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Table of Contents

  1. The Performance of Madness as Resistance in Nuruddin Farah’s Close Sesame
  2. Robert L. Colson
  3. pp. 1-35
  4. DOI: https://doi.org/10.1353/ari.2015.0034
  5. restricted access
  1. “I Know … I Live Here”: Laowai Writing in “the people’s republic of”
  2. Josh Stenberg
  3. pp. 37-62
  4. DOI: https://doi.org/10.1353/ari.2015.0036
  5. restricted access
  1. Fixity Amid Flux: Aesthetics and Environmentalism in Amitav Ghosh’s The Hungry Tide
  2. Shakti Jaising
  3. pp. 63-88
  4. DOI: https://doi.org/10.1353/ari.2015.0028
  5. restricted access
  1. Recrossing the Sargasso Sea: Trauma, Edward Kamau Brathwaite, and His Critics
  2. Jeremy Metz
  3. pp. 89-121
  4. DOI: https://doi.org/10.1353/ari.2015.0030
  5. restricted access
  1. “Nothing ever ends”: Archives of Written and Graphic Testimony in The Brief Wondrous Life of Oscar Wao
  2. Lauren Jean Gantz
  3. pp. 123-153
  4. DOI: https://doi.org/10.1353/ari.2015.0031
  5. restricted access
  1. Imagining the Canadian Agrarian Landscape: Prairie Settler Life Writing as Colonial Discourse
  2. Shirley Ann McDonald
  3. pp. 155-183
  4. DOI: https://doi.org/10.1353/ari.2015.0032
  5. restricted access
  1. J. M. Coetzee and the Limits of Cosmopolitanism by Katherine Hallemeier (review)
  2. Emily Johansen
  3. pp. 185-186
  4. DOI: https://doi.org/10.1353/ari.2015.0033
  5. restricted access
  1. Contemporary Fictions of Multiculturalism: Diversity and the Millennial London Novel by Michael Perfect (review)
  2. David Thomas
  3. pp. 187-189
  4. DOI: https://doi.org/10.1353/ari.2015.0035
  5. restricted access
  1. Different Shades of Green: African Literature, Environmental Justice and Political Ecology by Byron Caminero-Santangelo (review)
  2. Brady Smith
  3. pp. 189-192
  4. DOI: https://doi.org/10.1353/ari.2015.0027
  5. restricted access
  1. Notes on Contributors
  3. pp. 193-194
  4. DOI: https://doi.org/10.1353/ari.2015.0029
  5. restricted access