1. Literature and Evolution: A Bio-Cultural Approach
  2. Brian Boyd
  3. pp. 1-23
  4. DOI: 10.1353/phl.2005.0002
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  1. Videogames and Interactive Fiction
  2. Grant Tavinor
  3. pp. 24-40
  4. DOI: 10.1353/phl.2005.0015
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  1. The Moral Thinking of Macbeth
  2. J. Gregory Keller
  3. pp. 41-56
  4. DOI: 10.1353/phl.2005.0006
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  1. Ezra Pound's Confucianism
  2. Chungeng Zhu
  3. pp. 57-72
  4. DOI: 10.1353/phl.2005.0016
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  1. Virgil, History, and Prophecy
  2. William Franke
  3. pp. 73-88
  4. DOI: 10.1353/phl.2005.0003
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  1. To Kill a Mandarin
  2. Iddo Landau
  3. pp. 89-96
  4. DOI: 10.1353/phl.2005.0007
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  1. Anesthetic Experience
  2. Aaron Smuts
  3. pp. 97-113
  4. DOI: 10.1353/phl.2005.0014
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  1. "The Feel of Not to Feel It": Lucretius' Remedy for Death Anxiety
  2. Amy Olberding
  3. pp. 114-129
  4. DOI: 10.1353/phl.2005.0010
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  1. Narrative Engagement with Atonement and The Blind Assassin
  2. James Harold
  3. pp. 130-145
  4. DOI: 10.1353/phl.2005.0005
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Symposium: Music, Politics, and Morality

  1. "Not These Sounds": Beethoven at Mauthausen
  2. James Schmidt
  3. pp. 146-163
  4. DOI: 10.1353/phl.2005.0013
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  1. Criticism, Imagination, and the Subjectivation of Aesthetics
  2. Roger W. H. Savage
  3. pp. 164-179
  4. DOI: 10.1353/phl.2005.0012
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  1. Leporello's Question
  2. Garry Hagberg
  3. pp. 180-199
  4. DOI: 10.1353/phl.2005.0004
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Notes and Fragments

  1. Defending Author-Essentialism
  2. Jeffrey Goodman
  3. pp. 200-208
  4. DOI: 10.1353/phl.2005.0001
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  1. Zamiatin's "The Cave"
  2. Timothy Langen
  3. pp. 209-217
  4. DOI: 10.1353/phl.2005.0008
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  1. Dracula and Carmilla: Monsters and the Mind
  2. Benson Saler, Charles A. Ziegler
  3. pp. 218-227
  4. DOI: 10.1353/phl.2005.0011
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  1. Erotic Art and Pornographic Pictures
  2. Jerrold Levinson
  3. pp. 228-240
  4. DOI: 10.1353/phl.2005.0009
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