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In this Issue

Table of Contents

  1. DIY: Self-Publishing in America I
  2. Jeffrey R. Di Leo
  3. pp. 2-24
  4. DOI: https://doi.org/10.1353/abr.2015.0023
  5. restricted access
  1. Go Burn Brightly
  2. Dash Shaw
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.2015.0005
  5. restricted access
  1. All at Once
  2. Austin English
  3. p. 5
  4. DOI: https://doi.org/10.1353/abr.2015.0009
  5. restricted access
  1. The Unconscious Closed Captioned
  2. Matthew Thurber
  3. p. 6
  4. DOI: https://doi.org/10.1353/abr.2015.0013
  5. restricted access
  1. Interior Study
  2. Nicole Rudick
  3. p. 7
  4. DOI: https://doi.org/10.1353/abr.2015.0017
  5. restricted access
  1. A Silly Clown
  2. Joe McCulloch
  3. p. 8
  4. DOI: https://doi.org/10.1353/abr.2015.0021
  5. restricted access
  1. Poetic Comics
  2. Bill Kartalopoulos
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/abr.2015.0026
  5. restricted access
  1. Excerpt from Education
  2. John Hankiewicz
  3. pp. 10-12
  4. DOI: https://doi.org/10.1353/abr.2015.0003
  5. restricted access
  1. Racial Reflections
  2. Ben Railton
  3. p. 13
  4. DOI: https://doi.org/10.1353/abr.2015.0007
  5. restricted access
  1. All That Jazz
  2. Charles Suhor
  3. p. 14
  4. DOI: https://doi.org/10.1353/abr.2015.0011
  5. restricted access
  1. The Summer of 1964
  2. Beverly Tomek
  3. p. 15
  4. DOI: https://doi.org/10.1353/abr.2015.0015
  5. restricted access
  1. Struggle to Survive
  2. John Tytell
  3. p. 16
  4. DOI: https://doi.org/10.1353/abr.2015.0019
  5. restricted access
  1. Viewed on VHS
  2. James Tadd Adcox
  3. p. 17
  4. DOI: https://doi.org/10.1353/abr.2015.0024
  5. restricted access
  1. Have You Seen Me?
  2. Jason Jordan
  3. p. 18
  4. DOI: https://doi.org/10.1353/abr.2015.0001
  5. restricted access
  1. A Brilliant Mirror
  2. Walter Hess
  3. pp. 18-19
  4. DOI: https://doi.org/10.1353/abr.2015.0006
  5. restricted access
  1. Comment and Witness
  2. Mary Pettice
  3. pp. 19-20
  4. DOI: https://doi.org/10.1353/abr.2015.0010
  5. restricted access
  1. Loop of Discontent
  2. Elizabeth J. Colen
  3. pp. 20-21
  4. DOI: https://doi.org/10.1353/abr.2015.0014
  5. restricted access
  1. What Lies Beneath
  2. Judith Podell
  3. p. 21
  4. DOI: https://doi.org/10.1353/abr.2015.0018
  5. restricted access
  1. Like Mother, Like Daughter
  2. Dinda L. Gorlée
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/abr.2015.0022
  5. restricted access
  1. Members Only
  2. Gina Masucci MacKenzie
  3. p. 23
  4. DOI: https://doi.org/10.1353/abr.2015.0027
  5. restricted access
  1. Sound off
  2. Lindsay Marshall
  3. pp. 24-25
  4. DOI: https://doi.org/10.1353/abr.2015.0004
  5. restricted access
  1. Rooted in Place
  2. Rae Muhlstock
  3. p. 25
  4. DOI: https://doi.org/10.1353/abr.2015.0008
  5. restricted access
  1. Found in Translation
  2. Terry Hong
  3. pp. 27-28
  4. DOI: https://doi.org/10.1353/abr.2015.0012
  5. restricted access
  1. Going Medieval
  2. Phillip M. Mahoney
  3. pp. 28-29
  4. DOI: https://doi.org/10.1353/abr.2015.0016
  5. restricted access
  1. Insatiable Want
  2. Elizabeth Kim
  3. pp. 29-30
  4. DOI: https://doi.org/10.1353/abr.2015.0020
  5. restricted access
  1. Stalls and Starts
  2. Mary Hale
  3. p. 30
  4. DOI: https://doi.org/10.1353/abr.2015.0025
  5. restricted access
  1. Scenes: Dos Gatos Press an interview with David Meischen
  2. David Meischen
  3. p. 31
  4. DOI: https://doi.org/10.1353/abr.2015.0002
  5. restricted access
  1. Introduction to Focus: Comics
  2. Bill Kartalopoulos
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.2015.0000
  5. restricted access