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Volume 16, 2012

Table of Contents

In This Issue

pp. 5-7 | DOI: 10.1353/hcs.2012.0033

About The Artists: Miguel Brieva and Norma Guzmán

pp. 9-10 | DOI: 10.1353/hcs.2012.0039

Essays

Raphael and Spanish Popular Song: A Master Entertainer and/or Music for Maids

pp. 11-30 | DOI: 10.1353/hcs.2012.0003

Notes on Shame and Failure: Portrait/s of Queer Puerto Ricans

pp. 31-48 | DOI: 10.1353/hcs.2012.0009

Extrañamiento y subversión de la imagen en Dinero de Miguel Brieva

pp. 49-66 | DOI: 10.1353/hcs.2012.0016

Special Section: Transnational Histories and Cultures of the Americas

Guest Editors: Araceli Masterson-Algar, Lessie Jo Frazier, Manuel Roberto Escobar, and Gladys Tzul Tzul

El Instituto Tepoztlán: Aproximaciones a la Nación como modelo transnacional por (des)armar

pp. 69-78 | DOI: 10.1353/hcs.2012.0023

Tupac in their Veins: Hip-Hop Alteño and the Semiotics of Urban Indigeneity

pp. 79-96 | DOI: 10.1353/hcs.2012.0030

Reactions to Karl Swinehart’s “Tupac in their Veins: Hip-Hop Alteño and the Semiotics of Urban Indigeneity”

pp. 97-100 | DOI: 10.1353/hcs.2012.0027

From Highways to High-Rises: The Urbanization of Capital, Consciousness and Labor Struggle in Ken Loach’s Bread and Roses

pp. 101-118 | DOI: 10.1353/hcs.2012.0034

Reaction to R. Andrés Guzmán’s “From Highways to High-Rises: The Urbanization of Capital, Consciousness and Labor Struggle in Ken Loach’s Bread and Roses

pp. 119-120 | DOI: 10.1353/hcs.2012.0040

Ausencia y ambivalencia en una acción ritual: Indios que celebran a San Esteban en Sumamao (Santiago del Estero, Argentina)

pp. 121-144 | DOI: 10.1353/hcs.2012.0004

Reaction to María G. Lugones and Mario Rufer’s “Ausencia y ambivalencia en una acción ritual: Indios que celebran a San Esteban en Sumanao.”

pp. 145-148 | DOI: 10.1353/hcs.2012.0010

¿Complejos o acomplejados?: Del Guacarock de la Malinche a Alármala de Tos, Botellita de Jerez y la metáfora de lo colonial

pp. 149-160 | DOI: 10.1353/hcs.2012.0017

Reaction to Caro Cocotle’s “¿Complejos o acomplejados?: Del Guacarock de la Malinche a Alármala de Tos, Botellita de Jerez y la metáfora de lo colonial.”

pp. 161-162 | DOI: 10.1353/hcs.2012.0024

El derecho de re-hacer: Signifyin(g) Blackness in Contemporary Mexican Political Cabaret

pp. 163-176 | DOI: 10.1353/hcs.2012.0031

El derecho de responder: Reactions to Laura Gutierrez’s: “El derecho de re-hacer : Signifyin(g) Blackness in Contemporary Mexican Political Cabaret”

pp. 177-180 | DOI: 10.1353/hcs.2012.0037

Re-haciendo el dolor del racismo: Queer Performativity and Audience Reception in Tepoztlán and Mexico City

pp. 181-182 | DOI: 10.1353/hcs.2012.0001

Interview

En Juárez la fotografía como tal muestra sus límites: una entrevista con el fotoperiodista Julián Cardona

pp. 183-200 | DOI: 10.1353/hcs.2012.0007

Special Section: Temporalities in Latin American Film

Guest Editors: Joanna Page and Ignacio M. Sánchez Prado

Temporalities in Latin American Film

pp. 203-210 | DOI: 10.1353/hcs.2012.0014

Sounding Out Temporality in the Argentine Film Musical of the 1930s

pp. 211-226 | DOI: 10.1353/hcs.2012.0021

Retrofuturism and Reflexivity in Argentine Science Fiction Film: The Construction of Cinematic Time

pp. 227-244 | DOI: 10.1353/hcs.2012.0028

Even the Rain: A Confluence of Cinematic and Historical Temporalities

pp. 245-258 | DOI: 10.1353/hcs.2012.0035

Heterotemporal Mise-en-scène in the Films of Luis Estrada

pp. 259-274 | DOI: 10.1353/hcs.2012.0041

Mythic Time and Slow Time: The Construction of the Viewer in El violín

pp. 277-292 | DOI: 10.1353/hcs.2012.0005

El sublime neoliberal: amor y temporalidad en el cine mexicano del capitalismo tardío

pp. 293-310 | DOI: 10.1353/hcs.2012.0012

Hamaca Paraguaya (2006): Temporal Resistance and Its Impossibility

pp. 311-330 | DOI: 10.1353/hcs.2012.0019

Reviews

Spanish Fiction in the Digital Age: Generation X Remixed by Christine Henseler (review)

pp. 331-332 | DOI: 10.1353/hcs.2012.0020

Teatro y fascismo en España. El itinerario de Felipe Lluch by Víctor García Ruiz (review)

pp. 332-333 | DOI: 10.1353/hcs.2012.0013

Constructing Spain: The Re-Imagination of Space and Place in Fiction and Film, 1953–2003 by Por Nathan Richardson (review)

pp. 333-335 | DOI: 10.1353/hcs.2012.0006

Masculinities in Contemporary Argentine Popular Cinema by Carolina Rocha (review)

pp. 335-336 | DOI: 10.1353/hcs.2012.0000

Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles by Claudia Calirman (review)

pp. 336-337 | DOI: 10.1353/hcs.2012.0036

The Mobile Nation. España cambia de piel (1954–1964) by Tatjana Pavlović (review)

pp. 337-338 | DOI: 10.1353/hcs.2012.0029

La reinvención de Latinoamérica: Enfoques interdisciplinarios desde las dos orillas ed. by Ana Luengo, Sabine Schlickers (review)

pp. 338-340 | DOI: 10.1353/hcs.2012.0022

Radical Justice: Spain and the Southern Cone beyond Market and State by Luis Martín-Cabrera (review)

pp. 340-341 | DOI: 10.1353/hcs.2012.0015

Baroque New Worlds: Representation, Transculturation, Counterconquest ed. by Lois Parkinson-Zamora, Monika Kaup (review)

pp. 341-343 | DOI: 10.1353/hcs.2012.0008

Latin Americanism after 9/11 by John Beverley (review)

pp. 343-344 | DOI: 10.1353/hcs.2012.0002

War, Exile, Justice, and Everyday Life, 1936–1946 ed. by Sandra Ott (review)

pp. 344-345 | DOI: 10.1353/hcs.2012.0038

Un hispanismo para el siglo XXI. Ensayos de crítica cultural ed. by Rosalía Cornejo Parriego, Alberto Villamandos (review)

pp. 345-346 | DOI: 10.1353/hcs.2012.0032

Marginal Subjects: Gender and Deviance in Fin de siècle Spain by Akiko Tsuchiya (review)

pp. 346-348 | DOI: 10.1353/hcs.2012.0025

La imaginación novelesca. Bernal Díaz entre géneros y épocas by Oswaldo Estrada (review)

pp. 348-349 | DOI: 10.1353/hcs.2012.0018

Cristina Rivera Garza. Ningún crítico cuenta esto... ed. by Oswaldo Estrada (review)

pp. 349-351 | DOI: 10.1353/hcs.2012.0011