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Browse Book and Journal Content on Project MUSE

Volume 28, Number 2, Fall 2011

Table of Contents

From the Editor

pp. v-vi | DOI: 10.1353/atj.2011.0025

Addendum to Modern Chinese Drama in English: A Selective Bibliography

pp. 279-280 | DOI: 10.1353/atj.2011.0031

Symposium: Founders of the Field

The Association for Asian Performance: A Brief History

pp. 281-308 | DOI: 10.1353/atj.2011.0037

Founders of the Field: Japan Introduction

pp. 309-313 | DOI: 10.1353/atj.2011.0043

Faubion Bowers

pp. 314-321 | DOI: 10.1353/atj.2011.0049

John D. Mitchell

pp. 322-331 | DOI: 10.1353/atj.2011.0055

Earle S. Ernst

pp. 332-340 | DOI: 10.1353/atj.2011.0023

James R. Brandon

pp. 341-355 | DOI: 10.1353/atj.2011.0029

Samuel L. Leiter

pp. 356-367 | DOI: 10.1353/atj.2011.0035

Andrew T. Tsubaki

pp. 368-374 | DOI: 10.1353/atj.2011.0041

Leonard Cabell Pronko

pp. 375-391 | DOI: 10.1353/atj.2011.0047

Donald Keene

pp. 392-399 | DOI: 10.1353/atj.2011.0053

J. Thomas Rimer

pp. 400-408 | DOI: 10.1353/atj.2011.0058

Founders of the Field: China Introduction

pp. 409-413 | DOI: 10.1353/atj.2011.0027

A. C. Scott

pp. 414-425 | DOI: 10.1353/atj.2011.0033

Colin Mackerras

pp. 426-436 | DOI: 10.1353/atj.2011.0039

Founders of the Field: South and Southeast Asia Introduction

pp. 437-442 | DOI: 10.1353/atj.2011.0045

Melvyn Helstien

pp. 443-450 | DOI: 10.1353/atj.2011.0051

John Emigh

pp. 451-462 | DOI: 10.1353/atj.2011.0056

Roger Long

pp. 463-474 | DOI: 10.1353/atj.2011.0024

Fredrik deBoer

pp. 475-482 | DOI: 10.1353/atj.2011.0030


“Modern Theatre for the Twenty-first Century”?: Shanghai Conservatory of Music’s Staging of The White Goddess (2009).

pp. 483-504 | DOI: 10.1353/atj.2011.0036

The Ati-Atihan Festival: Dancing with the Santo Niño at the “Filipino Mardi Gras”

pp. 505-528 | DOI: 10.1353/atj.2011.0042

“Flower” as Performing Body in Nō Theatre

pp. 529-548 | DOI: 10.1353/atj.2011.0048

Remapping the Korean Theatre Tradition: A Case Study of Gwolhui, a Theatre of the Confucian Students in the Chosun Dynasty

pp. 549-568 | DOI: 10.1353/atj.2011.0054

Performance Reviews

Charudattam (Kathakali Julius Caesar) (review)

pp. 569-572 | DOI: 10.1353/atj.2011.0022

My Daughter’s Wedding (review)

pp. 573-577 | DOI: 10.1353/atj.2011.0028

Waiting for God’s Words (review)

pp. 577-584 | DOI: 10.1353/atj.2011.0034

Book Reviews

China’s Greatest Operatic Male Actor of Female Roles: Documenting the Life and Art of Mei Lanfang, 1894–1961 (review)

pp. 585-588 | DOI: 10.1353/atj.2011.0040

Theatre in Colonial India: Play-House of Power (review)

pp. 588-592 | DOI: 10.1353/atj.2011.0046

Modern Indian Theatre: A Reader (review)

pp. 592-595 | DOI: 10.1353/atj.2011.0052

Engendering Performance: Indian Women Performers in Search of an Identity (review)

pp. 595-598 | DOI: 10.1353/atj.2011.0057

Balasaraswati: Her Art and Life (review)

pp. 598-602 | DOI: 10.1353/atj.2011.0026

NŌ Theatre Transversal (review)

pp. 602-605 | DOI: 10.1353/atj.2011.0032

Illusive Utopia: Theater, Film, and Everyday Performance in North Korea (review)

pp. 605-609 | DOI: 10.1353/atj.2011.0038

Film Reviews

Dojoji—A Lovers’ Duet; The Sentimental Plasterer; Nezumi, the Japanese Robin Hood (review)

pp. 610-613 | DOI: 10.1353/atj.2011.0044

Color Insert

Color Insert

pp. Color Insert 1-6 | DOI: 10.1353/atj.2011.0050