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Table of Contents

  1. Performance Literature and the Written Word: Lost in Transcription?
  2. Rosalind Thomas
  3. pp. 1-6
  4. DOI: https://doi.org/10.1353/ort.2005.0018
  5. restricted access
  1. How to Read a Reading of a Written Poem
  2. Peter Middleton
  3. pp. 7-34
  4. DOI: https://doi.org/10.1353/ort.2005.0015
  5. restricted access
  1. Visual Takes on Dance in Java
  2. Felicia Hughes-Freeland
  3. pp. 58-79
  4. DOI: https://doi.org/10.1353/ort.2005.0014
  5. restricted access
  1. Moving Performance to Text: Can Performance Be Transcribed?
  2. Edward L. Schieffelin
  3. pp. 80-92
  4. DOI: https://doi.org/10.1353/ort.2005.0016
  5. restricted access
  1. Mediators of Modernity: "Photo-interpreters" in Japanese Silent Cinema
  2. Isolde Standish
  3. pp. 93-110
  4. DOI: https://doi.org/10.1353/ort.2005.0017
  5. restricted access
  1. Plato, Memory, and Performance
  2. Naoko Yamagata
  3. pp. 111-129
  4. DOI: https://doi.org/10.1353/ort.2005.0013
  5. restricted access
  1. Shellac, Bakelite, Vinyl, and Paper: Artifacts and Representations of North Indian Art Music
  2. Lalita Du Perron, Nicolas Magriel
  3. pp. 130-157
  4. DOI: https://doi.org/10.1353/ort.2005.0012
  5. restricted access
  1. About the Authors
  2. pp. 159-160
  3. DOI: https://doi.org/10.1353/ort.2005.0010
  4. restricted access