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Table of Contents

  1. Page 2: If on a Winter’s Night a Computer
  2. Jeffrey R. Di Leo
  3. pp. 2-23
  4. DOI: https://doi.org/10.1353/abr.2013.0074
  5. restricted access
  1. Precipice Poetics
  2. Daniel Burns
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/abr.2013.0058
  5. restricted access
  1. Irony and Sincerity
  2. Caren Irr
  3. p. 6
  4. DOI: https://doi.org/10.1353/abr.2013.0062
  5. restricted access
  1. Tense and Sensibility
  2. Amy J. Elias
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/abr.2013.0066
  5. restricted access
  1. Metamodernist Affect
  2. Timotheus Vermeulen
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/abr.2013.0069
  5. restricted access
  1. This Is the Point
  2. Mary K. Holland
  3. p. 10
  4. DOI: https://doi.org/10.1353/abr.2013.0072
  5. restricted access
  1. Profit over History
  2. Alison Gibbons
  3. p. 11
  4. DOI: https://doi.org/10.1353/abr.2013.0076
  5. restricted access
  1. Digimodern Textual Endlessness
  2. Alan Kirby
  3. p. 12
  4. DOI: https://doi.org/10.1353/abr.2013.0056
  5. restricted access
  1. The Long 1980s
  2. Matthew Mullins
  3. p. 13
  4. DOI: https://doi.org/10.1353/abr.2013.0060
  5. restricted access
  1. Performing the Post-Postmodern
  2. Raoul Eshelman
  3. pp. 14-15
  4. DOI: https://doi.org/10.1353/abr.2013.0064
  5. restricted access
  1. Whatever Works
  2. Robin van den Akker
  3. pp. 15-30
  4. DOI: https://doi.org/10.1353/abr.2013.0068
  5. restricted access
  1. A City’s Anatomy
  2. Walter Hess
  3. pp. 16-18
  4. DOI: https://doi.org/10.1353/abr.2013.0071
  5. restricted access
  1. Autonomous Power of Words
  2. R.M. Berry
  3. pp. 17-21
  4. DOI: https://doi.org/10.1353/abr.2013.0075
  5. restricted access
  1. The Revolutionary Impulse
  2. Gary Lain
  3. p. 19
  4. DOI: https://doi.org/10.1353/abr.2013.0055
  5. restricted access
  1. The Darkest Season
  2. Myrdene Anderson
  3. p. 20
  4. DOI: https://doi.org/10.1353/abr.2013.0059
  5. restricted access
  1. Ouilipo’s Future
  2. Gerald L. Bruns
  3. pp. 21-22
  4. DOI: https://doi.org/10.1353/abr.2013.0063
  5. restricted access
  1. Fiction and Finales
  2. Marcel Cornis-Pope
  3. pp. 23-24
  4. DOI: https://doi.org/10.1353/abr.2013.0067
  5. restricted access
  1. Between Two Realities
  2. Lyndee Yamshon
  3. p. 25
  4. DOI: https://doi.org/10.1353/abr.2013.0070
  5. restricted access
  1. The Poet Rolls On
  2. Patrick James Dunagan
  3. p. 26
  4. DOI: https://doi.org/10.1353/abr.2013.0073
  5. restricted access
  1. From Zagreb with Anomie
  2. Steven Wingate
  3. p. 27
  4. DOI: https://doi.org/10.1353/abr.2013.0077
  5. restricted access
  1. Ambulatory Criticism
  2. Amanda Montei
  3. p. 28
  4. DOI: https://doi.org/10.1353/abr.2013.0057
  5. restricted access
  1. Sing a True History
  2. John Domini
  3. p. 29
  4. DOI: https://doi.org/10.1353/abr.2013.0061
  5. restricted access
  1. Scenes: Rampike: an interview with Karl Jirgens
  2. Karl Jirgens
  3. p. 31
  4. DOI: https://doi.org/10.1353/abr.2013.0065
  5. restricted access
  1. Introduction to Focus: Thirteen Ways of Passing Postmodernism
  2. Christian Moraru
  3. pp. 3-4
  4. DOI: https://doi.org/10.1353/abr.2013.0054
  5. restricted access