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Volume 40, Number 1, Winter/Spring 2009

Introduction: Music and the Asian Diaspora

pp. 1-3 | DOI: 10.1353/amu.0.0020

Performing Race and Place in Asian America:

pp. 4-30 | DOI: 10.1353/amu.0.0015

Lou Harrison’s Music for Western Instruments and Gamelan: Even More Western than It Sounds

pp. 31-52 | DOI: 10.1353/amu.0.0018

Popular Hindi Film Song Sequences Set in the Indian Diaspora and the Negotiating of Indian Identity

pp. 53-82 | DOI: 10.1353/amu.0.0012

The Voicing of the Voiceless in Tan Dun’s The Map: Horizon of Expectation and the Rhetoric of National Style

pp. 83-99 | DOI: 10.1353/amu.0.0021

Asian Masculinities and Parodic Possibility in Odaiko Solos and Filmic Representations

pp. 100-130 | DOI: 10.1353/amu.0.0022

Performing “Chineseness” on the Western Concert Stage:

pp. 131-148 | DOI: 10.1353/amu.0.0019

Reviews

Book Review

Kiyomoto-bushi: Narrative Music of the Kabuki Theater, and: Shaped by Japanese Music: Kikuoka Hiroaki and Nagauta Shamisen in Tokyo (review)

pp. 149-153 | DOI: 10.1353/amu.0.0016

Audio Recording Reviews

Mahârâshtra: (Inde/India) Chants des Konkanî de Kochi/Songs of the Konkanî from Kochi (review)

pp. 154-157 | DOI: 10.1353/amu.0.0017

Gamelan of Central Java II: Ceremonial Music, and: Gamelan of Central Java IV: Spiritual Music (review)

pp. 157-161 | DOI: 10.1353/amu.0.0014

About the Contributors

pp. 162-164 | DOI: 10.1353/amu.0.0013
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