We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE
OR

Volume 28, Number 2, Fall 2011

Table of Contents

From the Editor

pp. v-vi | DOI: 10.1353/atj.2011.0025

Addendum to Modern Chinese Drama in English: A Selective Bibliography

pp. 279-280 | DOI: 10.1353/atj.2011.0031

Symposium: Founders of the Field

The Association for Asian Performance: A Brief History

pp. 281-308 | DOI: 10.1353/atj.2011.0037

Founders of the Field: Japan Introduction

pp. 309-313 | DOI: 10.1353/atj.2011.0043

Faubion Bowers

pp. 314-321 | DOI: 10.1353/atj.2011.0049

John D. Mitchell

pp. 322-331 | DOI: 10.1353/atj.2011.0055

Earle S. Ernst

pp. 332-340 | DOI: 10.1353/atj.2011.0023

James R. Brandon

pp. 341-355 | DOI: 10.1353/atj.2011.0029

Samuel L. Leiter

pp. 356-367 | DOI: 10.1353/atj.2011.0035

Andrew T. Tsubaki

pp. 368-374 | DOI: 10.1353/atj.2011.0041

Leonard Cabell Pronko

pp. 375-391 | DOI: 10.1353/atj.2011.0047

Donald Keene

pp. 392-399 | DOI: 10.1353/atj.2011.0053

J. Thomas Rimer

pp. 400-408 | DOI: 10.1353/atj.2011.0058

Founders of the Field: China Introduction

pp. 409-413 | DOI: 10.1353/atj.2011.0027

A. C. Scott

pp. 414-425 | DOI: 10.1353/atj.2011.0033

Colin Mackerras

pp. 426-436 | DOI: 10.1353/atj.2011.0039

Founders of the Field: South and Southeast Asia Introduction

pp. 437-442 | DOI: 10.1353/atj.2011.0045

Melvyn Helstien

pp. 443-450 | DOI: 10.1353/atj.2011.0051

John Emigh

pp. 451-462 | DOI: 10.1353/atj.2011.0056

Roger Long

pp. 463-474 | DOI: 10.1353/atj.2011.0024

Fredrik deBoer

pp. 475-482 | DOI: 10.1353/atj.2011.0030

Articles

“Modern Theatre for the Twenty-first Century”?: Shanghai Conservatory of Music’s Staging of The White Goddess (2009).

pp. 483-504 | DOI: 10.1353/atj.2011.0036

The Ati-Atihan Festival: Dancing with the Santo Niño at the “Filipino Mardi Gras”

pp. 505-528 | DOI: 10.1353/atj.2011.0042

“Flower” as Performing Body in Nō Theatre

pp. 529-548 | DOI: 10.1353/atj.2011.0048

Remapping the Korean Theatre Tradition: A Case Study of Gwolhui, a Theatre of the Confucian Students in the Chosun Dynasty

pp. 549-568 | DOI: 10.1353/atj.2011.0054

Performance Reviews

Charudattam (Kathakali Julius Caesar) (review)

pp. 569-572 | DOI: 10.1353/atj.2011.0022

My Daughter’s Wedding (review)

pp. 573-577 | DOI: 10.1353/atj.2011.0028

Waiting for God’s Words (review)

pp. 577-584 | DOI: 10.1353/atj.2011.0034

Book Reviews

China’s Greatest Operatic Male Actor of Female Roles: Documenting the Life and Art of Mei Lanfang, 1894–1961 (review)

pp. 585-588 | DOI: 10.1353/atj.2011.0040

Theatre in Colonial India: Play-House of Power (review)

pp. 588-592 | DOI: 10.1353/atj.2011.0046

Modern Indian Theatre: A Reader (review)

pp. 592-595 | DOI: 10.1353/atj.2011.0052

Engendering Performance: Indian Women Performers in Search of an Identity (review)

pp. 595-598 | DOI: 10.1353/atj.2011.0057

Balasaraswati: Her Art and Life (review)

pp. 598-602 | DOI: 10.1353/atj.2011.0026

NŌ Theatre Transversal (review)

pp. 602-605 | DOI: 10.1353/atj.2011.0032

Illusive Utopia: Theater, Film, and Everyday Performance in North Korea (review)

pp. 605-609 | DOI: 10.1353/atj.2011.0038

Film Reviews

Dojoji—A Lovers’ Duet; The Sentimental Plasterer; Nezumi, the Japanese Robin Hood (review)

pp. 610-613 | DOI: 10.1353/atj.2011.0044

Color Insert

Color Insert

pp. Color Insert 1-6 | DOI: 10.1353/atj.2011.0050

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access