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  Volume 4, Number 2, Fall 2004

Table of Contents

From: CR: The New Centennial Review

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Editors' Note

pp. vii-viii | DOI: 10.1353/ncr.2005.0005

Special Section
Phosphorescent Memories

Tenures of Land and Light [Mexico: 1900 and After]

pp. 1-31 | DOI: 10.1353/ncr.2005.0011

Facing Brazil: The Problem of Portraiture and a Modernist Sublime

pp. 33-76 | DOI: 10.1353/ncr.2005.0006

Portraitures of Institutionalization

pp. 77-101 | DOI: 10.1353/ncr.2005.0008

There's No Place Like Aztlan: Embodied Aesthetics in Chicana Art

pp. 103-140 | DOI: 10.1353/ncr.2005.0007

Customized Hybrids: The Art of Ruben Ortiz Torres and Lowriding in Southern California

pp. 141-184 | DOI: 10.1353/ncr.2005.0001

Angels and Prostitutes: Jose Clement Orozco's Catharsis and the Politics of Female Allegory in 1930s Mexico

pp. 185-217 | DOI: 10.1353/ncr.2005.0002

Visual Culture and Latin American Studies

pp. 219-238 | DOI: 10.1353/ncr.2005.0010


Tonalities of Literature in Transition: The World of the End of the World, or Marcelo Cohen's El oido absoluto

pp. 239-267 | DOI: 10.1353/ncr.2005.0004

Knowledge of Freedom

pp. 269-310 | DOI: 10.1353/ncr.2005.0009



pp. 311-313 | DOI: 10.1353/ncr.2005.0003

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