1. Public Sphere/Contact Zone: Habermas, Early Print, and Verse Translation
  2. A. E. B. Coldiron
  3. pp. 207-222
  4. DOI: 10.1353/crt.2004.0040
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  1. Women, the Republic of Letters, and the Public Sphere in the Mid-Seventeenth Century
  2. David Norbrook
  3. pp. 223-240
  4. DOI: 10.1353/crt.2004.0045
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  1. The Bourgeois Public Sphere and the Concept of Literature
  2. Kevin Pask
  3. pp. 241-256
  4. DOI: 10.1353/crt.2004.0046
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  1. How Music Created a Public
  2. Harold Love
  3. pp. 257-271
  4. DOI: 10.1353/crt.2004.0042
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  1. Parsing Habermas's "Bourgeois Public Sphere"
  2. Michael McKeon
  3. pp. 273-277
  4. DOI: 10.1353/crt.2004.0044
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  1. Interpreting Communities: Private Acts and Public Culture in Early Modern England
  2. Nicholas McDowell
  3. pp. 281-298
  4. DOI: 10.1353/crt.2004.0043
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  1. Ethical and Aesthetic Alerity
  2. Nancy Moore Goslee
  3. pp. 299-303
  4. DOI: 10.1353/crt.2004.0041
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  1. "Antitheatrical Theatricalism" on the Eighteenth-Century English Stage
  2. Marjean D. Purinton
  3. pp. 305-309
  4. DOI: 10.1353/crt.2004.0047
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  1. Forms of Dissent
  2. Jennifer Richards
  3. pp. 311-315
  4. DOI: 10.1353/crt.2004.0048
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  1. Preface
  2. Cannon Schmitt, Richard A. Grusin, Donna Landry, Dana Seitler
  3. pp. 197-198
  4. DOI: 10.1353/crt.2004.0049
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  1. Introduction: Charting Habermas's "Literary" or "Precursor" Public Sphere
  2. Joseph Loewenstein, Paul Stevens
  3. pp. 201-205
  4. DOI: 10.1353/crt.2004.0039
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