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Volume 43, Number 2, Summer/Fall 2012

Table of Contents

From the Editor

pp. 1-2 | DOI: 10.1353/amu.2012.0018

Nationalism and Musical Style in Interwar Yōgaku: A Reappraisal

pp. 3-46 | DOI: 10.1353/amu.2012.0021

An Odyssey for Korean Rock: From Subversive to Patriotic

pp. 47-70 | DOI: 10.1353/amu.2012.0024

The Expression of Chineseness and Americanness in Chinese Popular Music: A Comparison of ABC Pop Stars Wang Leehom and Vanness Wu

pp. 71-87 | DOI: 10.1353/amu.2012.0026

The Timbre of Thai Classical Singing

pp. 88-114 | DOI: 10.1353/amu.2012.0013

The Trajectories of Transplants: Singing Alhā, Birhā, and the Rāmāyan in the Indic Caribbean

pp. 115-154 | DOI: 10.1353/amu.2012.0015

Reviews

Book Reviews

Wicked Theory, Naked Practice: A Fred Ho Reader (review)

pp. 155-158 | DOI: 10.1353/amu.2012.0017

Le pouvoir en chantant, tome II: une musique d’état impériale (review)

pp. 159-162 | DOI: 10.1353/amu.2012.0020

Ritual Music and Hindu Rituals of Kerala (review)

pp. 162-164 | DOI: 10.1353/amu.2012.0023

Performing Otherness: Java and Bali on International Stages, 1905–1952 (review)

pp. 164-167 | DOI: 10.1353/amu.2012.0025

Music in Mainland Southeast Asia: Experiencing Music, Expressing Culture (review)

pp. 167-170 | DOI: 10.1353/amu.2012.0012

Recording Reviews

Hanoi Eclipse: The Music of Dai Lam Linh (review)

pp. 171-173 | DOI: 10.1353/amu.2012.0014

The River of Exchange: Music of Agusan Manobo and Visayan Relations in Caraga, Mindanao, Philippines (review)

pp. 173-175 | DOI: 10.1353/amu.2012.0016

Songs from Siberut, Flores, and Solor Islands (Indonesia): Two Albums

pp. 175-179 | DOI: 10.1353/amu.2012.0019

About the Contributors

pp. 180-182 | DOI: 10.1353/amu.2012.0022

Research Areas

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