1. Keep Your EYES on the FRONT and WATCH YOUR BACK
  2. Rebecca Schneider, Jon McKenzie
  3. pp. 5-10
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  1. Spalding Gray: 1941-2004
  2. Richard Schechner
  3. pp. 11-12
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  1. Letters, Etc.
  2. Richard Schechner
  3. p. 13
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  1. Metal Performance: Humanizing Robots, Returning to Nature, and Camping About
  2. Steve Dixon
  3. pp. 15-46
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  1. A Brief History of Robots and Automata
  2. Steve Dixon
  3. pp. 16-25
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  1. The Jeremiah Project: Interaction, Reaction, and Performance
  2. Susan Broadhurst
  3. pp. 47-57
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  1. excerpt from Blue Bloodshot Flowers: a performance text
  2. Philip Stanier
  3. p. 49
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  1. Ten Gems on a Thread II
  2. Catherine Filloux
  3. pp. 58-71
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  1. Upside-Down Midas: Habib Tanvir at 80
  2. Sudhanva Deshpande
  3. pp. 71-80
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  1. Role-Play Training at "Violent Disneyland": The FBI Academy's Performance Paradigms
  2. Emily Colborn-Roxworthy
  3. pp. 81-108
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  1. Staging Disaster: Reporting Live (sort of) from Seattle
  2. Michelle Dent
  3. pp. 109-134
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  1. Staging the Greensboro Sit-Ins
  2. Rebekah J. Kowal
  3. pp. 135-154
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  1. Sacrifice to the Mountain: A Ritual Performace of the Qiang Minority People in China
  2. Shiao-Ling Yu
  3. pp. 155-166
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  1. Anglo-Indian Identity, Knowledge, and Power: Western Ballroom Music in Lucknow
  2. Bradley Shope
  3. pp. 167-182
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  1. Survey of 78 RPM Collections in Lucknow
  2. p. 169
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  1. Can the Indian Tune Go Global?
  2. Peter Kvetko
  3. pp. 183-191
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  1. Shakespeare and the Force of Modern Performance (review)
  2. Martin Harries
  3. pp. 195-197
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  1. Taking It to the Streets: Social Protest Theater of Luis Valdez and Amiri Baraka (review)
  2. Awam Amkpa
  3. pp. 197-200
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  1. The Consul: Conversations with Gerard Berreby with the Help of Giulio Minghini and Chantal Osterreicher (review)
  2. Branislav Jakovljevic
  3. pp. 200-202
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  1. TDR Volume 48 Index
  2. pp. 203-209
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