1. Marsden Hartley's Light Figures
  2. Justus Nieland
  3. pp. 621-650
  4. DOI: 10.1353/mod.2005.0013
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  1. Lost in Translation: Stein's Vichy Collaboration
  2. Barbara Will
  3. pp. 651-668
  4. DOI: 10.1353/mod.2005.0028
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  1. Churchgoing in the Modern Novel
  2. Pericles Lewis
  3. pp. 669-694
  4. DOI: 10.1353/mod.2005.0008
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  1. The Paths from and to Abstraction in Stockhausen's Gesang der Junglinge
  2. David Joel Metzer
  3. pp. 695-721
  4. DOI: 10.1353/mod.2005.0012
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  1. "A Narrative of Prepare for Saints": Lyric, Narrative, and the Problem of Nationalism in Four Saints in Three Acts
  2. Robert Zamsky
  3. pp. 723-744
  4. DOI: 10.1353/mod.2005.0030
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  1. "In Praise of the Present": Adolf Loos on Style and Fashion
  2. Patrizia C. McBride
  3. pp. 745-767
  4. DOI: 10.1353/mod.2005.0011
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  1. The Unrest Cure According to Lawrence, Saki, and Lewis
  2. Christopher Lane
  3. pp. 769-796
  4. DOI: 10.1353/mod.2005.0007
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  1. Virginia Woolf: The Ironic Feminist
  2. Martha Vicinus
  3. pp. 809-813
  4. DOI: 10.1353/mod.2005.0026
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  1. Identity and Its Discontents
  2. Dorian Stuber
  3. pp. 815-818
  4. DOI: 10.1353/mod.2005.0024
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  1. An Undeniably Controversial and Perhaps Even Repulsive Talent
  2. Jay Murray Siskind
  3. pp. 819-821
  4. DOI: 10.1353/mod.2005.0023
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  1. The Anthology and the Rise of the Novel: From Richardson to George Eliot (review)
  2. Jonathan Rose
  3. pp. 823-825
  4. DOI: 10.1353/mod.2005.0021
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  1. I Know that You Know that I Know: Narrating Subjects from Moll Flanders to Marnie (review)
  2. Richard Walsh
  3. pp. 825-826
  4. DOI: 10.1353/mod.2005.0027
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  1. Race, Work, and Desire in American Literature, 1860-1930 (review)
  2. Raphael C. Allison
  3. pp. 827-828
  4. DOI: 10.1353/mod.2005.0001
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  1. Provincial Modernity: Local Culture & Liberal Politics in Fin-de-siecle Hamburg (review)
  2. Michelle Facos
  3. pp. 828-830
  4. DOI: 10.1353/mod.2005.0004
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  1. Hysterical Men: War, Psychiatry, and the Politics of Trauma in Germany, 1890-1930 (review)
  2. Todd Samuel Presner
  3. pp. 830-832
  4. DOI: 10.1353/mod.2005.0016
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  1. Primitivism, Science, and the Irish Revival (review)
  2. James Pethica
  3. pp. 832-834
  4. DOI: 10.1353/mod.2005.0015
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  1. T.S. Eliot: The Contemporary Reviews (review)
  2. Lawrence S. Rainey
  3. pp. 834-837
  4. DOI: 10.1353/mod.2005.0018
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  1. Joyce's Revenge: History, Politics and Aesthetics in Ulysses (review)
  2. Richard Brown
  3. pp. 837-839
  4. DOI: 10.1353/mod.2005.0002
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  1. The Copywrights: Intellectual Property and the Literary Imagination (review)
  2. Margot Norris
  3. pp. 839-841
  4. DOI: 10.1353/mod.2005.0014
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  1. Step-daughters of England: British Women Modernists and the National Imaginary (review)
  2. Anne E. Fernald
  3. pp. 841-843
  4. DOI: 10.1353/mod.2005.0005
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  1. Becoming Marianne Moore: The Early Poems, 1907-1924 (review)
  2. Lawrence S. Rainey
  3. pp. 843-844
  4. DOI: 10.1353/mod.2005.0019
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  1. Beckett and Aesthetics, and: Images of Beckett (review)
  2. Ulrika Maude
  3. pp. 845-848
  4. DOI: 10.1353/mod.2005.0010
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  1. What Philosophy Is (review)
  2. Charmaine Coyle
  3. pp. 848-850
  4. DOI: 10.1353/mod.2005.0003
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  1. Crime in Literature: Sociology of Deviance and Fiction (review)
  2. Martin Priestman
  3. pp. 850-851
  4. DOI: 10.1353/mod.2005.0017
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  1. The Cambridge Companion to Crime Fiction (review)
  2. Vincenzo Ruggiero
  3. pp. 851-853
  4. DOI: 10.1353/mod.2005.0022
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  1. Race and the Modern Artist (review)
  2. John D. Kerkering
  3. pp. 853-855
  4. DOI: 10.1353/mod.2005.0006
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  1. "A Half Caste" and Other Writings (review)
  2. Steven G. Yao
  3. pp. 855-857
  4. DOI: 10.1353/mod.2005.0029
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  1. Home Truths, Fictions of the South-Asian Diaspora in Britain (review)
  2. Alex Tickell
  3. pp. 857-858
  4. DOI: 10.1353/mod.2005.0025
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  1. Recent Books of Interest
  2. pp. 859-861
  3. DOI: 10.1353/mod.2005.0020
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  1. The Shanghai Foxtrot (a Fragment) by Mu Shiying: Introduction
  2. Sean Macdonald
  3. pp. 797-807
  4. DOI: 10.1353/mod.2005.0009
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