1. Pure Shores: Travel, Consumption, and Alex Garland's The Beach
  2. James Annesley
  3. pp. 551-569
  4. DOI: 10.1353/mfs.2004.0054
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  1. Suffrage Burlesque: Modernist Performance in Elizabeth Robins's The Convert
  2. Laura A. Winkiel
  3. pp. 570-594
  4. DOI: 10.1353/mfs.2004.0092
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  1. The Picture of Charles Bon: Oscar Wilde's Trip through Faulkner's Yoknapatawpha
  2. Ellen Crowell
  3. pp. 595-631
  4. DOI: 10.1353/mfs.2004.0060
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  1. Internalizing Mastery: Jean Rhys, Ford Madox Ford, and the Fiction of Autobiography
  2. Annette Gilson
  3. pp. 632-656
  4. DOI: 10.1353/mfs.2004.0064
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  1. History and Fiction: the Narrative Voices of Pynchon's Gravity's Rainbow
  2. Paul A. Bové
  3. pp. 657-680
  4. DOI: 10.1353/mfs.2004.0057
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  1. "What isn't there" in Margaret Atwood's The Blind Assassin: The Psychoanalysis of Duplicity
  2. Ruth Parkin-Gounelas
  3. pp. 681-700
  4. DOI: 10.1353/mfs.2004.0065
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  1. "Greening" Postcolonialism: Ecocritical Perspectives
  2. Graham Huggan
  3. pp. 701-733
  4. DOI: 10.1353/mfs.2004.0067
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  1. Gender and Science Fiction
  2. Robin Roberts
  3. pp. 734-739
  4. DOI: 10.1353/mfs.2004.0084
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  1. Virtual Americas: Transnational Fictions and the Transatlantic Imaginary (review)
  2. Stuart Burrows
  3. pp. 742-744
  4. DOI: 10.1353/mfs.2004.0058
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  1. The Figure of Consciousness: William James, Henry James, and Edith Wharton (review)
  2. Emily J. Orlando
  3. pp. 744-746
  4. DOI: 10.1353/mfs.2004.0081
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  1. America's Culture of Terrorism: Violence, Capitalism, and the Written Word (review)
  2. Margaret Scanlan
  3. pp. 746-748
  4. DOI: 10.1353/mfs.2004.0088
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  1. Games of Property: Law, Race, Gender, and Faulkner's Go Down, Moses (review)
  2. D. Matthew Ramsey
  3. pp. 748-750
  4. DOI: 10.1353/mfs.2004.0082
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  1. The Fugitive Race: Minority Writers Resisting Whiteness (review)
  2. Valerie Melissa Babb
  3. pp. 750-752
  4. DOI: 10.1353/mfs.2004.0055
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  1. Broadway Boogie Woogie: Damon Runyon and the Making of New York City Culture (review)
  2. Joe Kraus
  3. pp. 752-753
  4. DOI: 10.1353/mfs.2004.0072
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  1. Reading The Virginian in the New West (review)
  2. Paul D. Reich
  3. pp. 753-755
  4. DOI: 10.1353/mfs.2004.0083
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  1. The Late Modernism of Cormac McCarthy (review)
  2. Mark A. Eaton, Peter Lurie
  3. pp. 755-757
  4. DOI: 10.1353/mfs.2004.0061
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  1. Border Women: Writing from La Frontera (review)
  2. Monika Kaup
  3. pp. 757-760
  4. DOI: 10.1353/mfs.2004.0070
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  1. The Invention of Native American Literature (review)
  2. James Ruppert
  3. pp. 760-761
  4. DOI: 10.1353/mfs.2004.0086
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  1. Male Sexuality under Surveillance: The Office in American Literature (review)
  2. Sally Robinson
  3. pp. 762-763
  4. DOI: 10.1353/mfs.2004.0085
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  1. James Baldwin's Later Fiction: Witness to the Journey (review)
  2. Amy Abugo Ongiri
  3. pp. 763-765
  4. DOI: 10.1353/mfs.2004.0080
