1. Death and the Author: Westminster Abbey and the Meanings of the Literary Monument
  2. Philip Connell
  3. pp. 557-585
  4. DOI: 10.1353/ecs.2005.0037
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  1. The Cambrian Muse: Welsh Identity and Hanoverian Loyalty in the Poems of Jane Brereton (1685-1740)
  2. Sarah Prescott
  3. pp. 587-603
  4. DOI: 10.1353/ecs.2005.0042
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  1. Shaftesbury's Soliloquy : Authorship and the Psychology of Romance
  2. Rebecca Tierney-Hynes
  3. pp. 605-621
  4. DOI: 10.1353/ecs.2005.0044
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  1. An Art Book and its Viewers: The "Recueil Crozat" and the Uses of Reproductive Engraving
  2. Benedict Leca
  3. pp. 623-649
  4. DOI: 10.1353/ecs.2005.0039
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  1. Provincial Actors, the Comedie-Francaise, and the Business of Performing in Eighteenth-Century France
  2. Lauren Clay
  3. pp. 651-679
  4. DOI: 10.1353/ecs.2005.0035
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  1. Humanity Gone Wild
  2. James A. Steintrager
  3. pp. 681-686
  4. DOI: 10.1353/ecs.2005.0043
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  1. Policing the Boundaries of "Nature"
  2. Douglas Lane Patey
  3. pp. 686-689
  4. DOI: 10.1353/ecs.2005.0041
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  1. Watteau et la fete galante (review)
  2. Jeffrey Laird Collins
  3. pp. 691-696
  4. DOI: 10.1353/ecs.2005.0036
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  1. Index
  2. pp. 705-707
  3. DOI: 10.1353/ecs.2005.0038
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  1. Notice
  2. p. iv
  3. DOI: 10.1353/ecs.2005.0040
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  1. Books Received
  2. pp. 697-699
  3. DOI: 10.1353/ecs.2005.0034
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