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Table of Contents

  1. Carwin the Onanist?
  2. Gale Temple
  3. pp. 1-32
  4. DOI: https://doi.org/10.1353/arq.0.0027
  5. restricted access
  1. Performing Beauty: Allegories of Social Passing in Eliza Potter’s A Hairdresser’s Experience in High Life
  2. Rynetta Davis
  3. pp. 33-54
  4. DOI: https://doi.org/10.1353/arq.0.0030
  5. restricted access
  1. Trilling’s University and the Creation of Postmodernism
  2. Robert Henn
  3. pp. 55-83
  4. DOI: https://doi.org/10.1353/arq.0.0029
  5. restricted access
  1. Stories, Not History: Laura Riding’s Progress of Truth
  2. Carla Billitteri
  3. pp. 85-105
  4. DOI: https://doi.org/10.1353/arq.0.0028
  5. restricted access
  1. Recovering (from) the Double: Fiction as Historical Revision in Octavia E. Butler’s Kindred
  2. Sarah Eden Schiff
  3. pp. 107-136
  4. DOI: https://doi.org/10.1353/arq.0.0032
  5. restricted access
  1. Reconstructing Austin: Joan Retallack’s How to Do Things With Words
  2. Mark Cantrell
  3. pp. 137-161
  4. DOI: https://doi.org/10.1353/arq.0.0033
  5. restricted access
  1. The Contributors
  3. p. 163
  4. DOI: https://doi.org/10.1353/arq.0.0031
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