Commercial exploitation of Native American spiritual traditions
has permeated the New Age movement since its emergence in the
1980s. Euro-Americans professing to be medicine people have profited
from publications and workshops. Mass quantities of products promoted as
"Native American sacred objects" have been successfully sold by white
entrepreneurs to a largely non-Indian market. This essay begins with an
overview of these acts of commercialization as well as Native Americans'
objections to such practices. Its real focus, however, is the motivation
behind the New Agers' obsession and consumption of Native American
spirituality. Why do New Agers persist in consuming commercialized Native
American spirituality? What kinds of self-articulated defenses do New
Agers offer for these commercial practices? To answer these questions,
analysis from a larger social and economic perspective is needed to
further understand the motivations behind New Age consumption.
In the so-called postmodern culture of late consumer capitalism,
a significant number of white affluent suburban and urban
middle-aged baby-boomers complain of feeling uprooted from cultural
traditions, community belonging, and spiritual meaning. The New Age
movement is one such response to these feelings. New Agers romanticize an
"authentic" and "traditional" Native American culture whose spirituality
can save them from their own sense of malaise. However, as products of
the very consumer culture they seek to escape, these New Agers pursue
spiritual meaning and cultural identification through acts of
purchase. Although New Agers identify as a countercultural group, their
commercial actions mesh quite well with mainstream capitalism. Ultimately,
their search for spiritual and cultural meaning through material
acquisition leaves them feeling unsatisfied. The community they
seek is only imagined, a world conjured up by the promises of advertised
products, but with no history, social relations, or contextualized
culture that would make for a sense of real
[End Page 329]
belonging. Meanwhile, their fetishization of Native American spirituality
not only masks the social oppression of real Indian peoples but also
perpetuates it.
The Rainbow Tribe: New Agers Identifying
with Native American Spiritual Traditions
The term New Age is often used to refer to a movement that
emerged in the 1980s. Its adherents ascribe to an eclectic amalgam
of beliefs and practices, often hybridized from various cultures. New
Agers tend to focus on what they refer to as personal transformation
and spiritual growth. Many of them envision a literal New Age, which is
described as a period of massive change in the future when people will
live in harmony with nature and each other. Only in this New Age will
they realize the full extent of human potential, including spiritual
growth, the development of psychic abilities, and optimum physical
health through alternative healing. Most New Agers contend that this
transformation will not take place through concerted political change
directed at existing structures and institutions. Rather, it will be
achieved through individual personal transformation.
The New Age is only a movement in the loosest sense of the term. There is
no circumscribed creed or defined tenets in the New Age movement. Nor
are there any requirements for membership, although studies show most
tend to be white, middle-aged, and college educated, with a middle-
to upper-middle-class income. Estimates of people identifying with the
New Age movement tend to run from ten to twenty million. Exact numbers
are difficult to ascertain, however, because many New Age books
have seeped into the mainstream and have influenced the views of
people not consciously identified with the movement. The New Age is
thus not a strictly defined community headed by formally recognized
leaders with an articulated dogma. Rather, it is a term that is applied to
a heterogeneous collection of philosophies and practices. There is a wide
and burgeoning number of practices associated with the New Age, including
interests in shamanism, goddess worship, Eastern religions, crystals,
pagan rituals, extraterrestrials, and channeling spirit beings. "Native
American spirituality" is among the most popular interests.
1
It is my contention that the New Age is primarily a consumerist
movement. There are a minority of adherents who live together and try
to incorporate New Age philosophies and practices into all aspects of
their lives. Some incorporate these practices into part of their lives
by taking workshops and engaging in New Age practices in their spare
time. However, the majority of those who identify themselves as New
Age (or who could be reasonably labeled as such by others) participate
primarily through the purchase of texts and products
[End Page 330]
targeted for the New Age market. Native American spirituality is
one of the most popular and profitable sectors of this New Age
commercialism.
2
In this essay, the term New Agers is used to refer to the sector
that is interested in Native American spiritual traditions. Certainly,
not everyone involved in the New Age movement is interested in Native
American spirituality. Moreover, there is diversity among those
interested New Agers. A small percentage constructs their essential
identity around Native American religion. A number of those who identify
themselves as members of "the Rainbow Tribe" arguably fit into
this category. Some Rainbow Tribe members spend time in communities they
form, engaged in their own version of Native American rituals. However,
many New Agers interested in Native American spirituality participate
only through commercially run seminars or the purchase of texts
and products. This article is primarily concerned with New Agers
whose interest in Native American spirituality is expressed through
commercial pursuits. Although entrepreneurs will be discussed in the
overview of New Age commercialization of Native American spirituality,
their motivations are not the subject of this analysis (arguably, they
are shrewd businessmen and women who know how to tap into lucrative
markets). Rather, this essay seeks to explain why New Age consumers seek
spiritual meaning through purchase.
Plastic Medicine Men for Hire
A number of "Plastic Medicine People" have surfaced in the New Age
movement, typically Euro-Americans claiming mentorship by "authentic
Native American medicine people." These "Shake and Bake Shamans," as
some Native American activists have dubbed them, write best-selling
books and lead expensive workshops claiming to teach their consumers
"how to practice Native American spirituality."
By far, the biggest business in New Age appropriation of indigenous
spirituality transpires in the publishing industry where plastic
medicine authors are big sellers. Perhaps the most successful, not
to mention notorious, is Lynn Andrews. Andrews has been dubbed the
"Beverly Hills Shaman" by some of her New Age supporters and the
less flattering epithet "Beverly Hills Witch" by a number of
Native Americans criticizing her commercial exploitation of indigenous
spiritual traditions. Controversy aside, she is a best-selling author,
having made The New York Times and Los Angeles Times
best-seller lists on numerous occasions. Andrews claims that her books
are true accounts of her mentoring experiences with two Canadian Cree
medicine women--Agnes Whistling Elk and Ruby Plenty Chiefs. In the
first two books, these two elderly women supposedly teach Andrews
Native American shaman techniques to help
[End Page 331]
her battle an evil sorcerer. In subsequent books, the trio encounters a
flying horse capable of turning into rainbow colors and dolphins,
who transmit Australian aboriginal dream visions via a eucalyptus tree
antenna.
Another plastic shaman author, Mary Summer Rain, has a lucrative career,
having published over fifteen books based on Native American
spiritual themes and her mentor, a blind Indian woman she calls No-Eyes.
3
Interestingly, one of Lynn Andrews's mentors, Ruby Plenty Chiefs, is
also blind. In Phantoms Afoot: Helping the Spirits Among Us,
Summer Rain claims that No-Eyes entrusts her with a mission to help
lost spirits find their way to the afterworld. In a stereotyped
Tonto Speak, No-Eyes tells Summer Rain, "No-Eyes gonna be speakin'
'bout spirits who be stupid-dumb."
4
Native American activists have greatly castigated these works
for their trivialization and commercialization of Native American
spirituality. Nevertheless, the number of plastic shaman authors, not
to mention their commercial success, continues to swell. Jamie Samms is
a former country-western singer who claims to channel Leah, an entity
supposedly living on Venus six hundred years in the future. Samms later
seized on Native American spiritual themes. Samms claims that she was
taught by the "thirteen clan mothers" who took human form during the
Ice Age and then disappeared, leaving the "thirteen crystal skulls,"
one of which Samms claims to have seen. Samms teaches her readers how
to call up the thirteen clan mothers by focusing on them, each of whom
has her own shield and her own special abilities.
