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Table of Contents

  1. 'Recalled to Life': King Arthur's Return and the Body of the Past in Nineteenth-Century England
  2. Megan L. Morris
  3. pp. 5-27
  4. DOI: https://doi.org/10.1353/art.2011.0016
  5. restricted access
  1. All Dressed Up: Revivalism and the Fashion for Arthur in Victorian Culture
  2. Inga Bryden
  3. pp. 28-41
  4. DOI: https://doi.org/10.1353/art.2011.0018
  5. restricted access
  1. Sacred Relics: Travelers and the Holy Grail
  2. Roger Simpson
  3. pp. 42-58
  4. DOI: https://doi.org/10.1353/art.2011.0020
  5. restricted access
  1. The Arctic Arthur
  2. Stephen Knight
  3. pp. 59-89
  4. DOI: https://doi.org/10.1353/art.2011.0022
  5. restricted access
  1. Popular Images Derived from Tennyson's Arthurian Poems
  2. Alan Lupack
  3. pp. 90-118
  4. DOI: https://doi.org/10.1353/art.2011.0024
  5. restricted access
  1. The Round Table
  3. pp. 119-124
  4. DOI: https://doi.org/10.1353/art.2011.0013
  5. restricted access
  1. Cinematic Illuminations: The Middle Ages on Film (review)
  2. Kevin J. Harty
  3. pp. 125-126
  4. DOI: https://doi.org/10.1353/art.2011.0015
  5. restricted access
  1. Expectations of Romance: The Reception of a Genre in Medieval England (review)
  2. Michael Foster
  3. pp. 126-128
  4. DOI: https://doi.org/10.1353/art.2011.0017
  5. restricted access
  1. Sir Gawain and the Green Knight (review)
  2. Kuniko Shoji
  3. pp. 128-129
  4. DOI: https://doi.org/10.1353/art.2011.0019
  5. restricted access
  1. Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature (review)
  2. Rosalind Field
  3. pp. 130-131
  4. DOI: https://doi.org/10.1353/art.2011.0021
  5. restricted access
  1. Magic and the Supernatural in Medieval English Romance (review)
  2. Carolyne Larrington
  3. pp. 131-132
  4. DOI: https://doi.org/10.1353/art.2011.0023
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  1. Introduction
  2. Alan Lupack
  3. pp. 3-4
  4. DOI: https://doi.org/10.1353/art.2011.0014
  5. restricted access