOI: https://doi.org/10.1353/atj.2015.0055
  5. restricted access
  1. Pritham Chakravarthy: Performing Aravanis’ Life Stories
  2. Kristen Rudisill
  3. pp. 536-555
  4. DOI: https://doi.org/10.1353/atj.2015.0025
  5. restricted access
  1. Taiwanese Jingju Performances Featuring Women’s Writing: Meng Xiaodong and The Ghostdom River
  2. Iris H. Tuan
  3. pp. 556-565
  4. DOI: https://doi.org/10.1353/atj.2015.0031
  5. restricted access
  1. A Fairy in the Wall dir. by Sohn Jin-chaek (review)
  2. Alyssa Kim
  3. pp. 566-569
  4. DOI: https://doi.org/10.1353/atj.2015.0036
  5. restricted access
  1. Much Ado About Nothing dir. by Iqbal Khan (review)
  2. Sita Thomas
  3. pp. 570-572
  4. DOI: https://doi.org/10.1353/atj.2015.0041
  5. restricted access
  1. Masks of Sumatra
  2. Karen Kartomi Thomas
  3. pp. 575-597
  4. DOI: https://doi.org/10.1353/atj.2015.0047
  5. restricted access
  1. Not-Feminism: A Discourse on the Politics of a Term in Modern Indian Theatre
  2. K. Frances Lieder
  3. pp. 598-618
  4. DOI: https://doi.org/10.1353/atj.2015.0053
  5. restricted access
  1. Twenty Years of Suasana: Producing Malay Dance-Drama
  2. Zukifli Mohamad
  3. pp. 619-635
  4. DOI: https://doi.org/10.1353/atj.2015.0023
  5. restricted access
  1. Rulan Chao Pian 卞赵如兰 (1922–2013)
  2. Emily E. Wilcox
  3. pp. 636-647
  4. DOI: https://doi.org/10.1353/atj.2015.0029
  5. restricted access
  1. In Transit: The Formation of the Colonial East Asian Cultural Sphere by Faye Yuan Kleeman (review)
  2. Emily E. Wilcox
  3. pp. 648-652
  4. DOI: https://doi.org/10.1353/atj.2015.0034
  5. restricted access
  1. Brown Boys and Rice Queens: Spellbinding Performance in the Asias by Eng-Beng Lim (review)
  2. Craig Latrell
  3. pp. 652-655
  4. DOI: https://doi.org/10.1353/atj.2015.0039
  5. restricted access
  1. The Happy Hsiungs: Performing China and the Struggle for Modernity by Diana Yeh (review)
  2. Wei Feng
  3. pp. 655-658
  4. DOI: https://doi.org/10.1353/atj.2015.0044
  5. restricted access
  1. Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China by Rossella Ferrari (review)
  2. Tarryn Li-Min Chun
  3. pp. 659-663
  4. DOI: https://doi.org/10.1353/atj.2015.0050
  5. restricted access
  1. The Columbia Anthology of Yuan Drama ed. by C. T. Hsia, Wai-Yee Li, and George Kao (review)
  2. David Rolston
  3. pp. 663-671
  4. DOI: https://doi.org/10.1353/atj.2015.0056
  5. restricted access
  1. The Bunraku Puppet Theatre of Japan: Honor, Vengeance, and love in four Plays of the 18th and 19th Centuries by Stanleigh H. Jones (review)
  2. Sarah Johnson
  3. pp. 672-675
  4. DOI: https://doi.org/10.1353/atj.2015.0026
  5. restricted access
  1. Henry Black: On Stage in Meiji Japan by Ian McArthur (review)
  2. Matthew W. Shores
  3. pp. 675-680
  4. DOI: https://doi.org/10.1353/atj.2015.0032
  5. restricted access
  1. Terror and Performance by Rustom Bharucha (review)
  2. Prateek
  3. pp. 681-683
  4. DOI: https://doi.org/10.1353/atj.2015.0037
  5. restricted access
  1. The Colonial Staged: Theatre in Colonial Calcutta by Sudipto Chatterjee (review)
  2. Kristen Rudisill
  3. pp. 683-685
  4. DOI: https://doi.org/10.1353/atj.2015.0042
  5. restricted access
  1. Contemporary Indian Dance: New Creative Choreography in India and the Diaspora by Ketu H. Katrak (review)
  2. Kathy Foley
  3. p. 686
  4. DOI: https://doi.org/10.1353/atj.2015.0048
  5. restricted access
  1. The Performance of Nationalism: India, Pakistan, and the Memory of Partition by Jisha Menon (review)
  2. K. Frances Lieder
  3. pp. 687-689
  4. DOI: https://doi.org/10.1353/atj.2015.0054
  5. restricted access
  1. Illicit Worlds of Indian Dance: Cultures of Exclusion by Anna Morcom (review)
  2. Claire Pamment
  3. pp. 689-692
  4. DOI: https://doi.org/10.1353/atj.2015.0024
  5. restricted access
  1. The Natyasastra and the Body in Performance: Essays on Indian Theories of Dance and Drama ed. by Sreenath Nair (review)
  2. Janaki Sasidharan
  3. pp. 692-695
  4. DOI: https://doi.org/10.1353/atj.2015.0030
  5. restricted access
  1. Indian Modern Dance, Feminism, and Transnationalism by Prarthana Purkayastha (review)
  2. Kathy Foley
  3. pp. 695-698
  4. DOI: https://doi.org/10.1353/atj.2015.0035
  5. restricted access
  1. Globalization, Nationalism and the Text of Kichaka-Vadha: The First English Translation of the Marathi Anticolonial Classic, with a Historical Analysis of Theatre in British India. Rakesh Solomon (review)
  2. Kedar A. Kulkarni
  3. pp. 698-702
  4. DOI: https://doi.org/10.1353/atj.2015.0040
  5. restricted access
  1. Dancing Bodies of Devotion: Fluid Gestures in Bharata Natyam by Katherine C. Zubko (review)
  2. Kathy Foley
  3. pp. 702-703
  4. DOI: https://doi.org/10.1353/atj.2015.0046
  5. restricted access
  1. The Dance that Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia by Rachmi Diyah Larasati (review)
  2. Kathy Foley
  3. pp. 704-707
  4. DOI: https://doi.org/10.1353/atj.2015.0052
  5. restricted access
  1. Heirs to World Culture: Being Indonesian, 1950–1965 ed. by Jennifer Lindsay and Maya H. T. Liem (review)
  2. Jennifer Goodlander
  3. pp. 707-710
  4. DOI: https://doi.org/10.1353/atj.2015.0058
  5. restricted access
  1. From the Editor
  2. Kathy Foley
  3. p. v
  4. DOI: https://doi.org/10.1353/atj.2015.0045
  5. restricted access
  1. Introduction: Women in Asian Theatre: Conceptual, Political, and Aesthetic Paradigms
  2. Arya Madhavan
  3. pp. 345-355
  4. DOI: https://doi.org/10.1353/atj.2015.0051
  5. restricted access
  1. Books Received
  3. pp. 711-712
  4. DOI: https://doi.org/10.1353/atj.2015.0028
  5. restricted access