5
Don Le Vie Jr., who writes about Iron Thunderhorse, is supposedly of
Algonquin heritage. Thunderhorse's teachings are a mishmash of Native
American religion and other New Age favorites, such as Tibetan Buddhism,
Taoism, and Ancient Druidism.
6
Mary Elizabeth Marlow writes about Beautiful Painted Arrow, a Picuris
Pueblo-Ute who tells Marlow he has seen two kachinas landing in a space
machine and explains his philosophy through allusions to Dances
with Wolves.
7
Doug Boyd has written on two Native American medicine men, Rolling
Thunder and Mad Bear, both affiliated with the New Age.
8
Taisha Abelar is a former anthropologist who encountered a Mexican
sorceress while wandering through the mountains of Tucson in the
1960s. She traveled to the woman's home in Sonora, Mexico, to live with
this woman who turned out to be from the same family of sorcerers that
instructed Carlos Castaneda.
9
Not all those designated as "plastic" by Native American activists
publish books. There are quite a number who run workshops, seminars,
or centers claiming to teach Native American spiritual practice. For
example, one non-Native American woman who calls herself Mary Thunder
runs a New Age center in Texas where she conducts sweats, pipe ceremonies,
and talks with space aliens through Max, the crystal skull. Another woman
referred to as Oceana, or sometimes O'Shinna, claims to have been born
in a crystal spectrum in Colorado;
[End Page 332]
she mixes Native American teachings with references to Atlantis, Tibetan
Buddhism, and theosophy. Some "plastics" produce videos explaining
their philosophies and offering "do-it-yourself" instructions for Native
American ceremonies such as sweats.
10
There are also a number of New Age "channelers" who claim to channel
Native American spiritual entities. If paid the requisite sizable fee,
these channelers access the wisdom of their Indian guides for their
clients. One woman claims to channel a Hopi Indian named Barking
Tree (as well as Bell Bell, a giggling six-year-old from Atlantis,
and a being named Aeffra from Western Europe). A New Ager in Tampa,
Florida, claims to channel an entity named Olah, who is supposed to be
a reincarnation of both Edgar Cayce and the revered Lakota spiritual
entity White Buffalo Calf Woman.
Many Native Americans have been offended by the mockery these bastardized
versions make of their sacred ceremonies. Some of the incidents denounced
as most offensive include Sun Dances held on Astroturf, sweats held
on cruise ships with wine and cheese served, and sex orgies advertised
as part of "traditional Cherokee ceremonies." A typical advertisement
for such a workshop promises an introduction to "core shamanism--the
universal and basic methods used by the shaman to enter non-ordinary
reality for problem solving, well-being and healing."
11
Others make even more specific promises; for example, one workshop
guarantees that you will retrieve your own personal power animal in
a trance.
12
These workshops are also incorporated into theme adult camps, wilderness
training programs, and New Age travel packages.
13
Native American activists have been greatly angered by the commercial
exploitation of their spirituality represented by these workshops. A
weekend vision-quest workshop, for instance, can currently run anywhere
between $250 to $550 (accommodations and meals not included). In 1988,
Singing Pipe Woman of Springdale, Washington, advertised a two-week
pilgrimage that included study with a Huichol woman and was priced at
$2,450. Native Americans have commented on the bitter irony of these
plastic shamans profiting from the degrading, twisted versions of
Native American rituals while many indigenous people still live below
the poverty level.
14
New Age interest in Native American cultures appears more concerned with
exoticized images and romanticized rituals revolving around a distorted
view of Native American spirituality than with the indigenous peoples
themselves and the very real (and often ugly) socioeconomic and political
problems they face as colonized peoples.
Purchasing Spiritual Power Through Products
New Age interest in Native American spirituality has spawned numerous
products over the years. Some products claim to assist the dabbler in
Native American spiritual practices. For example, those who do not want
to take the time
[End Page 333]
and trouble of building their own sweat lodges can call
1-800-36-SWEAT to order a "sweat tent." Or the following
kit can be ordered to obtain a more "total experience" of Native American
spirituality:
YOUR PERSONAL NATIVE AMERICAN EXPERIENCE . . . Sage
and cedar smudge sticks come with holy herb tea. The Spirit of Native
America book, and the Desert CD or tape--all collected in a specially
designed green box, made from recycled materials, honoring Mother Earth
and providing you the opportunity to experience Native American ritual
and wisdom.
15
Note that the catalog description promises the consumer "the experience"
of Native American ritual and wisdom through multisensory consumption. The
purchaser can drink up the sacredness of Native American spirituality
while creating the right ambiance with the scent of sage smudge sticks
and the proper New Age music evoking the proper locale. Meanwhile,
he or she can read the kit's book The Spirit of Native America,
which the catalog asserts is amplified by Anna's authoritative text
so that the "'spirit voices' of her people speak clearly to you." The
catalog promises that, through purchase and consumption of this product,
the consumer can have a direct experience of Native American ritual and
wisdom without ever leaving their armchair. Moreover, they are relieved of
any guilt over their indulgent feast since the box is made from recycled
materials and "honors Mother Earth."
Entrepreneurs have found ways to blend American Indian spiritual themes
with other New Age objects, such as "Native American Tarot Cards." They
have even tapped into new markets, such as "care crystals" for domestic
pets. Medicine shields have been turned into earrings and the sacred
figure of Kokopelli now serves as a wall clock. The advertisement
asserts that "Southwest Native America's playful 'Spirit Guide to
the Fourth World' adds a touch of almost-eerie immortality to home
or office!"
16
Perhaps the eeriness stems from the unsettling irony of imperialist
nostalgia. In "Interrupted Journeys: The Cultural Politics of Indian
Reburial," Pemina Yellowbird and Kathryn Milun refer to these types
of objects and attitudes toward them as "imperialist nostalgia," which
they define as a romanticization that assumes a pose of innocent
yearning thus concealing its complicity with often brutal domination.
17
Native American Resistance, New Age Defenses
Many Native Americans are outraged at the commercialization of their
spiritual traditions. At least two intertribal groups of Native American
elders have issued proclamations warning the public that the teachings
of these commercial profiteers may harm them.
18
As stated in the Resolution of the Fifth Annual Meeting of the
Traditional Elder Circle, "[M]edicine people are chosen by
[End Page 334]
the medicine and long instruction and discipline is necessary before
ceremonies and healing can be done . . . profit is not the
motivation."
19
Some Native Americans have taken a harder stand. Leaflets denouncing
the commercialization of Native American religion have been distributed
at lectures given by "plastics" and their workshops disrupted by
confrontations instigated by Native American activists.
20
The Southwestern American Indian Movement (AIM) Leadership
Conference held in Window Rock in the Navajo Nation condemned those who
profited from American Indian spirituality. The document noted the
"dramatic increase in the incidence of selling sacred ceremonies, such
as the sweat lodge, and the vision quest, and of sacred articles,
such as religious pipes, feathers and stones." These acts were
denounced as "constituting . . . insult and disrespect for the wisdom
of the ancients." They characterized the commercialization of Native
American spiritual traditions as follows: "[T]he attempted theft
of Indian ceremonies is a direct attack and theft from Indian people
themselves." In this denunciation, a number of "plastics" were listed by
name. The document concludes: "[W]e condemn those who seek to profit
from Indian spirituality. We put them on notice that our patience grows
thin with them and they continue their disrespect at their own risk.
