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Table of Contents

  1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/amu.2015.0010
  5. restricted access
  1. Hathrasi Rasiya: An Intermediate Song Genre of North India
  2. Peter Manuel
  3. pp. 3-24
  4. DOI: https://doi.org/10.1353/amu.2015.0012
  5. restricted access
  1. A Score Full of Grief: Fumio Hayasaka’s Music for Sanshō the Bailif (1954)
  2. Michael W. Harris
  3. pp. 25-54
  4. DOI: https://doi.org/10.1353/amu.2015.0014
  5. restricted access
  1. Retuning Javanese Identities: The Ironies of a Popular Genre
  2. Nancy I. Cooper
  3. pp. 55-88
  4. DOI: https://doi.org/10.1353/amu.2015.0016
  5. restricted access
  1. Standardizing and Exoticizing the Main Jo’oh: The Tourist Gaze and Identity Politics in the Music and Dance of the Indigenous Mah Meri of Malaysia
  2. Clare Suet Ching Chan
  3. pp. 89-126
  4. DOI: https://doi.org/10.1353/amu.2015.0018
  5. restricted access
  1. Musical Journeys in Sumatra by Margaret Kartomi (review)
  2. Jennifer Fraser
  3. pp. 127-130
  4. DOI: https://doi.org/10.1353/amu.2015.0019
  5. restricted access
  1. Ritual and Music of North China, Volume 2, Shaanbei by Stephen Jones (review)
  2. Beth Szczepanski
  3. pp. 130-132
  4. DOI: https://doi.org/10.1353/amu.2015.0009
  5. restricted access
  1. In Search of the Folk Daoists of North China by Stephen Jones (review)
  2. Min Wang
  3. pp. 132-136
  4. DOI: https://doi.org/10.1353/amu.2015.0011
  5. restricted access
  1. The Last Biwa Singer, A Blind Musician in History, Imagination and Performance by Hugh de Ferranti (review)
  2. Bruno Deschênes
  3. pp. 136-141
  4. DOI: https://doi.org/10.1353/amu.2015.0013
  5. restricted access
  1. Japanoise: Music at the Edge of Circulation by David Novak (review)
  2. E. Taylor Atkins
  3. pp. 141-144
  4. DOI: https://doi.org/10.1353/amu.2015.0015
  5. restricted access
  1. About the Contributors
  3. pp. 145-146
  4. DOI: https://doi.org/10.1353/amu.2015.0017
  5. restricted access