1. Performing Furyu No: The Theatre of Konparu Zenpo
  2. Beng Choo Lim
  3. pp. 33-51
  4. DOI: 10.1353/atj.2005.0009
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  1. The Pendulum of Intercultural Performance: Kathakali King Lear at Shakespeare's Globe
  2. Diane Daugherty
  3. pp. 52-72
  4. DOI: 10.1353/atj.2005.0004
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  1. Theatre in a Time of Terrorism: Renewing Natural Harmony after the Bali Bombing via Wayang Kontemporer
  2. I Nyoman Sedana
  3. pp. 73-86
  4. DOI: 10.1353/atj.2005.0012
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  1. Juedixi: An Entertainment of War in Early China
  2. Dallas McCurley
  3. pp. 87-106
  4. DOI: 10.1353/atj.2005.0010
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  1. Magical Realism and Theatre of the Oppressed in Taiwan: Rectifying Unbalanced Realities with Chung Chiao's Assignment Theatre
  2. Ron Smith
  3. pp. 107-121
  4. DOI: 10.1353/atj.2005.0013
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  1. Impersonation, Autobiography, and Cross-Cultural Adaptation: Lee Kuo-Hsiu's Shamlet
  2. Alexander C. Y. Huang
  3. pp. 122-137
  4. DOI: 10.1353/atj.2005.0007
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  1. I La Galigo (review)
  2. Matthew Isaac Cohen
  3. pp. 138-149
  4. DOI: 10.1353/atj.2005.0002
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  1. Peach Blossom Fan (review)
  2. Carol Fisher Sorgenfrei
  3. pp. 150-153
  4. DOI: 10.1353/atj.2005.0014
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  1. The Noh Ominameshi : A Flower Viewed from Many Directions (review)
  2. Stanca Scholz-Cionca
  3. pp. 154-158
  4. DOI: 10.1353/atj.2005.0011
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  1. Cross-Dressing in Chinese Opera (review)
  2. Ping Fu
  3. pp. 158-161
  4. DOI: 10.1353/atj.2005.0006
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  1. The Ramayana in Indonesia (review)
  2. Tom Hunter
  3. pp. 161-163
  4. DOI: 10.1353/atj.2005.0008
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  1. Divinities, Demons, Kings and Clowns: Puppetry of India and Southeast Asia (review)
  2. Bradford Burton Clark
  3. pp. 164-168
  4. DOI: 10.1353/atj.2005.0001
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  1. New Energy: Where Are You?
  2. Kathy Foley
  3. pp. 169-170
  4. DOI: 10.1353/atj.2005.0003
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  1. Editor's Note
  2. Kathy Foley
  3. pp. iii-v
  4. DOI: 10.1353/atj.2005.0005
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