21
The National Congress of American Indians went a step further, issuing
what they term "a declaration of war against 'wannabees,' hucksters,
cultists, commercial profiteers, and self-styled New Age shamans."
22
Although some New Agers interested in Native American spirituality may
not be aware of Native American protests, a significant number have
heard the objections. Why would New Agers continue to consume Native
American spirituality when so many Indian people have expressed their
reprehension of this commercialization?
23
I set out in my fieldwork to find out how New Agers
rationalized their misappropriations and consumption of Native American
spiritual traditions. A brief note on my research methods might prove
elucidating here. I first encountered New Agers while working as
an attorney on the Manybeads case for the Big Mountain Diné in
1986. This initial encounter raised a number of questions that could not
be answered by the usual ethnographic methods delineating a specific
cultural group in a particular locale. It became increasingly clear
to me that the New Age was a national movement whose membership and
participation was largely defined by consumption. Therefore, the
usual ethnography conducted among a sociocultural group of people in a
given area would not be enough to unpack the myriad manifestations of
the New Age Movement. My ethnographic research then led me into places
I had not anticipated, such as New Age bookstores across the country,
weekend workshops led by New Age "gurus," and even to cyberspace
New Age chat rooms. My investigative methods extended well beyond the
usual participant-observation and interview techniques. My "informants"
were no longer limited
[End Page 335]
to New Age individuals, but extended to New Age publications, such as
self-help books, advertising catalogs, and products.
In my ethnographic fieldwork, as well as other resources, the most
frequent defense New Agers made to Native Americans' objections against
misappropriation of indigenous traditions was couched in First Amendment
terms. New Agers consistently argued that their right to religious
freedom gave them the "right" to Native American religion.
24
Andy Smith, Native American scholar, activist, and former president
of Women of All Red Nations (WARN) refutes the New Age
claims that they have a "right" to Native American religion through
their "right to freedom of speech." In "For All Those Who Were Indian
in a Former Life," Smith aims her attack specifically at New Age
practices and misappropriation of Native American spirituality among
white feminists arguing:
Many white feminists have claimed that Indians are not respecting "freedom
of speech" by demanding that whites stop promoting and selling books
that exploit Indian spirituality. However, promotion of this material
is destroying freedom of speech for Native Americans by ensuring that
our voices will never be heard. . . . Feminists must make a choice,
will they respect Indian political and spiritual autonomy or will they
promote materials that are fundamentally racist under the guise of
"freedom of speech"?
25
Smith's argument is compelling. Given a history and continued social
structure in which Native Americans' voices are often overpowered by
dominant white discourse, is "freedom of religion" as egalitarian as New
Agers suggest? Moreover, white New Agers' claim to freedom of religion
must exasperate Native Americans in light of the history of suppression
of Native American spiritual practices by the U.S. government. Even
recent Supreme Court decisions interpreting the First Amendment and the
American Indian Religious Freedoms Act have made it clear that protection
of Native American religious freedoms and practices is a low priority
in this country.
26
Some New Agers have based their claim of a right to Native American
religion on the reasoning that spirituality and truth cannot be owned. "No
one has the right to own the Truth," stated one of the New Agers I
interviewed. Gary Snyder, who has won literary awards for poetry written
from the self-proclaimed persona of a Native American shaman, makes a
similar argument: "Spirituality is not something which can be 'owned'
like a car or a house. Spiritual knowledge belongs to all humans equally."
27
Snyder's argument implies that something has to be a "property right"
before someone's request that it be respected as private can be
recognized. More ironically, it overlooks the fact that through Snyder's
profiting from a claimed Native American shaman persona, work that
is copyrighted, he is "owning" at least a piece of Native American
[End Page 336]
spirituality. The commercialization of Native American spirituality in
both books and products also suggests that consumers "own" Native American
spirituality in some sense. This point is made even clearer by the fact
that some entrepreneurs have incorporated Native American ceremonies,
copyrighted material on Native American spirituality, and sought
trademark protection of Native American spiritual themes. The Southwest
AIM Resolution observed that a group of non-Indians
operating under the name Vision Quest, Inc. were "stealing the name and
attempting to steal the concept of one of our most spiritual ceremonies."
28
New Agers have other defenses against Native American objections to
consumption of their spirituality. Some deny this commercialization
altogether. Others mask it. For example, in an introduction to a book
he coauthored, one plastic shaman claims, "We offer you this book to
you now as our giveaway."
29
A giveaway is a practice in tribes where material goods are given away
to others; there is no exchange, only the gift. However, this "giveaway
book" is a commercial publication for profit. Other New Agers defend
their commercial exploitation by arguing that they are "good people" who
"give to Native American charities and support their causes." Consider,
for example, the following excerpt from the owner of a New Age Native
American bookstore:
Eight years ago, I started a "New Age" bookstore with very limited
funds and an enormous amount of faith in God. A little over a year
ago, adjacent to the store, I opened a Native American book and gift
store. Both fit very well together, just as we people can work
well together. . . . I have donated large amounts of food and money to
Native Americans and hold continuous clothes drives through my New Age
store. At Thanksgiving and Christmas, I have food and toy drives which
are distributed to four different reservations. I subscribe to Native
American newspapers and pray so your struggles will cease. I support
Native Americans by buying and selling your crafts, so you are able to
help yourselves.
30
This defense seems to rely on the old Puritanical standby that "good
intentions" and "charitable acts" somehow absolve someone from the
political implications of their actions for an oppressed group.
In addition, a significant number of people defend the
commercialization of Native American religious practices with an argument
that is characteristic of many New Agers' views toward money. They argue
that it is "good medicine" to make money or that "money is just spiritual
energy anyway." A good example of this kind of argument is found in the
following excerpt from Sun Bear. Of Native American descent, Sun Bear,
now deceased, wrote a number of plastic shaman texts and attracted a large
following of white New Agers who have legally incorporated themselves
into a "tribe" with stock offerings. Shawnodese,
[End Page 337]
referred to in the following passage, is a white New Age entrepreneur
in the Sun Bear tribe.
Shawnodese, who is now my subchief, and director of the Apprentice
Program, came here in 1979, with a background in about every new-age
philosophy available. He had some progressive ideas that have helped us
in many ways. For one thing, even though I had, at various times in my
life, been an operator (such as selling real estate or men's clothes)
in order to survive, I still had some reservations about being tainted by
having a little extra cash. I felt that money was somehow bad. Shawnodese
had the idea that money was just energy, and it was how you used it that
counted. He took over the bookkeeping for a while and started writing
affirmations on everything having to do with money.
31
New Agers' own statements defending objections against commercialization
of Native American spirituality shed light on the rationalizations in
their own psyches. However, to understand more fully the consumerist
nature of their obsession with Native American spirituality, an analysis
of their actions in a larger social and economic framework is needed.
