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Browse > Area and Ethnic Studies > Asian and Pacific Studies > Asian Music

Volume 39, Number 2, Summer/Fall 2008

What's That Sound?: Korean Fusion Music and the Ascendancy of the Haegŭm

pp. 1-27 | DOI: 10.1353/amu.0.0007
R. Anderson Sutton
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Nationalism, Nationalization, and the Egyptian Music Industry:

pp. 28-58 | DOI: 10.1353/amu.0.0009
Michael Frishkopf
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Xylophones in Thailand and Java: A Comparative Phenomenology of Musical Instruments

pp. 59-107 | DOI: 10.1353/amu.0.0011
Jan Mrázek
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Temple Music Traditions in Hindu South India: Periya Mēḷam and Its Performance Practice

pp. 108-151 | DOI: 10.1353/amu.0.0001
Yoshitaka Terada
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Typology of Musical Structures in the Japanese Shintô Ritual Kagura

pp. 152-166 | DOI: 10.1353/amu.0.0003
János Kárpáti
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Innovation in the Guise of Tradition:

pp. 167-185 | DOI: 10.1353/amu.0.0005
Heather MacLachlan
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Reviews

Book Reviews

Hindi Poetry in a Musical Genre: Thumri Lyrics (review)

pp. 186-188 | DOI: 10.1353/amu.0.0006
Amanda Weidman
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The Repertoire of Iraqi Maqam (review)

pp. 188-193 | DOI: 10.1353/amu.0.0008
Scott Marcus
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Audio Recording Reviews

Song of the True Hand (review)

pp. 194-197 | DOI: 10.1353/amu.0.0010
Jay Keister
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Bhakti: The Sound of the Soul (review)

pp. 197-199 | DOI: 10.1353/amu.0.0000
Meilu Ho
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Gamelan de Solo-Le jeu des Sentiments (A Garland of Moods) (review)

pp. 199-201 | DOI: 10.1353/amu.0.0002
Sumarsam
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Contributors

About the Contributors

pp. 202-204 | DOI: 10.1353/amu.0.0004
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Asian Music

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