We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 2, 1998

Table of Contents


In This Issue

pp. 5-6 | DOI: 10.1353/hcs.2011.0013

The Role of Spain in Contemporary Race Theory

pp. 7-22 | DOI: 10.1353/hcs.2011.0018

Writing Without a Grain: Identity Formation in Three Works by Muñoz Molina

pp. 23-40 | DOI: 10.1353/hcs.2011.0023

Millennial Anxieties: Borders, Violence and the Struggle for Chicana/o Subjectivity

pp. 41-62 | DOI: 10.1353/hcs.2011.0028

Identidades lesbianas en España: construcción y articulación de una identidad colectiva en tres revistas españolas

pp. 63-86 | DOI: 10.1353/hcs.2011.0003

El Barzón: Performing Resistance in Contemporary Mexico

pp. 87-112 | DOI: 10.1353/hcs.2011.0007

Terrorism as Memory: The Historical Novel and Masculine Masochism in Contemporary Basque Literature

pp. 113-146 | DOI: 10.1353/hcs.2011.0011

Rosa Montero y Pedro Almodóvar: miseria y estilización de la movida madrileña

pp. 147-161 | DOI: 10.1353/hcs.2011.0016

Reflections on Historiography in Montserrat Roig's L'hora violeta

pp. 163-174 | DOI: 10.1353/hcs.2011.0021

Del discurso de la enfermedad al discurso de la identidad en Juan Goytisolo

pp. 175-196 | DOI: 10.1353/hcs.2011.0026


A quemmaropa con Manuel Vázquez Montalbán y Paco Ignacio Taibo II

pp. 197-231 | DOI: 10.1353/hcs.2011.0001

Round Table Discussion

'El diseño es una cuestión de adjetivos . . . los sustantivos están todos en El Corte Inglés'

pp. 233-252 | DOI: 10.1353/hcs.2011.0005

Pedagogical Perspective

Public Pedagogy and Rodent Politics: Cultural Studies and the Challenge of Disney

pp. 253-266 | DOI: 10.1353/hcs.2011.0009

About our Featured Artist

Our Featured Artist: Daniel Martín Díaz

pp. 267-269 | DOI: 10.1353/hcs.2011.0014

Book Reviews

Paper Tangos (review)

pp. 271-272 | DOI: 10.1353/hcs.2011.0019

Diario de Argónida (review)

pp. 273-274 | DOI: 10.1353/hcs.2011.0024

Reconstructing a Chicano/a Literary Heritage: Hispanic Colonial Literature of the Southwest (review)

pp. 275-277 | DOI: 10.1353/hcs.2011.0000

La noche es virgen (review)

pp. 278-280 | DOI: 10.1353/hcs.2011.0004

Wily Modesty: Argentine Women Writers, 1860-1910 (review)

pp. 281-283 | DOI: 10.1353/hcs.2011.0008

Nunca se sabe (review)

pp. 284-285 | DOI: 10.1353/hcs.2011.0012

Dramas of Distinction: Plays by Golden Age Women (review)

pp. 286-287 | DOI: 10.1353/hcs.2011.0017

En viaje (1967) (review)

pp. 288-290 | DOI: 10.1353/hcs.2011.0022

Notes from Underground: Zines and the Politics of Alternative Culture (review)

pp. 291-293 | DOI: 10.1353/hcs.2011.0027

Chicanismo: The Forging of a Militant Ethos Among Mexican Americans (review)

pp. 294-295 | DOI: 10.1353/hcs.2011.0002

The Gendered Worlds of Latin American Women Workers, From Household and Factory to the Union Hall and Ballot Box (review)

pp. 296-297 | DOI: 10.1353/hcs.2011.0006

Violence in Argentine Literature: Cultural Responses to Tyranny (review)

pp. 298-300 | DOI: 10.1353/hcs.2011.0010

No ser no duele (review)

pp. 301-302 | DOI: 10.1353/hcs.2011.0015

El otro lado del mundo (review)

pp. 303-304 | DOI: 10.1353/hcs.2011.0020

Culture Across Borders: Mexican Immigration and Popular Culture (review)

pp. 305-306 | DOI: 10.1353/hcs.2011.0025