Searching For Spiritual Satisfaction in the Shopping Mall
The New Age movement is part of the larger context of consumer culture. A
number of social theorists have proposed that, increasingly, lifestyles,
identity, cultural, and even spiritual meaning have become commodities
for purchase. As Frederic Jameson argued in his influential essay
"Postmodernism: or the Cultural Logic of Late Capitalism," images,
styles, and representations are no longer mere promotional accessories
to economically useful products; they have become the products
themselves. Thus, in contemporary consumer culture, a romanticized
representation of Native American spirituality can become a product to be
purchased and consumed. Grant McCracken explains why consumers find
these products capitalizing on an exoticized Other so appealing. McCracken
argues that individuals in a consumer society use consumer goods to
try to recover displaced cultural meaning. He defines displaced
meaning as cultural meaning deliberately removed from the daily life of
a community and displaced onto a distant cultural domain by romanticizing
another culture.
32
Mike Featherstone elaborates that, in modern consumer society, religion
is placed squarely in the market place along with other meaning systems.
33
He alludes to the supermarket of lifestyles where individuals
are able to select from packaged bodies of meaning systems such as
religions. Featherstone concludes that there is a tendency in Western
societies for religion to become
[End Page 338]
a private leisuretime pursuit purchased in the market like any other
consumer-culture lifestyle. Indeed, New Agers "practice" their version
of Native American religion through commercial purchase. Unfortunately,
Native Americans' spiritual traditions then become products to be
playfully sampled through consumption, ignoring Native Americans
themselves as three-dimensional people set within historical,
socioeconomic, and political relations of oppression.
In "Neon Cages," Lauren Langman argues that private consumption results
in an increased withdrawal of the individual from public realms. As
the public sphere becomes increasingly fragmented and less gratifying,
individuals are more likely to withdraw into their own private realms
to seek self-confirmation, gratification, and even express
countercultural practices and desires.
34
According to Langman, this search for self-identity is especially
problematic in a society in which the stable social networks of kinship
and community have broken down. Thus, people flock to the shopping
malls seeking an identity to relieve the horrors and loneliness of
modernity. There, "proto-communities" of strangers seek clothes,
cultural products, and gadgets that promise gratification and
recognition through possession and display. This subjectivity produced
by consumer culture, what Langman calls "the shopping mall self," seeks
gratification and arguably even "salvation" in consumption by trying
to buy more gratifying markers of subjectivity. Yet Langman's "shopping
mall self" is trapped in a lonely maze of desire and expenditure.
35
Commercialized gratification only momentarily masks underlying
terrors of emptiness and loneliness in consumer society.
36
Z. Bauman's concept of "neo-tribes" may elucidate more specifically
how individual quests for identity through purchase can result in
consumerist movements such as the New Age.
37
This idea of a neo-tribe suggests an anonymous collection of individuals
who identify with a subcultural group through conception of a certain
style. These are not formally organized "tribes"; in fact, most of
their self-identified members have never met one another. Yet
the individual gains a sense of identity and belonging through
identification with this subcultural consumer group. The concept
of a neo-tribe has potential analytic value for analyzing the New Age
as a consumerist movement. The New Age movement is a loose collection
of individuals. Although small groups may informally meet regionally,
the movement as a whole is arguably a consumerist movement on a national
scale. A person often identifies with the New Age solely through
purchase of commodities marketed under its rubric. Perhaps the most
valuable part of the neo-tribe concept is its explanation of why
individuals in mass consumer society seek identity through purchase,
a theorization that can help explain New Agers' preoccupation with
Native American spirituality.
[End Page 339]
Bauman argues that individuals feel increasingly isolated and lonely
as social relations in consumer culture continue to break down. People
seek neo-tribes in a desperate search for community. Ultimately these
neo-tribes do not provide the sense of community sought by New Agers
because the purchase of identity through private acts of consumption
does not establish the desired social relations. Yet, according to
Bauman, these neo-tribes are essential in the formation of identities in
consumer societies. Individuals construct their identities based on their
individual choice (or, perhaps more accurately, purchase) of lifestyle.
38
Bauman's observations on the self-fashioning of identity have relevance
for New Age appropriation of Native American spirituality.
New Agers are fashioning an identity for themselves based on a
romanticized image of Native Americans and their spirituality. This
self-fashioning of identity provides a type of social solidarity with
others working from a similar image, no matter how temporary, tenuous, or
even anonymous these social relations may be. Frequently, when I visited
the Native American section of New Age stores, individuals struck up
conversations with me on the basis of our presumed shared interests. I
believe individuals engaged in such self-fashioning view themselves as
part of an imagined community of like-minded people. Moreover, these
imaginings are probably a source of pleasure and entail a feeling of
social belonging. And yet, I agree with Langman and Bauman that these
imagined communities can never really satisfy such individuals' yearnings
for community belonging. These are not communities with shared histories,
social ties involving interdependence, and daily interaction. Individuals
in these imagined communities seem to grow quickly dissatisfied
and imagine new ones.
Jay Rosen applies similar observations specifically to the New
Age movement. He claims that the New Age marketers target the desires
of people dissatisfied with their lives; he characterizes them as
"struggling with the contradiction in contemporary life between the
emptiness of daily existence and the desire for a meaningful life."
39
Rosen argues that there is also compatibility between the New Age idea
of personal transformation through spiritual enlightenment and the "Buy
this product and change your life" message underlying most advertising.
40
As Rosen phrases this similarity: "Whether the product is a book, a
tape, a seminar, or a magic crystal, the typical New Age commodity is
promoted in exactly the same way as a new car or a new pair of jeans:
as an instant, total, and enchantingly easy solution to a deeply-felt
personal problem."
41
Rosen concludes that the dissatisfactions produced by consumer culture
propel people toward New Age ideas. He alludes to the dislocations
of modern capitalism, the scarcity of meaningful work, the strain on
marriage and childbearing, and the emptiness at the heart of a culture
that values movement and change. Rosen argues that in this uprootedness,
identity can only be
[End Page 340]
gained in the marketplace. However, Rosen believes that the New Age
movement offers no relief from this societal malaise. Calling the New
Age movement "the unwitting partner of the culture it claims to reject,"
he argues that it can only carry the uprooting a little further.
42
These theorists have done much to shed light on the general subjectivity
involved in consumer culture, but what is the New Age preoccupation
with Native Americans?
The Noble Savage in New Age Garb
Although these theorists elucidate the exoticization of the Other in the
abstract, why are certain New Agers obsessed specifically with Native
Americans and their spirituality in particular? What is it about Native
American spiritual beliefs and practices that hold such a fascination
for a certain sector of the New Age? There has been a long history
of obsession in this society with images of Native Americans. These
images have served as Rorschach blots onto which prevailing sentiments,
anxieties, and political moods have been projected. The images of Native
Americans have changed with the times and in response to historical events
and attitudes, but these images have always reflected more about
non-Natives' desires than Native Americans' lives or cultures. Lakota
scholar and activist Vine Deloria Jr. sheds insight into these projections
in his article "Pretend Indians."
Indians, the original possessors of the land, seem to haunt the
collective unconscious of the white man and to the degree that one
can identify the conflicting images of the Indian which stalk the
white man's waking perception of the world one can outline the deeper
problems of identity and alienation that trouble him. A review of the
various images and interpretations of the Indian, therefore, will give
us a fairly accurate map of the fragmented personality that possesses
the American white man. One can start at almost any point and list the
collective attributes, attitudes, and beliefs about the Indian and then
strip away the external image to reveal the psyche of the American white.
