1. Performance Literature and the Written Word: Lost in Transcription?
  2. Rosalind Thomas
  3. pp. 1-6
  4. DOI: 10.1353/ort.2005.0018
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  1. How to Read a Reading of a Written Poem
  2. Peter Middleton
  3. pp. 7-34
  4. DOI: 10.1353/ort.2005.0015
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  1. "Fellow Townsmen and My Noble Constituents!": Representations of Oratory on Early Commercial Recordings
  2. Richard Bauman, Patrick Feaster
  3. pp. 35-57
  4. DOI: 10.1353/ort.2005.0011
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  1. Visual Takes on Dance in Java
  2. Felicia Hughes-Freeland
  3. pp. 58-79
  4. DOI: 10.1353/ort.2005.0014
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  1. Moving Performance to Text: Can Performance Be Transcribed?
  2. Edward L. Schieffelin
  3. pp. 80-92
  4. DOI: 10.1353/ort.2005.0016
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  1. Mediators of Modernity: "Photo-interpreters" in Japanese Silent Cinema
  2. Isolde Standish
  3. pp. 93-110
  4. DOI: 10.1353/ort.2005.0017
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  1. Plato, Memory, and Performance
  2. Naoko Yamagata
  3. pp. 111-129
  4. DOI: 10.1353/ort.2005.0013
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  1. Shellac, Bakelite, Vinyl, and Paper: Artifacts and Representations of North Indian Art Music
  2. Lalita Du Perron, Nicolas Magriel
  3. pp. 130-157
  4. DOI: 10.1353/ort.2005.0012
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  1. About the Authors
  2. pp. 159-160
  3. DOI: 10.1353/ort.2005.0010
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