1. Tenures of Land and Light [Mexico: 1900 and After]
  2. Roberto Tejada
  3. pp. 1-31
  4. DOI: 10.1353/ncr.2005.0011
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  1. Facing Brazil: The Problem of Portraiture and a Modernist Sublime
  2. Esther Gabara
  3. pp. 33-76
  4. DOI: 10.1353/ncr.2005.0006
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  1. Portraitures of Institutionalization
  2. Jacqueline Loss
  3. pp. 77-101
  4. DOI: 10.1353/ncr.2005.0008
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  1. There's No Place Like Aztlan: Embodied Aesthetics in Chicana Art
  2. Gaspar de Alba, Alicia, 1958-
  3. pp. 103-140
  4. DOI: 10.1353/ncr.2005.0007
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  1. Customized Hybrids: The Art of Ruben Ortiz Torres and Lowriding in Southern California
  2. C. Ondine Chavoya
  3. pp. 141-184
  4. DOI: 10.1353/ncr.2005.0001
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  1. Angels and Prostitutes: Jose Clement Orozco's Catharsis and the Politics of Female Allegory in 1930s Mexico
  2. Mary K. Coffey
  3. pp. 185-217
  4. DOI: 10.1353/ncr.2005.0002
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  1. Visual Culture and Latin American Studies
  2. Andrea Noble
  3. pp. 219-238
  4. DOI: 10.1353/ncr.2005.0010
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  1. Tonalities of Literature in Transition: The World of the End of the World, or Marcelo Cohen's El oido absoluto
  2. Patrick Dove
  3. pp. 239-267
  4. DOI: 10.1353/ncr.2005.0004
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  1. Knowledge of Freedom
  2. Fred Moten
  3. pp. 269-310
  4. DOI: 10.1353/ncr.2005.0009
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  1. Editors' Note
  2. Scott Michaelsen, David E. Johnson
  3. pp. vii-viii
  4. DOI: 10.1353/ncr.2005.0005
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  1. Contributors
  2. pp. 311-313
  3. DOI: 10.1353/ncr.2005.0003
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