1. From Ghetto to Garrison: A Chronic Case of Orisunitis
  2. Wole Soyinka
  3. pp. 6-23
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  1. Theater and Anthropology, Theatricality and Culture
  2. Johannes Fabian
  3. pp. 24-31
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  1. Soyinka, Euripides, and the Anxiety of Empire
  2. Isidore Okpewho
  3. pp. 32-55
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  1. Revolution and Recidivism: The Problem of Kenyan History in the Plays of Ngugi wa Thiongio
  2. Nicholas Brown
  3. pp. 56-73
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  1. Femi Osofisan: The Form of Uncommon Sense
  2. Tejumola Olaniyan
  3. pp. 74-91
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  1. Yoruba Gods on the American Stage: August Wilson's Joe Turner's Come and Gone
  2. Sandra L. Richards
  3. pp. 92-105
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  1. Theater for Development and TV Nation: Notes on an Educational Soap Opera in South Africa
  2. Loren Kruger
  3. pp. 106-126
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  1. Bin Kadi-So and Dramatic Innovation
  2. Valy Sidibe, R. H. Mitsch
  3. pp. 127-134
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  1. Gestural Interpretation of the Occult in the Bin Kadi-So Adaptation of Macbeth
  2. Marie Jose Hourantier, R. H. Mitsch
  3. pp. 135-143
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  1. The Turner-Schechner Model of Performance as Social Drama: A Re-Examination in the Light of Anlo-Ewe Halo
  2. Daniel Kodzo Avorgbedor
  3. pp. 144-155
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  1. Modernity's Trickster: "Dipping" and "Throwing" in Congolese Popular Dance Music
  2. Bob W. White
  3. pp. 156-175
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  1. Theatricality and Social Mimodrama
  2. Pius Ngandu Nkashama, 1946-, R. H. Mitsch
  3. pp. 176-185
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  1. Dimensions of Theatricality in Africa
  2. Joachim Fiebach
  3. pp. 186-201
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  1. Post-Colonial Drama: Theory, Practice, Politics (review)
  2. Laura Chrisman
  3. pp. 202-205
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  1. West African Popular Theatre (review)
  2. Catherine M. Cole
  3. pp. 215-218
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  1. African Theatre and Politics: The Evolution of Theatre in Ethiopia, Tanzania and Zimbabwe--A Comparative Study (review)
  2. Alain Ricard
  3. pp. 218-219
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  1. Theatre Matters: Performance and Culture on the World Stage (review)
  2. Alain Ricard
  3. pp. 219-220
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  1. Nigerian Theatre in English: A Critical Bibliography (review)
  2. James Gibbs
  3. pp. 222-223
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  1. Ancient Songs Set Ablaze: The Theatre of Femi Osofisan (review)
  2. Chris Dunton
  3. pp. 223-226
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  1. Ebrahim Hussein: Theatre swahili et nationalisme tanzanien (review)
  2. Robert Philipson
  3. pp. 226-227
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  1. Art, Society, and Performance: Igede Praise Poetry (review)
  2. Chiji Akoma
  3. pp. 227-228
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  1. Le panegyrique mbiimbi: Etude d'un genre litteraire oral yaka (review)
  2. Anthere Nzabatsinda, R. H. Mitsch
  3. pp. 228-230
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  1. African Music: A Pan-African Annotated Bibliography (review)
  2. Daniel Kodzo Avorgbedor
  3. pp. 230-231
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  1. Announcements
  2. p. 232
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  1. Index to Volume 30
  2. pp. 235-238
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  1. Guidelines for Submissions
  2. pp. 239-240
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  1. Introduction: Drama and Performance
  2. John Conteh-Morgan, Tejumola Olaniyan
  3. pp. 1-5
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  1. An Introduction to Post-Colonial Theatre (review)
  2. Anne Fuchs
  3. pp. 205-207
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  1. Notes on Contributors
  2. pp. 233-234
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