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  Volume 30, Number 4, Winter 1999

Table of Contents

From: Research in African Literatures

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Special Issue: Drama and Performance

Guest Editor: John Conteh-Morgan and Tejumola Olaniyan

Introduction: Drama and Performance

pp. 1-5 | DOI: 10.1353/ral.2005.0041

Notes on Contributors

pp. 233-234 | DOI: 10.1353/ral.2005.0032

Index to Volume 30

pp. 235-238 | DOI: 10.1353/ral.2005.0040

Guidelines for Submissions

pp. 239-240 | DOI: 10.1353/ral.2005.0038


From Ghetto to Garrison: A Chronic Case of Orisunitis

pp. 6-23 | DOI: 10.1353/ral.2005.0052

Theater and Anthropology, Theatricality and Culture

pp. 24-31

Soyinka, Euripides, and the Anxiety of Empire

pp. 32-55

Revolution and Recidivism: The Problem of Kenyan History in the Plays of Ngugi wa Thiongio

pp. 56-73 | DOI: 10.1353/ral.2005.0028

Femi Osofisan: The Form of Uncommon Sense

pp. 74-91

Yoruba Gods on the American Stage: August Wilson's Joe Turner's Come and Gone

pp. 92-105 | DOI: 10.1353/ral.2005.0051

Theater for Development and TV Nation: Notes on an Educational Soap Opera in South Africa

pp. 106-126

Bin Kadi-So and Dramatic Innovation

pp. 127-134 | DOI: 10.1353/ral.2005.0053

Gestural Interpretation of the Occult in the Bin Kadi-So Adaptation of Macbeth

pp. 135-143 | DOI: 10.1353/ral.2005.0039

The Turner-Schechner Model of Performance as Social Drama: A Re-Examination in the Light of Anlo-Ewe Halo

pp. 144-155 | DOI: 10.1353/ral.2005.0026

Modernity's Trickster: "Dipping" and "Throwing" in Congolese Popular Dance Music

pp. 156-175 | DOI: 10.1353/ral.2005.0054

Theatricality and Social Mimodrama

pp. 176-185 | DOI: 10.1353/ral.2005.0044

Dimensions of Theatricality in Africa

pp. 186-201

Book Reviews

Post-Colonial Drama: Theory, Practice, Politics (review)

pp. 202-205 | DOI: 10.1353/ral.2005.0029

An Introduction to Post-Colonial Theatre (review)

pp. 205-207 | DOI: 10.1353/ral.2005.0036

Imperialism and Theatre: Essays on World Drama and Performance, and: The World Encyclopedia of Contemporary Theatre, vol. 3 (Africa) (review)

pp. 208-212 | DOI: 10.1353/ral.2005.0031

Theatre and Society in South Africa: Reflections in a Fractured Mirror, and: Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama (review)

pp. 212-215 | DOI: 10.1353/ral.2005.0043

West African Popular Theatre (review)

pp. 215-218 | DOI: 10.1353/ral.2005.0030

African Theatre and Politics: The Evolution of Theatre in Ethiopia, Tanzania and Zimbabwe--A Comparative Study (review)

pp. 218-219 | DOI: 10.1353/ral.2005.0049

Theatre Matters: Performance and Culture on the World Stage (review)

pp. 219-220 | DOI: 10.1353/ral.2005.0050

New Theatre in Francophone and Anglophone Africa, and: Politics and Performance: Theatre, Poetry and Song in Southern Africa (review)

pp. 220-221 | DOI: 10.1353/ral.2005.0024

Nigerian Theatre in English: A Critical Bibliography (review)

pp. 222-223 | DOI: 10.1353/ral.2005.0037

Ancient Songs Set Ablaze: The Theatre of Femi Osofisan (review)

pp. 223-226 | DOI: 10.1353/ral.2005.0033

Ebrahim Hussein: Theatre swahili et nationalisme tanzanien (review)

pp. 226-227 | DOI: 10.1353/ral.2005.0048

Art, Society, and Performance: Igede Praise Poetry (review)

pp. 227-228 | DOI: 10.1353/ral.2005.0023

Le panegyrique mbiimbi: Etude d'un genre litteraire oral yaka (review)

pp. 228-230 | DOI: 10.1353/ral.2005.0045

African Music: A Pan-African Annotated Bibliography (review)

pp. 230-231 | DOI: 10.1353/ral.2005.0027


p. 232 | DOI: 10.1353/ral.2005.0025

Research Areas


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