1. Editorial
  2. Tess Knighton
  3. pp. 1-2
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  1. Bach's Extraordinary Temperament: Our Rosetta Stone--1
  2. Bradley Lehman
  3. pp. 3-23
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  1. 'Madama' Margaret of Parma's Patronage of Music
  2. Seishiro Niwa
  3. pp. 25-37
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  1. Daniel Vetter and the Domestic Keyboard Chorale in Bach's Leipzig
  2. Stephen Rose
  3. pp. 39-53
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  1. The Clarinet in England during the 1760s
  2. Albert R. Rice
  3. pp. 55-63
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  1. 'The Ingenious Miss Turner': Elizabeth Turner ( d 1756), Singer, Harpsichordist and Composer
  2. Margaret Yelloly
  3. pp. 65-79
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  1. The Invention of the Fortepiano as Intellectual History
  2. Eleanor Selfridge-Field
  3. pp. 81-94
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  1. What Did Cristofori Call His Invention?
  2. Edwin M. Good
  3. pp. 95-97
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  1. Absorbing Lassus
  2. John Milsom
  3. pp. 99-114
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  1. Medieval improvisation
  2. Jane Flynn
  3. pp. 115-117
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  1. The soundworld of Toledo Cathedral
  2. Miguel Angel Marin
  3. pp. 117-119
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  1. The Sun King at worship
  2. Lionel Sawkins
  3. pp. 119-121
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  1. Bach in Leipzig
  2. Tanya Kevorkian
  3. pp. 121-124
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  1. German keyboards
  2. John Koster
  3. pp. 124-128
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  1. 'Alphonso Ferrabosco. .. mastring all the spirits of Musique '
  2. Lucy, viol player Robinson
  3. pp. 129-130
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  1. Italian survivals
  2. Flora Dennis
  3. pp. 130-132
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  1. Louis Couperin at the keyboard
  2. Bruce Gustafson
  3. pp. 132-133
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  1. A Classical sacred miscellany
  2. David Wyn Jones
  3. pp. 134-135
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  1. Magic and mystery in Gibbons and Dowland
  2. David Pinto
  3. pp. 137-141
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  1. The Altbachisches Archiv
  2. Stephen Rose
  3. pp. 141-144
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  1. Unknown Scarlatti
  2. Michael Talbot
  3. pp. 144-145
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  1. The Welsh bowed lyre
  2. Phyllis Kinney
  3. pp. 145-147
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  1. Erratum
  2. p. 147
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  1. Instruments
  2. Jeremy Montagu
  3. pp. 149-153
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  1. The Pieta Museum, Venice
  2. Eleanor Selfridge-Field
  3. p. 154
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  1. Further thoughts on the Lambeth Choirbook and Jena 9
  2. David Skinner
  3. pp. 155-157
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