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Table of Contents

  1. The Importance of Being Gender 'Stable': Masculinity and Feminine Empowerment in Le Roman de Silence
  2. Lorraine Kochanske Stock
  3. pp. 7-34
  4. DOI: https://doi.org/10.1353/art.1997.0065
  5. restricted access
  1. The Third Path: Alternative Sex, Alternative Gender in Le Roman de Silence
  2. Elizabeth A. Waters
  3. pp. 35-46
  4. DOI: https://doi.org/10.1353/art.1997.0068
  5. restricted access
  1. Lesbian Desire in the Old French Roman de Silence
  2. Kathleen M. Blumreich
  3. pp. 47-62
  4. DOI: https://doi.org/10.1353/art.1997.0071
  5. restricted access
  1. The Specular Image of the Gender-Neutral Name: Naming Silence in Le Roman de Silence
  2. Erin F. Labbie
  3. pp. 63-77
  4. DOI: https://doi.org/10.1353/art.1997.0074
  5. restricted access
  1. The Modern Editor and Medieval 'Misogyny': Text Editing and Le Roman de Silence
  2. F. Regina Psaki
  3. pp. 78-86
  4. DOI: https://doi.org/10.1353/art.1997.0059
  5. restricted access
  1. The Non-Existent Knight: Adventure in Le Roman de Silence
  2. Caroline A. Jewers
  3. pp. 87-110
  4. DOI: https://doi.org/10.1353/art.1997.0061
  5. restricted access
  1. Le Roman de Silence: Allegory in Ruin or Womb of Irony?
  2. Gloria Thomas Gilmore
  3. pp. 111-128
  4. DOI: https://doi.org/10.1353/art.1997.0064
  5. restricted access
  1. News: from the North American Branch
  3. pp. 129-136
  4. DOI: https://doi.org/10.1353/art.1997.0067
  5. restricted access
  1. The Pilgrimage Motif in the Works of the Medieval German Author Hartmann von Aue by Mary Vandegrift Mills (review)
  2. George E. Harding
  3. pp. 140-141
  4. DOI: https://doi.org/10.1353/art.1997.0075
  5. restricted access
  1. The Knight of the Two Swords: A Thirteenth-Century Arthurian Romance trans. by Ross G. Arthur and Noel L. Corbett (review)
  2. Angela Jane Welsl
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/art.1997.0063
  5. restricted access
  1. Medieval Comic Tales ed. by Derek Brewer (review)
  2. Donald L. Hoffman
  3. p. 146
  4. DOI: https://doi.org/10.1353/art.1997.0069
  5. restricted access
  1. The Use of the Arthurian Legend in Hollywood Film: From Connecticut Yankees to Fisher Kings by Rebecca A. Umland and Samuel J. Umland (review)
  2. Kevin J. Harty
  3. pp. 148-149
  4. DOI: https://doi.org/10.1353/art.1997.0076
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  1. Introduction
  2. F. Regina Psaki
  3. pp. 3-6
  4. DOI: https://doi.org/10.1353/art.1997.0062
  5. restricted access
  1. Glastonbury Abbey by James P. Carley (review)
  2. Andrew Breeze
  3. pp. 137-137a
  4. DOI: https://doi.org/10.1353/art.1997.0070
  5. restricted access
  1. The Unholy Grail: A Social Reading of Chrétien de Troyes's 'Conte du Graal.' by Brigitte Gazelles (review)
  2. David C. Fowler
  3. pp. 138-139a
  4. DOI: https://doi.org/10.1353/art.1997.0073
  5. restricted access
  1. Mental Representation Theory in Old French Allegory from the Twelfth and Thirteenth Centuries by Katherine G. Maccornack (review)
  2. Judith S. Neaman
  3. pp. 142-142a
  4. DOI: https://doi.org/10.1353/art.1997.0060
  5. restricted access
  1. Text and Intertext in Medieval Arthurian Literature ed. by Norris J. Lacy (review)
  2. Richard J. Moll
  3. pp. 145-145a
  4. DOI: https://doi.org/10.1353/art.1997.0066
  5. restricted access
  1. Literary Nominalism and the Theory of Rereading Late Medieval Texts: A New Research Paradigm ed. by Richard J . Utz (review)
  2. Maureen Fries
  3. pp. 147-147a
  4. DOI: https://doi.org/10.1353/art.1997.0072
  5. restricted access