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In this Issue

Table of Contents

  1. Our Mayan Prophecy
  2. Adam Bradley
  3. pp. 570-573
  4. DOI: https://doi.org/10.1353/afa.2011.0056
  5. restricted access
  1. Canals and Rivers
  2. John Ernest
  3. pp. 573-575
  4. DOI: https://doi.org/10.1353/afa.2011.0062
  5. restricted access
  1. On Tradition
  2. Soyica Diggs Colbert
  3. pp. 575-578
  4. DOI: https://doi.org/10.1353/afa.2011.0067
  5. restricted access
  1. Trains, Planes, and What Was African American Literature?
  2. Russ Castronovo
  3. pp. 578-582
  4. DOI: https://doi.org/10.1353/afa.2011.0072
  5. restricted access
  1. Leaving WAS Behind
  2. Sharon P. Holland
  3. pp. 582-584
  4. DOI: https://doi.org/10.1353/afa.2011.0077
  5. restricted access
  1. Response
  2. Kenneth W. Warren
  3. pp. 584-591
  4. DOI: https://doi.org/10.1353/afa.2011.0048
  5. restricted access
  1. Her Dark Materials: John Milton, Toni Morrison, and Concepts of “Dominion” in A Mercy
  2. Tessa Roynon
  3. pp. 593-606
  4. DOI: https://doi.org/10.1353/afa.2011.0054
  5. restricted access
  1. The Concatenate Poetics of Slavery and the Articulate Material of Dave the Potter
  2. Michael A. Chaney
  3. pp. 607-618
  4. DOI: https://doi.org/10.1353/afa.2011.0060
  5. restricted access
  1. The Lord Is a Man of War: John Jasper, Covenant, and Apocalypse
  2. Christopher Z. Hobson
  3. pp. 619-631
  4. DOI: https://doi.org/10.1353/afa.2011.0065
  5. restricted access
  1. Visions of Tribulation: White Gaze and Black Spectacle in Richard Wright’s Native Son and The Outsider
  2. Becca Gercken
  3. pp. 633-648
  4. DOI: https://doi.org/10.1353/afa.2011.0070
  5. restricted access
  1. New World A-Coming: African American Documentary Intertexts of the Federal Writers’ Project
  2. J. J. Butts
  3. pp. 649-666
  4. DOI: https://doi.org/10.1353/afa.2011.0075
  5. restricted access
  1. Southern Patriarchy and the Figure of the White Woman in Gwendolyn Brooks’s “A Bronzeville Mother Loiters in Mississippi. Meanwhile, a Mississippi Mother Burns Bacon”
  2. Molly Littlewood McKibbin
  3. pp. 667-685
  4. DOI: https://doi.org/10.1353/afa.2011.0046
  5. restricted access
  1. Mirrors of Deception: Visualizing Blackness in the Poetry of Chicago Black Artist Johari Amini
  2. Carmen Phelps
  3. pp. 687-692
  4. DOI: https://doi.org/10.1353/afa.2011.0052
  5. restricted access
  1. Sunset
  2. Yaa Gyasi
  3. pp. 693-698
  4. DOI: https://doi.org/10.1353/afa.2011.0058
  5. restricted access
  1. What We Knew of Power
  2. M. Alexis Braxton
  3. p. 699
  4. DOI: https://doi.org/10.1353/afa.2011.0063
  5. restricted access
  1. The World’s Shortest African American Story
  2. Wanda Coleman
  3. p. 700
  4. DOI: https://doi.org/10.1353/afa.2011.0068
  5. restricted access
  1. Strange Death and Tragic Afterlife, and: Anti-Heroic Couplets, Written By Himself, and: Ballad of the Poet-Intellectual
  2. Anthony Carlton Cooke
  3. pp. 701-704
  4. DOI: https://doi.org/10.1353/afa.2011.0073
  5. restricted access
  1. Selection from Tanka Diary
  2. Harryette Mullen
  3. p. 705
  4. DOI: https://doi.org/10.1353/afa.2011.0044
  5. restricted access
  1. After the Yelling Stopped, and: My Grandmother Could Wring a Chicken’s Neck, and: Somewhere East of Troost, and: Yard Work, and: Borrowed Brilliance, and: The Lynch Family Blues
  2. Glenn North
  3. pp. 706-708
  4. DOI: https://doi.org/10.1353/afa.2011.0049
  5. restricted access
  1. On Earth
  2. Sarah Stewart
  3. p. 709
  4. DOI: https://doi.org/10.1353/afa.2011.0055
  5. restricted access
  1. Ode to an Ancestor, and: Illusion
  2. Samantha Thornhill
  3. p. 710
  4. DOI: https://doi.org/10.1353/afa.2011.0061
  5. restricted access
  1. Crazy Mabel
  2. Audrey Williams
  3. pp. 711-716
  4. DOI: https://doi.org/10.1353/afa.2011.0066
  5. restricted access
  1. What Was African American Literature? (review)
  2. Scott Selisker
  3. pp. 717-719
  4. DOI: https://doi.org/10.1353/afa.2011.0071
  5. restricted access
  1. The Anthology of Rap (review)
  2. Erik Nielson
  3. pp. 719-721
  4. DOI: https://doi.org/10.1353/afa.2011.0076
  5. restricted access
  1. Wrestling With the Left: The Making of Ralph Ellison’s Invisible Man (review)
  2. Brian Dolinar
  3. pp. 721-722
  4. DOI: https://doi.org/10.1353/afa.2011.0047
  5. restricted access
  1. Three Days Before the Shooting. . . (review)
  2. Philip Henderson
  3. pp. 723-725
  4. DOI: https://doi.org/10.1353/afa.2011.0053
  5. restricted access
  1. We Wear the Mask: Paul Laurence Dunbar and the Politics of Representative Reality (review)
  2. Thomas L. Morgan
  3. pp. 725-727
  4. DOI: https://doi.org/10.1353/afa.2011.0059
  5. restricted access
  1. The Collage Aesthetic in the Harlem Renaissance (review)
  2. Hildegard Hoeller
  3. pp. 727-729
  4. DOI: https://doi.org/10.1353/afa.2011.0064
  5. restricted access
  1. Shaping Memories: Reflections of African American Women Writers (review)
  2. John Lowe
  3. pp. 729-730
  4. DOI: https://doi.org/10.1353/afa.2011.0069
  5. restricted access
  1. Shaping Words to Fit the Soul: The Southern Ritual Grounds of Afro-Modernism (review)
  2. Jennifer M. Wilks
  3. pp. 731-732
  4. DOI: https://doi.org/10.1353/afa.2011.0074
  5. restricted access
  1. Traumatic Possessions: The Body and Memory in African American Women’s Writing and Performance (review)
  2. Carol E. Henderson
  3. pp. 732-734
  4. DOI: https://doi.org/10.1353/afa.2011.0045
  5. restricted access
  1. Something Akin to Freedom: The Choice of Bondage in Narratives by African American Women (review)
  2. Venetria K. Patton
  3. pp. 734-736
  4. DOI: https://doi.org/10.1353/afa.2011.0051
  5. restricted access
  1. Introduction
  2. Melissa Asher Daniels, Gregory Laski
  3. pp. 567-570
  4. DOI: https://doi.org/10.1353/afa.2011.0050
  5. restricted access
  1. Contributors
  3. pp. 737-739
  4. DOI: https://doi.org/10.1353/afa.2011.0057
  5. restricted access