1. Persistence of Vision: Public Library 16mm Film Collections in America
  2. Elena Rossi-Snook
  3. pp. 1-27
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  1. Using Shooting Scripts for Indexing Moving Images
  2. James M. Turner, Emmanuel Colinet
  3. pp. 27-44
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  1. The Dawn of Tape: Transmission Device as Preservation Medium
  2. Jeff Martin
  3. pp. 45-66
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  1. Amateurism and Experiment: The British Film Institute's Experimental Film Fund (1952-1966)
  2. Michele Pierson
  3. pp. 68-94
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  1. Imaging/Imagining Air Force Identity: "Hap" Arnold, Warner Bros., and the Formation of the USAAF First Motion Picture Unit
  2. Douglas Cunningham
  3. pp. 95-124
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  1. Archival Misadventures at UCLA: The Earliest Years
  2. Raymond Fielding
  3. pp. 125-128
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  1. Mughal-e-Azam : Restoration-cum-Colorization for 35mm Release
  2. Deepesh Salgia
  3. pp. 128-135
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  1. In the Mirror of Maya Deren (review)
  2. William C. Wees
  3. pp. 136-140
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  1. Bright Leaves (review)
  2. Lawrence F. Rhu
  3. pp. 140-143
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  1. Decasia: The State of Decay (review)
  2. Cynthia Rowell
  3. pp. 143-147
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  1. Masterworks of African Cinema (review)
  2. Jeanne Garane
  3. pp. 147-148
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  1. Winsor McCay: The Master Edition (review)
  2. Mark Langer
  3. pp. 149-153
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  1. Black, White, and in Color: Television and Black Civil Rights (review)
  2. Christine Acham
  3. pp. 153-156
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  1. Preserve Then Show (review)
  2. James Hahn
  3. pp. 156-159
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  1. Jean Desmet and the Early Dutch Film Trade (review)
  2. Beate Pempeit
  3. pp. 159-161
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  1. Anita Loos Rediscovered: Film Treatments and Fiction (review)
  2. J. E. Smyth
  3. pp. 161-164
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  1. Orphans 04: On Location: Place and Region in Forgotten Films
  2. Dorian Bowen
  3. pp. 167-171
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  1. Conference at Northeast Historic Film, July 30-31, 2004
  2. Mark Neumann
  3. pp. 171-175
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  1. Editor's Forward
  2. Jan-Christopher Horak
  3. pp. vi-x
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  1. Ethics and the Archival Profession: Introduction and Case Studies (review)
  2. Lindy Leong
  3. pp. 164-168
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  1. Contributors
  2. pp. 176-178
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