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  1. Bodies in a Broken World: Women Novelists of Color and the Politics of Medicine (review)
  2. Gay Alden Wilentz
  3. pp. 765-767
  4. DOI: 10.1353/mfs.2004.0091
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  1. Signs and Cities: Black Literary Postmodernism (review)
  2. Aldon Lynn Nielsen
  3. pp. 767-769
  4. DOI: 10.1353/mfs.2004.0078
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  1. Narrative Innovation and Cultural Rewriting in the Cold War Era and After (review)
  2. Stacey Michele Olster
  3. pp. 769-771
  4. DOI: 10.1353/mfs.2004.0079
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  1. Margaret Atwood's Textual Assassinations: Recent Poetry and Fiction (review)
  2. Cristina Bacchilega
  3. pp. 771-772
  4. DOI: 10.1353/mfs.2004.0056
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  1. Modernism, Male Friendship, and the First World War (review)
  2. John McIntyre
  3. pp. 773-775
  4. DOI: 10.1353/mfs.2004.0077
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  1. Modernism and Cultural Conflict, 1880-1922 (review)
  2. Anne E. Fernald
  3. pp. 775-777
  4. DOI: 10.1353/mfs.2004.0063
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  1. Dissenters and Mavericks: Writings about India in English, 1765-2000 (review)
  2. Priya Joshi
  3. pp. 777-780
  4. DOI: 10.1353/mfs.2004.0069
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  1. Beckett and Philosophy (review)
  2. Paul Shields
  3. pp. 780-782
  4. DOI: 10.1353/mfs.2004.0089
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  1. Reclaiming Klytemnestra: Revenge or Reconciliation (review)
  2. Sally MacEwen
  3. pp. 783-784
  4. DOI: 10.1353/mfs.2004.0075
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  1. Literature After Feminism (review)
  2. Ruth Salvaggio
  3. pp. 785-786
  4. DOI: 10.1353/mfs.2004.0087
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  1. Literary Liaisons: Auto/biographical Appropriations in Modernist Women's Fiction (review)
  2. Deborah Martinson
  3. pp. 786-788
  4. DOI: 10.1353/mfs.2004.0076
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  1. Marketing Modernism Between the Two World Wars (review)
  2. Miranda B. Hickman
  3. pp. 788-790
  4. DOI: 10.1353/mfs.2004.0066
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  1. Traces, Codes, and Clues: Reading Race in Crime Fiction (review)
  2. Kathleen Gregory Klein
  3. pp. 791-792
  4. DOI: 10.1353/mfs.2004.0071
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  1. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism (review)
  2. Michelle Ann Stephens
  3. pp. 792-794
  4. DOI: 10.1353/mfs.2004.0090
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  1. The Aesthetics of Chaos: Nonlinear Thinking and Contemporary Criticism (review)
  2. Philip Kuberski
  3. pp. 794-795
  4. DOI: 10.1353/mfs.2004.0073
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  1. Literature, Disaster, and the Enigma of Power: A Reading of Moby-Dick (review)
  2. Mark Douglas Larabee
  3. pp. 795-797
  4. DOI: 10.1353/mfs.2004.0074
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  1. Postcolonial Criticism: History, Theory and the Work of Fiction (review)
  2. Clarisse Zimra
  3. pp. 798-799
  4. DOI: 10.1353/mfs.2004.0093
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  1. Constructing Lebanon: A Century of Literary Narratives (review)
  2. Carol Fadda-Conrey
  3. pp. 800-801
  4. DOI: 10.1353/mfs.2004.0062
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  1. Sign and Taboo: Perspectives on the Poetic Fiction of Yvonne Vera (review)
  2. Eva Hunter
  3. pp. 802-803
  4. DOI: 10.1353/mfs.2004.0068
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  1. Contributors
  2. pp. 804-805
  3. DOI: 10.1353/mfs.2004.0059
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