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Table of Contents

  1. From the Editors
  2. Charles B. Harris
  3. p. 2
  4. DOI: https://doi.org/10.1353/abr.2006.0071
  5. restricted access
  1. The State of the Art
  2. Mark Wallace
  3. pp. 3-4
  4. DOI: https://doi.org/10.1353/abr.2006.0081
  5. restricted access
  1. The Slowing of Matter
  2. Casie Fedukovich
  3. pp. 4-5
  4. DOI: https://doi.org/10.1353/abr.2006.0086
  5. restricted access
  1. Moving Circles
  2. Jeannine Hall Gailey
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/abr.2006.0059
  5. restricted access
  1. Promises Withheld
  2. Robert Long
  3. p. 6
  4. DOI: https://doi.org/10.1353/abr.2006.0064
  5. restricted access
  1. Cloistered
  2. Roger Mitchell
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/abr.2006.0069
  5. restricted access
  1. The One Who Tells the Story
  2. Madeline Tiger
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/abr.2006.0074
  5. restricted access
  1. Vonnegut's Beatitudes
  2. Jerome Klinkowitz
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/abr.2006.0079
  5. restricted access
  1. A Sample of Fair Use
  2. Davis Schneiderman
  3. p. 11
  4. DOI: https://doi.org/10.1353/abr.2006.0084
  5. restricted access
  1. On the Venice Biennale
  2. Alain Arias-Misson
  3. pp. 12-13
  4. DOI: https://doi.org/10.1353/abr.2006.0057
  5. restricted access
  1. On the OlsonNow Forum
  2. Michael Joyce
  3. p. 13
  4. DOI: https://doi.org/10.1353/abr.2006.0062
  5. restricted access
  1. The Human Laboratory
  2. Lance Olsen
  3. p. 14
  4. DOI: https://doi.org/10.1353/abr.2006.0067
  5. restricted access
  1. Totem Books
  2. Peter Conners
  3. p. 15
  4. DOI: https://doi.org/10.1353/abr.2006.0072
  5. restricted access
  1. Staples
  2. Teresa Sparks
  3. p. 16
  4. DOI: https://doi.org/10.1353/abr.2006.0077
  5. restricted access
  1. Dunk
  2. Robbie Q. Telfer
  3. p. 16
  4. DOI: https://doi.org/10.1353/abr.2006.0082
  5. restricted access
  1. Perf
  2. Sara Larsen
  3. p. 17
  4. DOI: https://doi.org/10.1353/abr.2006.0055
  5. restricted access
  1. Review2
  2. Chris Pusateri
  3. p. 17
  4. DOI: https://doi.org/10.1353/abr.2006.0060
  5. restricted access
  1. Redeeming Nietzsche
  2. Nickolas Pappas
  3. p. 19
  4. DOI: https://doi.org/10.1353/abr.2006.0070
  5. restricted access
  1. Seeing Had to Become Habitual
  2. Paula Koneazny
  3. p. 20
  4. DOI: https://doi.org/10.1353/abr.2006.0075
  5. restricted access
  1. Not Just Another Frankenstein
  2. Joseph Tabbi
  3. pp. 21-22
  4. DOI: https://doi.org/10.1353/abr.2006.0080
  5. restricted access
  1. Postmodernism's Baby
  2. Susan Swartwout
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/abr.2006.0085
  5. restricted access
  1. The Riderless World
  2. Sam Truitt
  3. pp. 23-24
  4. DOI: https://doi.org/10.1353/abr.2006.0058
  5. restricted access
  1. Between Ulysses and Edgar Allan Poe
  2. Peter Dempsey
  3. pp. 24-25
  4. DOI: https://doi.org/10.1353/abr.2006.0063
  5. restricted access
  1. Time Must Have a Stop
  2. Doug Nufer
  3. p. 25
  4. DOI: https://doi.org/10.1353/abr.2006.0068
  5. restricted access
  1. Why John Brown Matters
  2. William Lansing Brown
  3. pp. 26-27
  4. DOI: https://doi.org/10.1353/abr.2006.0073
  5. restricted access
  1. Full Brain Thinking
  2. Mark Tursi
  3. pp. 28-29
  4. DOI: https://doi.org/10.1353/abr.2006.0078
  5. restricted access
  1. Achille's Heel
  2. Ron Capshaw
  3. p. 29
  4. DOI: https://doi.org/10.1353/abr.2006.0083
  5. restricted access
  1. All We Need Is Love
  2. Stacey Gottlieb
  3. p. 30
  4. DOI: https://doi.org/10.1353/abr.2006.0056
  5. restricted access
  1. Northeastern Gothic
  2. Garin Cycholl
  3. pp. 30-31
  4. DOI: https://doi.org/10.1353/abr.2006.0061
  5. restricted access
  1. Backlist: A Novel Approach to a Poem
  2. Laura Wright
  3. p. 31
  4. DOI: https://doi.org/10.1353/abr.2006.0066
  5. restricted access
  1. Introduction to Focus: Foetry be Damned: A Few Contest Winners
  2. Rochelle Ratner
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.2006.0076
  5. restricted access
  1. Reading the Footnotes
  2. Thomas March
  3. p. 18
  4. DOI: https://doi.org/10.1353/abr.2006.0065
  5. restricted access