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  Volume 12, Number 1, January 2005

Table of Contents

From: Modernism/modernity

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The Woman in White: Whistler, Hiffernan, Courbet, Du Maurier

pp. 1-25 | DOI: 10.1353/mod.2005.0039

Eliot Among the Typists: Writing The Waste Land

pp. 27-84 | DOI: 10.1353/mod.2005.0049

The Neobaroque in Djuna Barnes

pp. 85-110 | DOI: 10.1353/mod.2005.0043

Realism, Late Modernist Abstraction, and Sylvia Townsend Warner's Fictions of Impersonality

pp. 111-131 | DOI: 10.1353/mod.2005.0042

Conflict and Commemoration: Two Berlin Memorials

pp. 133-173 | DOI: 10.1353/mod.2005.0048

Review Essay

Object Lessons: Surrealist Art, Surrealist Politics

pp. 175-181 | DOI: 10.1353/mod.2005.0040

Book Reviews

Against Fashion: Clothing as Art, 1850-1930 (review)

pp. 183-184 | DOI: 10.1353/mod.2005.0038

Waxworks: A Cultural Obsession (review)

pp. 184-186 | DOI: 10.1353/mod.2005.0034

Colonial Strangers: Women Writing the End of the British Empire (review)

pp. 186-188 | DOI: 10.1353/mod.2005.0033

AngloModern: Painting and Modernity in Britain and the United States (review)

pp. 188-190 | DOI: 10.1353/mod.2005.0041

Translation and the Languages of Modernism: Gender, Politics, Language (review)

pp. 190-191 | DOI: 10.1353/mod.2005.0035

Henry James and Queer Modernity (review)

pp. 192-193 | DOI: 10.1353/mod.2005.0046

Ezra Pound and China (review)

pp. 194-196 | DOI: 10.1353/mod.2005.0044

The Modernist Response to Chinese Art: Pound, Moore, Stevens (review)

pp. 196-198 | DOI: 10.1353/mod.2005.0045

T.S. Eliot and the Cultural Divide (review)

pp. 198-200 | DOI: 10.1353/mod.2005.0036

Understanding Anthony Powell (review)

pp. 200-202 | DOI: 10.1353/mod.2005.0032

The Splendid Drunken Twenties: Selections From the Daybooks 1922-1930 (review)

pp. 202-203 | DOI: 10.1353/mod.2005.0047

Art and Fear (review)

pp. 204-206 | DOI: 10.1353/mod.2005.0037

Recent Books of Interest

Recent Books of Interest

pp. 207-208 | DOI: 10.1353/mod.2005.0031

Research Areas


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