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  Volume 4, Number 2, Fall 2004

Table of Contents

From: CR: The New Centennial Review

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Editors' Note

pp. vii-viii
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Special Section
Phosphorescent Memories

Tenures of Land and Light [Mexico: 1900 and After]

pp. 1-31
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Facing Brazil: The Problem of Portraiture and a Modernist Sublime

pp. 33-76
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Portraitures of Institutionalization

pp. 77-101
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There's No Place Like Aztlan: Embodied Aesthetics in Chicana Art

pp. 103-140
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Customized Hybrids: The Art of Ruben Ortiz Torres and Lowriding in Southern California

pp. 141-184
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Angels and Prostitutes: Jose Clement Orozco's Catharsis and the Politics of Female Allegory in 1930s Mexico

pp. 185-217
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Visual Culture and Latin American Studies

pp. 219-238
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Articles

Tonalities of Literature in Transition: The World of the End of the World, or Marcelo Cohen's El oido absoluto

pp. 239-267
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Knowledge of Freedom

pp. 269-310
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Contributors

Contributors

pp. 311-313
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Research Areas

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