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In this Issue

Table of Contents

  1. A Kabuki Innovator, Nakamura Kanzaburō XVIII, Dies Too Young: Where Does Kabuki Go from Here?
  2. Laurence Kominz
  3. pp. 267-270
  4. DOI: https://doi.org/10.1353/atj.2013.0039
  5. restricted access
  1. Richard Schechner
  2. Cobina Gillitt
  3. pp. 276-294
  4. DOI: https://doi.org/10.1353/atj.2013.0047
  5. restricted access
  1. Farley Richmond
  2. Arnab Banerji
  3. pp. 295-308
  4. DOI: https://doi.org/10.1353/atj.2013.0025
  5. restricted access
  1. Daniel S. P. Yang
  2. Siyuan Liu
  3. pp. 309-322
  4. DOI: https://doi.org/10.1353/atj.2013.0029
  5. restricted access
  1. I Made Bandem
  2. Jennifer Goodlander
  3. pp. 323-335
  4. DOI: https://doi.org/10.1353/atj.2013.0033
  5. restricted access
  1. David Goodman
  2. David Jortner
  3. pp. 336-348
  4. DOI: https://doi.org/10.1353/atj.2013.0037
  5. restricted access
  1. Benito Ortolani
  2. Jonah Salz
  3. pp. 349-357
  4. DOI: https://doi.org/10.1353/atj.2013.0041
  5. restricted access
  1. Some Personal Recollections of Benito Ortolani
  2. Samuel L. Leiter
  3. pp. 358-359
  4. DOI: https://doi.org/10.1353/atj.2013.0045
  5. restricted access
  1. The “Broken” and the “Breakthroughs”: Acting in Jingju Model Plays of China’s Cultural Revolution
  2. Xing Fan
  3. pp. 360-389
  4. DOI: https://doi.org/10.1353/atj.2013.0023
  5. restricted access
  1. Enchanting the Audience: Dramatic Devices of Sakura Mask Theatre in West Lampung, Sumatra
  2. Karen Kartomi Thomas
  3. pp. 390-414
  4. DOI: https://doi.org/10.1353/atj.2013.0027
  5. restricted access
  1. Hakka Female Identity in Postcolonial Taiwan: The Shigang Mama Theatre Group and Images of Hakka Women
  2. Tzu-Yun Hu
  3. pp. 445-465
  4. DOI: https://doi.org/10.1353/atj.2013.0036
  5. restricted access
  1. Late Muromachi and Furyū Nō: Two Plays by Kanze Nagatoshi
  2. Quillon Arkenstone
  3. pp. 466-485
  4. DOI: https://doi.org/10.1353/atj.2013.0040
  5. restricted access
  1. An Interview with Mangai
  2. Anita Singh
  3. pp. 486-505
  4. DOI: https://doi.org/10.1353/atj.2013.0044
  5. restricted access
  1. Anthologizing Indonesian Popular Theatre
  2. Matthew Isaac Cohen
  3. pp. 506-519
  4. DOI: https://doi.org/10.1353/atj.2013.0048
  5. restricted access
  1. Tibet Performance, Past and Present: Multidisciplinary Avenues of Research
  2. Kathy Foley
  3. pp. 520-525
  4. DOI: https://doi.org/10.1353/atj.2013.0026
  5. restricted access
  1. The Next by Hands Percussion (review)
  2. Leng Poh Gee
  3. pp. 526-532
  4. DOI: https://doi.org/10.1353/atj.2013.0030
  5. restricted access
  1. Lear Dreaming (review)
  2. Sir Anril Pineda Tiatco
  3. pp. 532-538
  4. DOI: https://doi.org/10.1353/atj.2013.0034
  5. restricted access
  1. Magic Mirror: The Musical (review)
  2. Loo Fung Ying
  3. pp. 538-544
  4. DOI: https://doi.org/10.1353/atj.2013.0038
  5. restricted access
  1. Tokyo Theatre Today: Conversations with Eight Emerging Theatre Artists by Iwaki Kyoko (review)
  2. David Jortner
  3. pp. 547-549
  4. DOI: https://doi.org/10.1353/atj.2013.0046
  5. restricted access
  1. Seven Contemporary Plays for the Korean Diaspora in the Americas ed. by Esther Kim Lee (review)
  2. Kathy Foley
  3. pp. 553-556
  4. DOI: https://doi.org/10.1353/atj.2013.0028
  5. restricted access
  1. From the Editor
  2. Kathy Foley
  3. pp. iii-v
  4. DOI: https://doi.org/10.1353/atj.2013.0035
  5. restricted access
  1. Founders of the Field II: Introduction
  2. Siyuan Liu, David Jortner
  3. pp. 271-275
  4. DOI: https://doi.org/10.1353/atj.2013.0043
  5. restricted access
  1. Color Insert
  2. pp. Color Insert 1-Color Insert 7
  3. DOI: https://doi.org/10.1353/atj.2013.0032
  4. restricted access