We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 29, Number 1, Spring 2012

Table of Contents

From the Editor

pp. v-vii | DOI: 10.1353/atj.2012.0030

Gender and Women in Asian Theatre

Female Roles and Engagement of Women in the Classical Sanskrit Theatre Kūṭiyāṭṭam: A Contemporary Theatre Tradition

pp. 1-30 | DOI: 10.1353/atj.2012.0003

How Not to Act like a Woman: Gender Ideology and Humor in West Java, Indonesia

pp. 31-53 | DOI: 10.1353/atj.2012.0008

Gender, Power, and Puppets: Two Early Women Dalangs in Bali

pp. 54-77 | DOI: 10.1353/atj.2012.0013


An Interview with Poile Sengupta

pp. 78-88 | DOI: 10.1353/atj.2012.0018

Literature Review

Gender, Tradition, and Culture in Translation: Reading the Onnagata in English

pp. 89-111 | DOI: 10.1353/atj.2012.0023

Is the Onnagata Necessary?

pp. 112-121 | DOI: 10.1353/atj.2012.0028

Reflections on the Onnagata

pp. 122-125 | DOI: 10.1353/atj.2012.0001


A Vaishnava Theatrical Performance in Nepal: The Kāttī-pyākhã of Lalitpur City

pp. 126-163 | DOI: 10.1353/atj.2012.0006

Singing in the Workplace: Salarymen and Amateur Performance

pp. 164-182 | DOI: 10.1353/atj.2012.0011

Chinese Chuanqi Opera in English: Directing The West Wing with Modern Music

pp. 183-205 | DOI: 10.1353/atj.2012.0016

Emerging Scholars Papers

Han-Tang Zhongguo Gudianwu and the Problem of Chineseness in Contemporary Chinese Dance: Sixty Years of Creation and Controversy

pp. 206-232 | DOI: 10.1353/atj.2012.0021

Negotiating Class, Taste, and Culture via the Arts Scene in Singapore: Postcolonial or Cosmopolitan Global?

pp. 233-254 | DOI: 10.1353/atj.2012.0026

Personal Sorrow: Cải Lương and the Politics of North and South Vietnam

pp. 255-275 | DOI: 10.1353/atj.2012.0031

Everyday Flamboyancy in Chennai's Sabha Theatre

pp. 276-290 | DOI: 10.1353/atj.2012.0004

Performance Reviews

Chushyeoyo, and: Good Pan (review)

pp. 291-301 | DOI: 10.1353/atj.2012.0009

Kutiyattam Festival (Kutiyattam Mahotsavam) (review)

pp. 302-304 | DOI: 10.1353/atj.2012.0014

Book Reviews

The Narrative Arts of Tianjin: Between Music and Language (review)

pp. 305-307 | DOI: 10.1353/atj.2012.0019

The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World (review)

pp. 308-310 | DOI: 10.1353/atj.2012.0024

Songs of Contentment and Transgression: Discharged Officials and Literati Communities in Sixteenth-Century North China (review)

pp. 310-313 | DOI: 10.1353/atj.2012.0029

Erotic Triangles: Sundanese Dance and Masculinity in West Java (review)

pp. 313-316 | DOI: 10.1353/atj.2012.0002

Rua Bineda in Bali: Counterfeit Justice in the Trial of Nyoman Gunarsa (review)

pp. 316-319 | DOI: 10.1353/atj.2012.0007

Inside the Puppet Box: Performance Collection of Wayang Kulit at The Museum of International Folk Art (review)

pp. 319-320 | DOI: 10.1353/atj.2012.0012

Butoh: Metamorphic Dance and Global Alchemy (review)

pp. 321-323 | DOI: 10.1353/atj.2012.0017

An Anthology of Nagauta (review)

p. 324 | DOI: 10.1353/atj.2012.0022

A Beggar's Art: Scripting Modernity in Japanese Drama, 1900-1930 (review)

pp. 325-327 | DOI: 10.1353/atj.2012.0027

The Shadow Puppet Theatre of Malaysia: A Study of Wayang Kulit with Performance Scripts and Puppet Designs (review)

pp. 327-330 | DOI: 10.1353/atj.2012.0000

The Day the Dancers Stayed: Performing in the Filipino/American Diaspora (review)

pp. 330-331 | DOI: 10.1353/atj.2012.0005

Choreographing Asian America (review)

pp. 332-334 | DOI: 10.1353/atj.2012.0010

Eurasian Theatre: Dance and Performance Between East and West from Classical Antiquity to the Present (review)

pp. 335-337 | DOI: 10.1353/atj.2012.0015

The Columbia Anthology of Chinese Folk and Popular Literature (review)

pp. 337-338 | DOI: 10.1353/atj.2012.0020

Color Insert

pp. Color Insert 01-Color Insert 06 | DOI: 10.1353/atj.2012.0025