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In this Issue

Table of Contents

  1. The 'Kanon' and the Heirmologion
  2. Simon Harris
  3. pp. 175-197
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  1. Elgar, Lytton, and the Piano Quintet, Op. 84
  2. Michael Allis
  3. pp. 198-238
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  1. The Firebrand of New York: Kurt Weill and his 'Broadway Operetta'
  2. Charles Hamm
  3. pp. 239-254
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  1. Gegeven den sangeren: Meerstemmige muziek bij de Illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch in de zestiende eeuw (review)
  2. Keith Polk
  3. pp. 255-257
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  1. The Monteverdi Vespers of 1610: Music, Context, Performance (review)
  2. Roger Bowers
  3. pp. 257-269
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  1. Holy Concord within Sacred Walls: Nuns and Music in Siena, 1575-1700 (review)
  2. Laurie Stras
  3. pp. 269-270
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  1. Sebastiano Baldini (1615-1685): le poesie per musica nei codici della Biblioteca Apostolica Vaticana (review)
  2. Robert Rau Holzer
  3. pp. 270-277
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  1. Beitrage zur Musikgeschichte Hamburgs vom Mittelalter bis in die Neuzeit (review)
  2. Gregory S. Johnston
  3. pp. 277-278
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  1. Bach's Well-Tempered Clavier: The 48 Preludes and Fugues (review)
  2. Stephen Rose
  3. pp. 278-280
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  1. Bach in America (review)
  2. J. Bunker Clark
  3. pp. 280-281
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  1. Mozart's Piano Concertos (review)
  2. David A. Grayson
  3. pp. 281-285
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  1. Music and German National Identity, and: Carl Maria von Weber and the Search for a German Opera (review)
  2. James Garratt
  3. pp. 285-295
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  1. Muzio Clementi: Studies and Prospects (review)
  2. W. Dean Sutcliffe
  3. pp. 295-300
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  1. Chromatic Transformations in Nineteenth-Century Music (review)
  2. Patrick McCreless
  3. pp. 300-307
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  1. Beethoven-Rezeption in Frankreich: Von ihren Anfangen bis zum Untergang des Second Empire (review)
  2. Robin Wallace
  3. pp. 307-309
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  1. Virtuosity and the Musical Work: The Transcendental Studies of Liszt (review)
  2. Alexander Rehding
  3. pp. 309-311
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  1. Interpreting Wagner (review)
  2. Arnold Whittall
  3. pp. 311-314
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  1. Wagner's Meistersinger: Performance, History, Representation (review)
  2. Arnold Whittall
  3. pp. 315-317
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  1. Giuseppe Verdi: 'La traviata'. Schizzi e abbozzi autografi/Autograph Sketches and Drafts (review)
  2. Linda Beard Fairtile
  3. pp. 317-320
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  1. Camille Saint-Saens 1835-1921: A Thematic Catalogue of His Complete Works, i: The Instrumental Works (review)
  2. Richard Langham Smith
  3. pp. 320-321
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  1. Charles Villiers Stanford: Man and Musician, and: Charles Villiers Stanford (review)
  2. Martin Adams
  3. pp. 321-325
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  1. 'Oh, my horses!': Elgar and the Great War (review)
  2. Daniel M. Grimley
  3. pp. 325-329
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  1. Percy Whitlock: Organist and Composer: A Biographical Study (review)
  2. Michael Hurd
  3. pp. 329-330
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  1. Vaughan Williams's Ninth Symphony (review)
  2. Renee Cherie Clark
  3. pp. 331-332
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  1. Copland Connotations (review)
  2. Neil William Lerner
  3. pp. 332-335
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  1. Conversing with Cage (review)
  2. David Nicholls
  3. pp. 335-336
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  1. Cinquante ans de modernite musicale: de Darmstadt a l'IRCAM: Contribution historiographique a une musicologie critique (review)
  2. Arnold Whittall
  3. pp. 336-339
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  1. The Cambridge Companion to Blues and Gospel Music (review)
  2. Mervyn Cooke
  3. pp. 339-342
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  1. Musical Performance: A Guide to Understanding (review)
  2. Sandra Mangsen
  3. pp. 342-346
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  1. Authors of Articles in this Issue
  3. p. 348
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  1. Books Received
  3. pp. 349-351
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