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Table of Contents

  1. Factory Labor and Literary Aesthetics: The “Lowell Mill Girl,” Popular Fiction, and the Proletarian Grotesque
  2. Lori Merish
  3. pp. 1-34
  4. DOI: https://doi.org/10.1353/arq.2012.0022
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  1. “Some Unsuspected Author”: Ignatius Donnelly and the Conspiracy Novel
  2. Alex J. Beringer
  3. pp. 35-60
  4. DOI: https://doi.org/10.1353/arq.2012.0024
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  1. Austin’s Consuming “Desertness” in The Land of Little Rain
  2. Beverly A. Hume
  3. pp. 61-77
  4. DOI: https://doi.org/10.1353/arq.2012.0026
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  1. “To forget your place”: Translation and Irretrievability in Cahan’s The Rise of David Levinsky
  2. Michael Barry
  3. pp. 79-104
  4. DOI: https://doi.org/10.1353/arq.2012.0027
  5. restricted access
  1. Reading The Black Book: Between the Lines of History
  2. Cheryl A. Wall
  3. pp. 105-130
  4. DOI: https://doi.org/10.1353/arq.2012.0028
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  1. Cyberkill: Melancholia, Globalization and Media Terrorism in American Psycho and Glamorama
  2. Patrick F. Walter
  3. pp. 131-154
  4. DOI: https://doi.org/10.1353/arq.2012.0029
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  1. Private Property as Story: Helena Viramontes’ Their Dogs Came with Them
  2. Mitchum Huehls
  3. pp. 155-182
  4. DOI: https://doi.org/10.1353/arq.2012.0021
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  1. The Contributors
  3. p. 183
  4. DOI: https://doi.org/10.1353/arq.2012.0023
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  1. Contents, Volume 68, 2012
  3. pp. 185-187
  4. DOI: https://doi.org/10.1353/arq.2012.0025
  5. restricted access