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In this Issue

Table of Contents

  1. Who's Laughing Now?: Sentimental Readers and Authorial Revenge in "Alice Doane's Appeal"
  2. Christopher F. Packard
  3. pp. 1-20
  4. DOI: https://doi.org/10.1353/arq.1996.0015
  5. restricted access
  1. Indian-Hater, Wild Man: Melville's Confidence-Man
  2. Stephen Matterson
  3. pp. 21-35
  4. DOI: https://doi.org/10.1353/arq.1996.0019
  5. restricted access
  1. "I Feared to Find Myself a Foreigner": Revisiting Regionalism in Sarah Orne Jewett's The Country of the Pointed Firs
  2. Stephanie Foote
  3. pp. 37-61
  4. DOI: https://doi.org/10.1353/arq.1996.0001
  5. restricted access
  1. John Barleycorn's Body
  2. Peter T. Okun
  3. pp. 63-86
  4. DOI: https://doi.org/10.1353/arq.1996.0004
  5. restricted access
  1. Slavery, Song, and the South: Cather's Refiguration of Stowe and Foster in A Lost Lady
  2. Tomoyuki Zettsu
  3. pp. 87-104
  4. DOI: https://doi.org/10.1353/arq.1996.0007
  5. restricted access
  1. The Chronotopic Restructuring of Gaze in Film
  2. Tacey A. Rosolowski
  3. pp. 105-138
  4. DOI: https://doi.org/10.1353/arq.1996.0010
  5. restricted access
  1. The Contributors
  3. p. 139
  4. DOI: https://doi.org/10.1353/arq.1996.0014
  5. restricted access