43
Throughout the decades, for every stereotype of "the savage Indian,"
there has coexisted a Noble Savage image as well. The Noble Savage
provides a fantasy for Euro-Americans wishing to escape dilemmas of their
own culture. Imitation of Native Americans and other appropriations of
their identity have
often accompanied this romanticization. In "The Tribe Called Wannabee:
Playing Indian in America and Europe," Cherokee scholar Rayna Green
does an excellent job of tracing this historical phenomenon of "playing
Indian" from the Boston Tea Party to YWCA sponsored
"Indian princess" programs.
44[End Page 341]
Along with these mainstream pretend Indianisms, a number of subcultural
groups have appropriated aspects of Native American peoples' identity,
from bohemian artists in the thirties to hippies in the sixties.
45
Prior to the New Age movement, other countercultural groups seeking
alternative spiritual experiences sought to appropriate Native
American religion. In particular, representations of Indian images
played a significant role in nineteenth-century spiritualism. The
turn-of-the-century spiritualist movement involved the consultation
of mediums who called upon spirit guides from the other world. Rayna
Green documents the widespread use of Indian spiritual guides in this
nineteenth-century spiritualist movement, especially as evidenced
in the diaries, autobiographies, and interviews with practicing
spiritualists. Although Green's observations raise interesting
questions about possible historical roots of the New Age obsession
with Native American spirituality, there is an important difference,
as Green herself notes. The New Age movement's appropriation of Native
American identities differs from the nineteenth-century spiritualist
movement in its widespread mass commercialism of Native American
spirituality. Admittedly, the spiritualist mediums charged their clients
fees; some would argue that they created hoaxes to con money from gullible
subjects. However, nineteenth-century spiritualism did not involve the
widespread commercialism readily apparent in the New Age movement.
46
Green alludes to the increased commercialism of New Agers "playing
Indian" in the following descriptive analysis:
Fed by hobbyism, general cultisms (e.g., the "human potential movement"),
and by a continuing revitalization of interest in Indians as spiritual
healers of European ills, the commercial exploitation by Indian gurus
has taken on a new life. In these roles of playing Indian, some who are
genetically and culturally Indian, but more who are quite marginal, and
others who are neither, have developed a "market" for Indian religious
experience.
47
Although "playing Indian" and the fetishization of the Noble Savage
have existed since Europeans first came to this continent, what
accounts for this increased commercial consumption of Native American
spirituality since the 1980s? Recent consumer capitalism has increasingly
appropriated ethnic cultural traditions in the marketing of images of an
exoticized Other. Pierre Bourdieu argues that the increasing importance
of symbolic goods in contemporary capitalism has increased the demand
for "cultural specialists." These cultural specialists ransack various
traditions and cultures in order to produce new interpretations and uses
that can be consumed.
48
Certainly plastic shamans, as well as other New Age entrepreneurs,
could be viewed as "ransackers" of Native American spiritual traditions
in search of ways to market them to consumers.
[End Page 342]
They produce new interpretations by fusing bastardized versions of
these traditions with self-help pop psychology, as well as exotic blends
appropriated from other cultural traditions.
Baudrillard adds to the understanding of the marketing of non-Euro-American ethnicity. He argues that capitalist institutions are
increasingly dependent on the marketing of images and are thus greedy for
new and diverse images. Ethnicity thus becomes a source of profit
for capitalists in consumer culture.
49
Baudrillard's analysis yields insight into why publishing companies
and other corporations have increasingly tapped into images of Native
Americans and their traditions. In addition Baudrillard, and Vizenor's
reading of him in relation to Native Americans, can also elucidate the
particular romanticized commercialism of Native Americans in the New
Age movement.
In Simulations, Baudrillard argues that late industrial
capitalism is dominated by the reproduction of images, which he calls
"simulation." Gerald Vizenor, in his book Manifest Manners,
extends Baudrillard's notion of "simulation" to representations and
images of "the Indian" in dominant discourse, characterizing New Age
plastic shamans as "simulations" of the Indian.
50
Baudrillard believes that the proliferation of reproductions
intensifies the desire for the original. Vizenor labels this desire
"nostalgia," arguing that the proliferation of plastic shamans grows
out of a nostalgic longing for an "authentic" spirituality.
51
I would characterize this phenomenon as follows. Real Native Americans
are not a part of most Euro-Americans' lives. Yet non-Indians feel
that their own lives are increasingly "unreal" and "inauthentic,"
so they imagine a preindustrial, pre-European America where things
were "real" and "authentic," not representations but originals. Thus
they simulate the original "authentic Native American spirituality"
and consume it. Meanwhile, their simulations allow them to ignore real
indigenous peoples and the historical and socioeconomic relations that
tie them together.
Vizenor criticizes these simulated New Age shamans on two fronts. First,
he suggests they pose a certain danger because they are stuck in the
image of a romanticized Noble Savage that promises an unattainable
salvation from boredom and melancholy.
52
Vizenor appears to be even more bothered by the fact that these plastic
shamans and their simulations undermine indigenous peoples' struggles
for survival. He believes that the simulated shamans' obsession with
the "real" and the "authentic" undermine those he calls "postindian
warriors." Vizenor uses the term "postindian warriors" to refer to those
who help indigenous peoples survive. He suggests that postindian warriors
must embrace the complexities of postmodern culture to help indigenous
peoples survive, rather than play into notions of "authenticity."
53
Vizenor believes that the dominant discourse has maintained its own
racist notions of "authentic" representations
[End Page 343]
of Native American cultures in its scholarly archives and elsewhere that
have proved oppressive of indigenous peoples.
54
Thus simulated shamanism, preoccupied with the "authentic" Indian,
takes its place in this racist dominant discourse of oppression.
Philip J. Deloria provides a different analysis of the New Age obsession
with Native Americans. The notion of "playing Indian" is central to
Deloria's book of the same name, which traces this Euro-American practice
to this nation's earliest years. Deloria appears to believe that the
notion of Indianness, including all of the contradictory images from
brutal savage to Noble Savage, was central to Americans' quests for
identities. Deloria ponders whether the New Age movement set within
postmodern culture represents a continuum of this historical "playing
Indian" or suggests a unique historical movement.
55
Overall, Deloria appears to lean more heavily in favor of there being
something unique in the New Age "playing Indian" that suggests a break
with the continuum. In particular, Deloria notes a change in focus
from collective concerns with social justice toward a strong focus on
individual freedoms.
56
Deloria insightfully recognizes that this shift inward coupled with
the idealization of
Indian spirituality in the abstract has erased the complex history of
Indians.
As Deloria poignantly phrases it:
The tendency of New Age devotees to find in Indianness personal
solutions to the question of living the good life meant that Indian
Others were imagined in almost exclusively positive terms--communitarian,
environmentally wise, spiritually insightful. This happy multiculturalism
blunted the edge of earlier calls for social change by focusing on
pleasant cultural exchanges that erased the complex history of Indians
and others.
57
Philip Deloria recognizes that Indianness has been an open idea imbued
with a number of meanings, often contradictory, that Americans seeking
identities have reconfigured for their own ends for hundreds of
years. He astutely points out, however, that "for many, postmodern
Indianness had become so detached from anything real that it was in
danger of lapsing into a bland irrelevance."
