1. "This fundo stuff is really something new": Fundamentalism and Hybridity in The Moor's Last Sigh
  2. Dohra Ahmad
  3. pp. 1-20
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  1. Unity Sublime: The Excursion 's Social Self
  2. Nigel Alderman
  3. pp. 21-43
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  1. The Autobiography of a Substitute: Trauma, History, Howells
  2. Amanda Claybaugh
  3. pp. 45-65
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  1. The Reality Effect: Emerson's Speakers and the Phenomenon of Personality
  2. Rachel Cole
  3. pp. 67-86
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  1. Petted Things: Wuthering Heights and the Animal
  2. Ivan Kreilkamp
  3. pp. 87-110
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  1. Sade's Theatrical Passions
  2. Martin Puchner
  3. pp. 111-125
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  1. Synaesthetics: Symbolism, Dance, and the Failure of Metaphor
  2. Julie Townsend
  3. pp. 126-148
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  1. Bodies of Evidence: Post-War Detective Fiction and the Monstrous Origins of the Sexual Psychopath
  2. Frederick Whiting
  3. pp. 149-178
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  1. Terror's Abduction of Experience: A Gothic History
  2. Matthew Wickman
  3. pp. 179-206
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  1. In Memorium
  2. p. v
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  1. Notes on Contributors
  2. pp. 207-208
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