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Table of Contents

  1. Refiguring the Posthuman
  2. N. Katherine Hayles
  3. pp. 311-316
  4. DOI: https://doi.org/10.1353/cls.2004.0031
  5. restricted access
  1. The Information Empire
  2. Mark Poster
  3. pp. 317-334
  4. DOI: https://doi.org/10.1353/cls.2004.0036
  5. restricted access
  1. How Information Technology Has (Not) Changed Feminism and Japanism: Cyberpunk in the Japanese Context
  2. Kumiko Sato
  3. pp. 335-355
  4. DOI: https://doi.org/10.1353/cls.2004.0037
  5. restricted access
  1. Post-Human Mimesis and the Debunked Machine: Reading Environmental Appropriation in Poe's "Maelzel's Chess-Player" and "The Man That Was Used Up"
  2. James Berkley
  3. pp. 356-376
  4. DOI: https://doi.org/10.1353/cls.2004.0029
  5. restricted access
  1. Techno-Cinema
  2. Jamie Skye Bianco
  3. pp. 377-403
  4. DOI: https://doi.org/10.1353/cls.2004.0030
  5. restricted access
  1. Style: Strategy and Mimesis in Ergodic Literature
  2. Eric Hayot, Edward Wesp
  3. pp. 404-423
  4. DOI: https://doi.org/10.1353/cls.2004.0032
  5. restricted access
  1. Iatrogenic Permutations: From Digital Genesis to the Artificial Other
  2. Tama Leaver
  3. pp. 424-435
  4. DOI: https://doi.org/10.1353/cls.2004.0033
  5. restricted access
  1. Does Literature Think: Literature as Theory for an Antimythical Era (review)
  2. Charles Altieri
  3. pp. 436-440
  4. DOI: https://doi.org/10.1353/cls.2004.0027
  5. restricted access
  1. Romantic Cyborgs: Authorship and Technology in the American Renaissance (review)
  2. Thomas O. Beebee
  3. pp. 440-442
  4. DOI: https://doi.org/10.1353/cls.2004.0028
  5. restricted access
  1. The Senses of Modernism: Technology, Perception and Aesthetics (review)
  2. Dean McWilliams
  3. pp. 443-446
  4. DOI: https://doi.org/10.1353/cls.2004.0034
  5. restricted access
  1. The New Media Reader (review)
  2. Mykola Polyuha
  3. pp. 446-449
  4. DOI: https://doi.org/10.1353/cls.2004.0035
  5. restricted access