58
Deloria is bothered by the fact that authenticity in the New Age is
considered a matter of personal interpretation, with very few material
or social forms.
59
Moreover, he believes that the disjointed signifiers used by the
New Age weaken the potential power of playing Indian.
60
As Deloria observes, "it was the social reality of authentic,
aboriginal Indians that gave Indian play significance and power."
61
I must note here that I have doubts about Vizenor's notion of the
power of "playing Indian" in general. Given the power imbalance
between dominant society and indigenous peoples, any appropriation
of Native American culture strikes me as rife with the potential of
oppression. I would tend to agree more with Rayna Green's critique of
"playing Indian." Nevertheless,
[End Page 344]
Deloria's analysis lends insight into the New Age phenomenon of "playing
Indian."
Whereas Vizenor characterizes the New Age as obsessed with "real" and
"authentic" Indianness, Deloria is worried about its lack of concern
with "authenticity." Vizenor believes "authenticity" to be an oppressive
concept as applied to indigenous peoples; Deloria sees "authenticity"
as positive and powerful for Native Americans, because it ties into a
material world where real indigenous people must be acknowledged. Yet
both scholars seem to agree that the New Age movement set within the
larger postmodern cultural context represents a distinct rupture from
prior Indian simulations as well as "playing Indian," one that is
more dangerous to indigenous peoples in terms of cultural survival. I
do not find the real danger in either the claim to authenticity
that worries Vizenor or the lack of attention paid to it that worries
Deloria. To me, the greatest danger in New Age misappropriation of Native
American spirituality lies in its commercialization. Commercialization
has a way of trivializing that is particularly unsettling with regard
to the purchase of spiritual meaning. Once Native American spiritual
traditions become part of the entrepreneurial machinery, they are put
on a par with every other kind of product. There is something grossly
insulting about advertising copy that lures the consumer into buying
"Your Own Personal Native American Spiritual Experience" in the same
fashion that it promotes the latest food dehydrator. Native American
spirituality becomes another fad to be sampled (and ultimately discarded)
among a smorgasbord of entertainment options for consumers in a culture
that cultivates an insatiable appetite.
I believe that New Agers are fascinated with Native Americans in
particular for the same reasons that Euro-Americans have been obsessed with their
indigenous predecessors for hundreds of years. Milun and Yellowbird's
notion of imperialist nostalgia aptly describes this yearning on the part
of Euro-Americans for what their culture has oppressed. I believe this
imperialist nostalgia is also fueled by a deeply embedded, unconscious
sense of guilt. The Native American, as an exoticized Other, an abstracted
image, has become an open image onto which Euro-Americans could project
their anxieties and desires. Both the image of the brutal savage and the
Noble Savage have fluctuated over the years, responding to changing
politics and social moods in this nation. The Noble Savage in New Age
garb is a recent incarnation responding to a significant minority
of the dominant population who have found mainstream culture lacking in
meaning. What has changed is that this particular Noble Savage has been
quickly snapped up by consumer capitalism and mass-marketed. Moreover,
this "spiritually wise Noble Savage" intrudes on a new area of cultural
genocide; this plastic shaman is selling off Native Americans' spiritual
traditions.
[End Page 345]
The Vicious Cycle of Purchased Spirituality
The subjectivities of human experience produced under capitalism leads
to feelings of alienation. Yet people increasingly think of themselves
and others as akin to commodities. Purchasable lifestyles are mistaken
for communities. So, driven by the quest for some kind of community
and historical tradition, New Agers fetishize Native Americans and
their religio-cultural practices. Yet the only way they know how
to achieve the attributes that they project onto Native Americans
is through commercialization and purchase. This cycle does not end
their alienation. They are still so removed from any recognition of
social relations (much less historical conflict) that they cannot
understand why Native American peoples themselves would object to
their appropriations. The individualism that has become characteristic
of both capitalism and American political ideology cannot fathom
political and social accountability. Yet the kind of community New
Agers so desperately seek to relieve their feelings of isolation would,
in my view, not be defined by superficial trappings, but by
collective accountability.
Despite the New Agers' professions that they are working toward
social and cultural change, their commercialization of Native American
spirituality articulates well within late-twentieth-century consumer
capitalism. There is strong historical and social evidence that the
commercialization of ideas and values, as well as the fetishized image
of a social body perceived to be ethnically Other, stems in part from
thought and practices produced within the context of recent consumer
capitalism. Although the New Age spiritualists identify themselves as
countercultural, their uncritical ideas about commercialization and
marketing practices appear to have been shaped by the larger capitalist
market economy. Moreover, their imperialistically nostalgic fetishization
of Native American spirituality hinders any recognition of their own
historical and social complicity in the oppression of indigenous peoples.
Lisa Aldred received her J.D. from unc School of Law in 1985 and her
Ph.D. in anthropology from the University of North Carolina-Chapel Hill
in 1999. She is currently an assistant professor in the Center for Native
American Studies at Montana State University.
Notes
1.
According to James R. Lewis in his 1992 study, there had been a recent
shift in New Agers' focus from channeling and crystals to American
Indian spirituality and shamanism, along with "inner child" work (James
R. Lewis and J. Gordon Melton, eds., Perspectives on the New Age
[Albany: State University of New York, 1992], 10).
2.
According to Melody Baker's survey (A New Consciousness: The
True Spirit of New Age [Duluth GA: New Thought,
1991], 196), a significant number of respondents listed "Native
American teachings" as a New Age topic they would like to see more
written about. Similarly, when asked to list what New Age products and
services they were interested in, a significant number of respondents
indicated that they would like to see an increase in products and services
related to "Native American teachings."
3.
These books include Earthway: A Native American Visionary's Path
to Total Mind, Body, and Spirit Health (New York: Pocketbooks,
1999); Phoenix Rising: No-Eyes' Vision of the Changes to Come
(Norfolk VA: Hampton Roads, 1993); and Dreamwalker:
Path of Sacred Power (Norfolk VA: Hampton Roads,
1993) among others.
4.
Shortly thereafter, Summer Rain encounters a group of restless spirits
from the nineteenth century. These Indian women and children were
on their way to meet the men of their tribe when they perished from
small pox (spread by intentionally infected blankets given to them by
the U.S. Cavalry). Summer Rain tells them to admit they are dead and
say they want to get home. The men of their tribe then appear with
outstretched arms and the tribe is reunited and returns to the spirit
world (Mary Summer Rain, Phantoms Afoot: Helping the Spirits Among
Us [Norfolk VA: Hampton Roads, 1993]).
5.
Jamie Samms, The Thirteen Original Clan Mothers: Your Sacred Path
to Discovering the Gifts, Talents, and Abilities of the Feminine
through the Ancient Teachings of the Sisterhood (San Francisco:
HarperSanFrancisco, 1993).
6.
Iron Thunderhorse and Don Le Vie Jr., Return of the Thunderbeings:
A New Paradigm of Ancient Shamanism (Santa Fe: Bear & Co., 1990).
7.
Joseph Rael with Mary Elizabeth Marlow, Being and Vibration
(Tulsa, OK: Council Oak Books, 1993).
8.
Doug Boyd, Mad Bear: Spirit, Healing, and the Sacred in the Life of a
Native American Medicine Man (New York: Simon & Schuster, 1994)
and Rolling Thunder (New York: Random House, 1974). Incidentally
the Grateful Dead threw a benefit concert for Rolling Thunder.
