1. The Legacy of a One-woman Show: A Performance History of Julie Candeille's Catherine, ou la belle fermiere
  2. Jacqueline Letzter, Robert Adelson
  3. pp. 11-34
  4. DOI: 10.1353/ncf.2004.0061
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  1. Le "Portrait parlant" de Jean-Baptiste Belley
  2. Michele Bocquillon
  3. pp. 35-56
  4. DOI: 10.1353/ncf.2004.0048
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  1. Prosper Merimee and the Subversive "Historical" Short Story
  2. Corry Cropper
  3. pp. 57-74
  4. DOI: 10.1353/ncf.2004.0049
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  1. Savarin/BalZac: Du gout des excitants sur liecriture moderne
  2. Philippe C. Dubois
  3. pp. 75-88
  4. DOI: 10.1353/ncf.2004.0050
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  1. The "Poet-Philosopher" and the "Physician-Philosopher": A Reading of Baudelaire's Prose Poem "Assommons les pauvres!"
  2. Florence Vatan
  3. pp. 89-106
  4. DOI: 10.1353/ncf.2004.0079
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  1. Baudelaire's Canine Allegories: "Le Chien et le flacon" and "Les Bons Chiens"
  2. Maria C. Scott
  3. pp. 107-119
  4. DOI: 10.1353/ncf.2004.0077
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  1. Paris as Bazaar: Tristan Corbiere's Poetry of the City
  2. Katherine Lunn-Rockliffe
  3. pp. 120-134
  4. DOI: 10.1353/ncf.2004.0064
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  1. Policing Prostitutes: Adaptations and Reactions to Edmond de Goncourt's La Fille Elisa
  2. Katherine Ashley
  3. pp. 135-146
  4. DOI: 10.1353/ncf.2004.0045
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  1. Marie Krysinska's Poetics of Parody: Figures of the Woman Artist
  2. Tracy L. Paton
  3. pp. 147-162
  4. DOI: 10.1353/ncf.2004.0069
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  1. Jouissance des vierges: La topique de la virginite dans deux romans de Marcelle Tinayre
  2. France Grenaudier-Klijn
  3. pp. 163-175
  4. DOI: 10.1353/ncf.2004.0056
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  1. Desiring the Dead: Necrophilia and Nineteenth-Century French Literature (review)
  2. Carol de Dobay Rifelj
  3. pp. 176-177
  4. DOI: 10.1353/ncf.2004.0074
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  1. Eavesdropping in the Novel from Austen to Proust (review)
  2. Laura Mooneyham White
  3. pp. 178-179
  4. DOI: 10.1353/ncf.2004.0081
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  1. Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halevy's La Juive (review)
  2. Steven Huebner
  3. pp. 179-181
  4. DOI: 10.1353/ncf.2004.0057
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  1. Leibhaftige Dekadenz: Studien zur Korperlichkeit in ausgewahlten Werken von Joris-Karl Huysmans und Oscar Wilde (review)
  2. Britta Benert
  3. pp. 181-183
  4. DOI: 10.1353/ncf.2004.0046
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  1. Transposing Art into Texts in French Romantic Literature (review)
  2. Emanuel J. Mickel
  3. pp. 183-186
  4. DOI: 10.1353/ncf.2004.0066
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  1. From Revolutionaries to Citizens: Antimilitarism in France, 1870-1914 (review)
  2. James R. Lehning
  3. pp. 186-187
  4. DOI: 10.1353/ncf.2004.0060
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  1. Etudes saint-simoniennes (review)
  2. Mary Pickering
  3. pp. 187-190
  4. DOI: 10.1353/ncf.2004.0071
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  1. The Jew of Seville, and: The Fortune-Teller (review)
  2. Doris Y. Kadish
  3. pp. 190-191
  4. DOI: 10.1353/ncf.2004.0058
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  1. L'Annee balzacienne 2002 (review)
  2. Alain-Philippe Durand
  3. pp. 191-193
  4. DOI: 10.1353/ncf.2004.0051
