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  Volume 57, Number 1, March 2005

Table of Contents

From: Theatre Journal

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Editorial Comment: The Edges of the Theatrical Event

pp. iv-vi | DOI: 10.1353/tj.2005.0017

Selling the Bird: Richard Walton Tully's The Bird of Paradise and the Dynamics of Theatrical Commodification

pp. 1-20 | DOI: 10.1353/tj.2005.0002

"A Supplement to Public Laws": Arthur Murphy, David Garrick, and Hamlet, with Alterations

pp. 21-32 | DOI: 10.1353/tj.2005.0031

Outside the Box: The Female Spectator, The Fair Penitent, and the Kelly Riots of 1747

pp. 33-55 | DOI: 10.1353/tj.2005.0018

Do You Believe in Fairies?: The Hiss of Dramatic License

pp. 57-81 | DOI: 10.1353/tj.2005.0007

Rabbits, Machines, and the Ontology of Performance

pp. 83-95 | DOI: 10.1353/tj.2005.0040

Performance Review

Measure for Measure (review)

pp. 97-100 | DOI: 10.1353/tj.2005.0019

The Parable of the Plums (review)

pp. 100-103 | DOI: 10.1353/tj.2005.0035

Babel (review)

pp. 103-104 | DOI: 10.1353/tj.2005.0016

Tyranny of Bliss (review)

pp. 105-106 | DOI: 10.1353/tj.2005.0034

Peach Blossom Fan (review)

pp. 106-109 | DOI: 10.1353/tj.2005.0038

Master & Margarita (review)

pp. 109-110 | DOI: 10.1353/tj.2005.0039

The Big Life: The Ska Musical (review)

pp. 110-112 | DOI: 10.1353/tj.2005.0013

Oedipus the King (review)

pp. 112-114 | DOI: 10.1353/tj.2005.0008

Lulu: A Monster Tragedy (review)

pp. 114-115 | DOI: 10.1353/tj.2005.0028

The Elephant Vanishes (review)

pp. 115-117 | DOI: 10.1353/tj.2005.0014

The Ko Festival of Performance (review)

pp. 117-120 | DOI: 10.1353/tj.2005.0010

The Miser (review)

pp. 120-122 | DOI: 10.1353/tj.2005.0033

A Streetcar Named Desire (review)

pp. 122-125 | DOI: 10.1353/tj.2005.0032

Charlie Victor Romeo (review)

pp. 125-127 | DOI: 10.1353/tj.2005.0027

Doors Open on the Right, and: Invasion Free Since 1812 (review)

pp. 127-129 | DOI: 10.1353/tj.2005.0012

Book Review

Space and Time in Epic Theater: The Brechtian Legacy (review)

pp. 131-132 | DOI: 10.1353/tj.2005.0030

Yiddish Theatre: New Approaches (review)

pp. 132-133 | DOI: 10.1353/tj.2005.0004

Early American Theatre from the Revolution to Thomas Jefferson: Into the Hands of the People (review)

pp. 133-134 | DOI: 10.1353/tj.2005.0020

Theatre, Culture and Temperance Reform in Nineteenth-Century America (review)

pp. 135-136 | DOI: 10.1353/tj.2005.0025

Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture (review)

pp. 136-137 | DOI: 10.1353/tj.2005.0006

From Traveling Show to Vaudeville: Theatrical Spectacle in America, 1830-1910 (review)

pp. 137-138 | DOI: 10.1353/tj.2005.0003

Composing Ourselves: The Little Theatre Movement and the American Audience (review)

pp. 138-140 | DOI: 10.1353/tj.2005.0021

Clifford Odets and American Political Theatre (review)

pp. 140-141 | DOI: 10.1353/tj.2005.0011

The Temptation of Innocence in the Dramas of Arthur Miller (review)

pp. 141-142 | DOI: 10.1353/tj.2005.0036

Theatre Talk: Voices of Irish Theatre Practitioners, and: Theatre Stuff: Critical Essays on Contemporary Irish Theatre (review)

pp. 142-144 | DOI: 10.1353/tj.2005.0037

Strategies of Political Theatre: Post-War British Playwrights (review)

pp. 144-145 | DOI: 10.1353/tj.2005.0022

Staged Properties in Early Modern English Drama (review)

pp. 145-147 | DOI: 10.1353/tj.2005.0026

Manhood and the Duel: Masculinity in Early Modern Drama and Culture (review)

pp. 147-148 | DOI: 10.1353/tj.2005.0009

Greek and Roman Actors: Aspects of an Ancient Profession (review)

pp. 148-149 | DOI: 10.1353/tj.2005.0015

Achilles in Greek Tragedy (review)

pp. 149-151 | DOI: 10.1353/tj.2005.0001

Interfaces: Women, Autobiography, Image, Performance (review)

pp. 151-152 | DOI: 10.1353/tj.2005.0029

Professing Performance: Theatre in the Academy from Philology to Performativity (review)

pp. 152-153 | DOI: 10.1353/tj.2005.0023

National Abjection: The Asian American Body Onstage (review)

pp. 154-155 | DOI: 10.1353/tj.2005.0024

Books Received

Books Received

pp. 155-162 | DOI: 10.1353/tj.2005.0005

Research Areas


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