restricted access   Volume 49, Number 2 (T 186), Summer 2005

Table of Contents

From: TDR: The Drama Review

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We're Not Canute's Courtiers: A Personal Response to the Tsunami

pp. 5-9

In Memory

Dwight Conquergood 1949-2004

pp. 10-12

T: Tracing the Language of Bill T. Jones

pp. 14-23

Checking the Time: Bill T. Jones's American Utopia

pp. 24-47

Bill T. Jones: Chronology of Works

pp. 39-44

Bill T. Jones: Moving, Writing, Speaking

pp. 48-63

Spoken Text from Another Evening

pp. 50-54

Chamber Music Diary Notes

p. 55

Will the Real Bill T. Jones Please Stand Up?

pp. 64-74

Sincerely Dancing: Bill T. Jones's Sleight-of-Hand

pp. 75-86

Incessant Daily Negotiations: Bill T. Jones's Floating the Tongue

pp. 87-92

Meredith Monk: Four Decades by Design and by Invention

pp. 93-118

Major Awards and Honors

p. 98

Chronology of Major Works by Meredith Monk

p. 107

"I wyll be thy true servaunte / And trewely serve thee": Guildhall Minstrelsy in the Gest of Robyn Hode

pp. 119-134

Romani Performance and Heritage Tourism: The Pilgrimage of the Gypsies at Les Saintes-Maries-de-la-Mer

pp. 135-158


Trans-Global Readings: Crossing Theatrical Boundaries (review)

pp. 159-160

The Stage Life of Props (review)

pp. 161-162

A Problem Like Maria: Gender and Sexuality in the American Musical, and: Lydia Thompson: Queen of Burlesque (review)

pp. 162-166

Staging the War: American Drama and World War II (review)

pp. 166-169

Rasa: Performing the Divine in India (review)

pp. 169-170