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  1. Balzac, la duchesse et l'idole: Poetique du corps aristocratique (review)
  2. Jean-Dominique Goffette
  3. pp. 193-194
  4. DOI: 10.1353/ncf.2004.0055
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  1. Baudelaire devant l'innombrable (review)
  2. Timothy Bell Raser
  3. pp. 194-195
  4. DOI: 10.1353/ncf.2004.0073
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  1. Baudelaire's World (review)
  2. William Olmsted
  3. pp. 196-198
  4. DOI: 10.1353/ncf.2004.0067
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  1. Unne femme trop gaie: Biographie d'un amour de Baudelaire (review)
  2. James S. Patty
  3. pp. 198-199
  4. DOI: 10.1353/ncf.2004.0070
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  1. La Production du descriptif: Exogenese et endogenese de L'Education sentimentale (review)
  2. Laurence M. Porter
  3. pp. 199-201
  4. DOI: 10.1353/ncf.2004.0072
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  1. La Textualisation de Madame Bovary (review)
  2. Cecile Matthey
  3. pp. 201-202
  4. DOI: 10.1353/ncf.2004.0065
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  1. Lettres a la Presidente & Poesies erotiques (review)
  2. Richard M. Berrong
  3. pp. 202-203
  4. DOI: 10.1353/ncf.2004.0044
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  1. Remy de Gourmont: L'ecriture et ses masques (review)
  2. Thomas H. Goetz
  3. pp. 204-205
  4. DOI: 10.1353/ncf.2004.0054
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  1. Victor Hugo, un temps pour rire (review)
  2. Isabel K. Roche
  3. pp. 206-207
  4. DOI: 10.1353/ncf.2004.0075
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  1. L'Ecriture comique de J.-K. Huysmans (review)
  2. Robert Ziegler
  3. pp. 207-209
  4. DOI: 10.1353/ncf.2004.0082
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  1. Huysmans l'inchange: Histoire d'une conversion (review)
  2. Elizabeth Emery
  3. pp. 209-211
  4. DOI: 10.1353/ncf.2004.0052
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  1. Rythmes pittoresques (review)
  2. Adrianna M. Paliyenko
  3. pp. 211-213
  4. DOI: 10.1353/ncf.2004.0068
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  1. The Poet in Society: Art, Consumerism, and Politics in Mallarme (review)
  2. Pamela Antonia Genova
  3. pp. 213-214
  4. DOI: 10.1353/ncf.2004.0053
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  1. A Selection of the Chroniques (1881-87) (review)
  2. Mary Donaldson-Evans
  3. pp. 215-216
  4. DOI: 10.1353/ncf.2004.0047
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  1. Oeuvres completes. Tome IV: Fac-similes (review)
  2. Seth Adam Whidden
  3. pp. 216-218
  4. DOI: 10.1353/ncf.2004.0080
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  1. The Man who was Cyrano: A Life of Edmond Rostand, Creator of "Cyrano de Bergerac" (review)
  2. Timothy A. Unwin
  3. pp. 218-219
  4. DOI: 10.1353/ncf.2004.0078
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  1. Germaine de Stael, George Sand, and the Victorian Woman Artist (review)
  2. Gayle A. Levy
  3. pp. 219-221
  4. DOI: 10.1353/ncf.2004.0062
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  1. Stendhal en sa correspondance ou "L'Histoire d'un esprit" (review)
  2. Maryline Lukacher
  3. pp. 221-222
  4. DOI: 10.1353/ncf.2004.0063
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  1. Stendhal et l'empire du recit (review)
  2. Susanna Lee
  3. pp. 223-224
  4. DOI: 10.1353/ncf.2004.0059
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  1. Les Jardins de Zola, psychanalyse et paysage mythique dans les Rougon-Macquart (review)
  2. Jose Santos
  3. pp. 224-226
  4. DOI: 10.1353/ncf.2004.0076
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