9.
Taisha Abelar, The Sorcerer's Crossing (New York: Penguin,
1993). Castaneda has written the preface to her book.
10.
See the Bill Elwell Jr. videotape entitled "Native American Indian Sacred
Purification Sweat Lodge Ceremony."
11.
Michael Harner workshop advertised in Omega: Institute for Holistic
Studies catalog for summer 1994. Harner was formerly a professor of
anthropology at the New School for Social Research in New York City.
12.
Workshop entitled "Healing the Light Body: The Art of Incan Shamanism"
led by Lynne Stewart-White advertised in a brochure for Morning Star:
Institute for Holistic Studies in Atlanta, Georgia, and scheduled for
summer 1994.
13.
In an advertisement flyer, for example, "Camp Four Winds" bills
itself as "A contemporary experience in Native American harmony, a
family resort and summer camp for children and families. We share the
light given by Ea Wah Tah (Hiawatha) 5,800 years ago." An example of the
incorporation of Native American rituals in wilderness training camps is
found in the advertisement for "Earth-Heart" in Montana run by Malcolm
H. Ringwalt. Ringwalt leads wilderness-training programs, combined with
vision quests, and also conducts psychotherapy as part of these "spiritual
retreats." Keepers of the Earth: Tours of the American Southwest--a
tour company--lures consumers with the following advertisement:
"Awaken connections with your past. Transform the future, join us to
honor and explore the earth. Red Rocks, deep-winding canyons, Native
American sacred sites, rituals, and ruins heighten your journey. Guided
Meditations Optional."
14.
Andy Smith, "For All Those Who Were Indian in a Former Life,"
Ms. Magazine, Nov.-Dec. 1991, 44(2).
16.
The Pyramid Collection: A Catalog of Personal Growth and
Exploration (Indian Summer, [sic] 1994).
17.
Pemina Yellow Bird and Kathryn Milun, "Interrupted Journeys: The Cultural
Politics of Indian Reburial," in Displacements: Cultural Identities
in Question, ed. Angelika Bammer (Durham NC: Duke
University Press, 1994).
18.
Resolution of the Fifth Annual Meeting of the Traditional Elders
Circle (Northern Cheyenne Nation, Two Moons' Camp, Rosebud Creek,
Montana, 5 October 1980) [reprinted in Ward Churchill, Fantasies of
the Master Race (Monroe ME: Common Courage Press,
1996), 223-225]. Traditional Circle of Indian Elders, Twelfth Annual
Conference at Queen Charlotte Islands, British Columbia (quoted in Jon
Magnuson, "Selling Native American Soul," The Christian Century,
22 November 1989, 1086).
19.
Resolution of the Fifth Annual Meeting of the Traditional Elders
Circle, 223.
20.
Native American activists distributed fliers at Hyemeyohsts Storm's
lecture at a San Francisco worship service that boldly proclaimed,
"Our sacred spiritual practices are not for sale, and if you try to steal
them from us, you are guilty of spiritual genocide" (Christopher Shaw, "A
Theft of Spirit?" New Age Journal, July/August 1995, 84-92). Colorado's AIM chapter undertook a confrontation
with Sun Bear in the midst of a $500-per-head, weekend-long "spiritual
retreat" being conducted in Granby, Colorado.
21.
Southwest AIM Leadership Conference, AIM
Resolution, 11 May 1984, Window Rock AZ, Diné
Reservation (reprinted in Churchill, Fantasies of the Master Race,
228).
22.
National Congress of American Indians, 1993, reprinted in Shaw, "A Theft
of Spirit?" 86.
23.
In Playing Indian, Phillip J. Deloria notes that the
Indian-published paper Indian Country Today ran a series of
articles in 1992 denouncing many New Age "medicine people" as frauds and
inviting these plastic shamans' responses. Most failed to respond to the
critiques or give them any validity. Deloria seems even more intrigued
with the lack of effect of these articles on the New Age movement as a
whole. He observes: "[T]he newspaper's detailed investigative reporting
had no appreciable effect on New Age audiences. Indian presence was
noted. Complaints, however, were ignored and suggestions rejected"
(Phillip J. Deloria, Playing Indian [New Haven CT:
Yale University Press, 1998]).
24.
It might be noted that the "freedom of religion" clause in the First
Amendment protects individuals from government infringement of their right
to hold their religious beliefs. It does not guarantee them a right of
access to a particular group's spiritual traditions. Given that Native
American reservations are recognized as "domestic dependent nations"
by the U.S. government (and some have never conceded U.S. sovereignty
at all), this "right of access" is even more unfounded from a legal
standpoint.
25.
Smith, "For All Those Who Were Indian in a Former Life," 44(2).
26.
For example, in Lyng v Northwest Cemetery Protective Association,
the Supreme Court held that the First Amendment rights of members of three
Indian tribes to religious freedom were not violated by the construction
of a state forest road in close proximity to important sacred sites
(Lyng v Northwest Indian Cemetery Protection Association, 485
US 439 [1988]). In the majority opinion, Justice Sandra Day
O'Connor noted: "The Constitution does not, and courts cannot, offer to
reconcile the various competing demands on government, many of them rooted
in sincere religious belief, that inevitably arise in so diverse a society
as ours" (Lyng v Northwest Indian Cemetery Protection Association,
485 US 452 [1988]). The Lyng decision also concluded that
the American Indian Religious Freedom Act of 1978 did not protect tribal
sacred sites; they also determined that AIRFA was merely
a statement of policy without any means of judicial enforcement.
27.
Quoted in Churchill, Fantasies of the Master Race, 219.
28.
Southwest AIM Leadership Conference, AIM
Resolution, 11 May 1984, Window Rock AZ, Diné
Reservation (reprinted in Churchill, Fantasies of the Master Race,
228).
29.
Sun Bear, Wabun Wind, and Edward B. Weinstock, The Path to Power
(New York: Prentice-Hall, 1987), 30.
30.
Letter from a reader to editors of Wildfire (Sun Bear Tribe's
magazine) 6, no. 4 (Fall/Winter 1996).
31.
Sun Bear, Wabun, and Weinstock, The Path to Power, 260.
32.
Grant McCracken, Culture and Consumption: New Approaches to the
Symbolic Character of Consumer Goods and Activities (Bloomington:
Indiana University Press, 1988), 106-7.
33.
Mike Featherstone, Consumer Culture and Postmodernism (London:
Sage, 1991).
34.
Lauren Langman, "Neon Cages: Shopping for Subjectivity" in Lifestyle
Shopping: The Subject of Consumption, ed. Rob Shields (London:
Routledge, 1992).
39.
Jay Rosen, "Optimism and Dread: T.V. and the New Age" in Not
Necessarily the New Age: Critical Essays, ed. Robert Basil (Buffalo
NY: Prometheus Books, 1988), 275.
40.
Jay Rosen, "Consumer Culture and the New Age," Skeptical Inquirer
13, no. 4 (1989): 401-4.
43.
