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  Volume 26, Number 1, Spring/Summer 2005

Table of Contents

From: Latin American Music Review

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The Oaxaca Cathedral Examen de oposicion : The Quest for a Modern Style

pp. 1-22 | DOI: 10.1353/lat.2005.0001

Borderland Music as Symbolic Forms of Nationalisms: The Best of the Texas Tornados, Partners, and Viva Luckenbach!

pp. 23-56 | DOI: 10.1353/lat.2005.0007

Making It There: Piazzolla's New York Concerts

pp. 57-87 | DOI: 10.1353/lat.2005.0003

Stravinsky y la constelacion ideologica argentina en 1936

pp. 88-101 | DOI: 10.1353/lat.2005.0006

Film Music and Community Development in Rural Puerto Rico: The DIVEDCO Program (1948-91)

pp. 102-114 | DOI: 10.1353/lat.2005.0010


Andean Entrepreneurs: Otavalo Merchants and Musicians in the Global Arena (review)

pp. 115-122 | DOI: 10.1353/lat.2005.0011

Sounding Indigenous: Authenticity in Bolivian Music Performance (review)

pp. 122-128 | DOI: 10.1353/lat.2005.0008

Lenguajes, imaginarios y mediaciones en la cancion popular montevideana (1962-99)

pp. 129-131 | DOI: 10.1353/lat.2005.0009

The Piano Works of Aurelio de la Vega (review)

pp. 131-134 | DOI: 10.1353/lat.2005.0002

Communications and Announcements

Communications and Announcements

pp. 135-139 | DOI: 10.1353/lat.2005.0004



pp. 140-141 | DOI: 10.1353/lat.2005.0005

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