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In this Issue

Table of Contents

  1. The Songs of St Godric: A Neglected Context
  2. Helen Deeming
  3. pp. 169-185
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  1. Vigano's 'Giovanna d'Arco' and Manzoni's 'March 1821' in the Storm of 1821 Italy
  2. Alberto Rizzuti
  3. pp. 186-201
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  1. 'Tonality, Clarity, Strength': Gesture, Form, and Nordic Identity in Carl Nielsen's Piano Music
  2. Daniel M. Grimley
  3. pp. 202-233
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  1. Variant Endings for Bartok's Two Violin Rhapsodies (1928-1929)
  2. Fiona Walsh
  3. pp. 234-256
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  1. What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival
  2. Stephanie Pitts
  3. pp. 257-269
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  1. Thinking Musically: Experiencing Music, Expressing Culture (review)
  2. Margaret J. Kartomi, Kay Dreyfus
  3. pp. 270-274
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  1. Music in Ireland--Experiencing Music, Expressing Culture (review)
  2. Axel Klein
  3. pp. 274-275
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  1. Gregorian and Old Roman Eighth-Mode Tracts: A Case Study in the Transmission of Western Chant (review)
  2. David Hiley
  3. pp. 275-278
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  1. The Aquitanian Kyrie Repertory of the Tenth and Eleventh Centuries (review)
  2. Rachel Golden Carlson
  3. pp. 278-280
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  1. Divining the Oracle: Monteverdi's Seconda Prattica (review)
  2. Antonio Cascelli
  3. pp. 280-285
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  1. Polymath of the Baroque: Agostino Steffani and his Music (review)
  2. Carolyn Gianturco
  3. pp. 285-287
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  1. The Scoring of Baroque Concertos (review)
  2. Michael Talbot
  3. pp. 287-290
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  1. The Clarinet in the Classical Period (review)
  2. Colin Lawson
  3. pp. 290-293
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  1. Etienne-Nicolas Mehul and Opera: Source and Archival Studies of Lyric Theatre during the French Revolution, Consulate and Empire (review)
  2. David Charlton
  3. pp. 293-297
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  1. Charles Edward Horn's Memoirs of his Father and Himself (review)
  2. Nicholas Temperley
  3. pp. 297-298
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  1. Samuel Sebastian Wesley: A Life (review)
  2. Michael Hurd
  3. pp. 298-299
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  1. The Musical Madhouse: Les Grotesques de la musique (review)
  2. Katharine Ellis
  3. pp. 299-301
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  1. Mallarme and Debussy: Unheard Music, Unseen Text (review)
  2. David J. Code
  3. pp. 301-306
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  1. The Cambridge Companion to Sibelius (review)
  2. Tim Howell
  3. pp. 306-309
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  1. Sir Arthur Somervell on Music Education: His Writings, Speeches and Letters (review)
  2. John Paynter
  3. pp. 309-310
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  1. Modernism and Music: An Anthology of Sources (review)
  2. Arnold Whittall
  3. pp. 310-312
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  1. On the Music of Stefan Wolpe: Essays and Recollections (review)
  2. Ben Earle
  3. pp. 312-315
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  1. Paul Bowles on Music (review)
  2. Bob Gilmore
  3. pp. 315-318
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  1. Music and Nazism: Art under Tyranny, 1933-1945 (review)
  2. Erik Levi
  3. pp. 318-320
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  1. From the Erotic to the Demonic: On Critical Musicology (review)
  2. Kenneth Gloag
  3. pp. 320-322
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  1. Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s (review)
  2. Marcia J. Citron
  3. pp. 322-325
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  1. Analyzing Popular Music (review)
  2. David Beard
  3. pp. 325-328
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  1. Mediterranean Mosaic: Popular Music and Global Sounds (review)
  2. Alexander Lingas
  3. pp. 328-332
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  1. Concerti musicali, Op. 6 (review)
  2. Sandra Mangsen
  3. pp. 333-334
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  1. Complete Sonatas, Part 1; Part 2 (review)
  2. David Ross Hurley
  3. pp. 334-336
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  1. Il pianto e il riso delle quattro stagioni (review)
  2. Sandra Mangsen
  3. pp. 336-338
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  1. Six Orchestral Serenades from South Germany and Austria (review)
  2. Sterling E. Murray
  3. pp. 338-341
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  1. Il viaggio a Reims (review)
  2. Mark Everist
  3. pp. 342-344
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  1. 'Music & Letters' Awards
  3. p. 346
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  1. Authors of Articles in this Issue
  3. pp. 346-347
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  1. Books Received
  3. pp. 348-349
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