In God Is Red, Vine Deloria Jr. backs up his proposition that
Americans attempt to find authenticity and some kind of historical
roots in American Indians by citing a bizarre fragment of a William
Carlos Williams poem: "The land! Doesn't it make you want to go out and
lift dead Indians tenderly from their graves, to steal from them--as
if it must be clinging even to their corpses--some authenticity" (Vine
Deloria Jr., God Is Red [New York: Grosset and Dunlap, 1977], xi).
44.
Rayna Green, "The Tribe Called Wannabee: Playing Indian in America and
Europe," Folklore 99, no. 1 (1988): 30-55.
45.
Green discusses the "Taos cult of the thirties, with Mabel Dodge Luhan,
her 'guru' Indian husband Tony, her covey of displaced, hedonistic New
Yorkers, and obeisance to the cult goddess, Georgia O'Keefe" ("The Tribe
Called Wannabee," 43). Green argues that the Southwest became more than a
canvas or scene for the camera lens with this thirties cult; it became a
style. Green also points out that countercultural hippies in the sixties
often donned headbands, beads, fringed jackets, and purses adorned with
feathers. Philip Deloria gives an insightful analysis of counterculture's
fascination with "playing Indian" in chap. 6, "Counterculture Indians
and the New Age," in Philip Deloria, Playing Indian (New Haven:
Yale University Press, 1998), 154-80.
46.
Although I believe that New Age commercialization of Native American
spirituality is on a much wider scale than the nineteenth-century
spiritualist movement, I do not want to overlook the history of
commercialization of the "Indian" image since the late 1800s. Daniel
Francis traces the use of the Indian in advertising and products from the
late nineteenth century through the twentieth century (Daniel Francis,
"Marketing the Imaginary Indian," chap. 8 in The Imaginary Indian
[Vancouver BC: Arsenal Pulp Press, 1992]).
48.
Pierre Bourdieu, Distinction: A Social Critique of the Judgment of
Taste, trans.
R. Nice (London: Routledge & Kegan, 1984).
49.
Jean Baudrillard, Simulations (New York: Semiotext(e), 1983).
50.
As Vizenor phrases it, "The simulation of the indian is the absence
of real natives--the contrivance of the other in the course of
dominance. Truly, natives are the stories of an imagic presence,
and indians are the actual absence--the simulations of the tragic
primitive (Gerald Vizenor, Manifest Manners: Narratives on Postindian
Survivance [Lincoln: University of Nebraska Press, 1999], vii).
51.
As Vizenor analyzes the rise of plastic shamans: "'When the real is
no longer what it used to be, nostalgia assumes its full meaning,'
wrote Baudrillard in Simulacra and Simulations. There is a
proliferation of myths of origin and signs of reality; of second hand
truth, objectivity, and authenticity. Nostalgia, and the melancholia
of dominance, are common sources of simulations in manifest manners;
mother earth and the shamans of the other are summoned to surrender
their peace and harmonies in spiritual movements" (Vizenor, Manifest
Manners, 25).
52.
This idea of New Age simulations of Indians is evident in Vizenor's
analysis of the Rainbow Tribe. As he argues: "The simulations of his
rainbow tribe [referring to Ed McGaa] are treacherous, in one sense,
because nostalgia is the absence of the real, not the presence of
imagination and the wild seasons of peace. The rainbow tribe is a
diversion, it would seem, a simulation marooned in the romance of the
noble savage and the unattainable salvation of absolute boredom and
melancholy" (Vizenor, Manifest Manners, 25).
53.
As Vizenor phrases it: "The postindian warriors and posers are not the
new shaman healers of the unreal. Simulations and the absence of the
real are curative
by chance . . . postindian warriors are wounded by the real" (Vizenor,
Manifest Manners, 23).
54.
This idea of Euro-American definitions of "authentic" representations
of Native American cultures is suggested by Vizenor's definition of
"manifest manners," the term he chooses as the title of his book. Vizenor
defines manifest manners as "the course of dominance, the racialist
notions and misnomers sustained in archives and lexicons as 'authentic'
representations of indian cultures" (Vizenor, Manifest Manners, x).
55.
As Deloria phrases his quandary: "What concerns me even more, however,
are the ways in which a contradictory notion of Indianness, so central to
American quests for identities, changed shape yet again in the context of
these postmodern crises of meaning. On the one hand, the refigurings
of Indianness produced by the counterculture and the New Age reflect
a historical moment unique from those we have already examined. On
the other hand, the diverse practices we often subsume under the word
postmodern may simply echo the familiar toying with meaning and
identity we have seen in a long tradition of Indian play. Or maybe both
notions are true" (Deloria, Playing Indian, 157).
56.
As Deloria elucidates: "And yet, placed in the context of a postmodernism
that emphasized relativism and openness, it was easy to read cosmopolitan
multiculturalism as a license for anyone to choose an ethnic
identity--Indian, for example--regardless of family, history, or
tribal recognition. When non-Indian New Age followers appropriated and
altered a cosmopolitan understanding of Indianness, they laid bare a
slow rebalancing away from the collective concerns with social justice
that had emerged in the 1960s and toward the renewed focus on individual
freedom that has characterized America since the 1980s" (Philip Deloria,
Playing Indian, 173). Later, Deloria astutely observes: "Indeed,
the New Age's greatest intellectual temptation lies in the wistful
fallacy that one can engage in social struggle by working on oneself"
(Deloria, Playing Indian, 177).
59.
As Deloria notes, "In the New Age, authenticity had few material or social
forms. Rather it resided--like all good, unknowable essentials--in a
person's interpretive heart and soul" (Deloria, Playing Indian,
176). In particular, (and fitting with the title of this section
("The Noble Savage in New Age Garb"), Deloria seems particularly
bothered by the clothes chosen by New Agers in playing Indian. As
he notes, "It was perhaps indicative of the nature of the movement
(New Age) that its followers tended to play Indian in ways that were
very low-grade. A bandana, an assumed name, a personal fetish--any one
would suffice. . . . The concrete nature of clothing has always
insured that, even in the midst of creative play, a thread of social
connection bound real Indians to those who mimed them" (Deloria,
Playing Indian, 175).
60.
As Deloria phrases it, "When the New Age turned to disjointed
signifiers--a headband rife with associations, a stylized pipe
influenced (one would almost swear) by J. R. R. Tolkien, a set
of tropes from one's personal library--adherents allowed some of the
true creative power of Indianness to slip away" (Deloria, Playing
Indian, 176).
61.
Deloria, Playing Indian, 176. Deloria believes that Native American
activists who oppose New Agers "playing Indian" wield power. These
activists combat the New Age (and postmodern) discourse that tries to
subsume everything in a language of open cultural meanings by offering a
pluralist discourse that highlights power, struggle, and inequality. As
Deloria poignantly states:
[I]t was . . . important that they (the oppositional warriors) speak--and
speak critically, for in doing so, they offered one of the only
indicators of authentic difference functioning in the world of texts,
interpretations, and unchained meanings. Whereas Sun Bear and Medicine
Woman Lynn Andrews inhabited a cultural world easily shared by Indians and
non-Indians, oppositional native people focused on social and political
worlds, where the differences between the reservation, the urban ghetto,
and the Beverly Hills Hotel . . . stood in stark relief. When they tried
to force non-Indians to translate from the cosmopolitan language of
open cultural meanings to the pluralist languages of power, struggle,
and inequality, they rethreaded the material connections that made
Indianness so real (Deloria, Playing Indian, 177).