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  Volume 27, Number 3, Summer 2004

Table of Contents

From: Callaloo

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"Vodou. .. The Soul of the People": an excerpt from Jacques Stephen Alexis's The Musician Trees

pp. 621-628 | DOI: 10.1353/cal.2004.0101

Amnesty

pp. 597-615 | DOI: 10.1353/cal.2004.0102

A Stiffer Breeze

pp. 616-620 | DOI: 10.1353/cal.2004.0111

Poetry

after oz

p. 649 | DOI: 10.1353/cal.2004.0103

Weather Report

p. 667 | DOI: 10.1353/cal.2004.0104

The Torturer Explains

p. 658 | DOI: 10.1353/cal.2004.0105

Bryan, Texas Procession

pp. 659-661 | DOI: 10.1353/cal.2004.0106

Michael Collins

pp. 662-663 | DOI: 10.1353/cal.2004.0107

The Pronoun-Vowel Reparation Song

pp. 654-656 | DOI: 10.1353/cal.2004.0109

The Night Tito Trinidad KO'ed Hacine Cherifi

p. 668 | DOI: 10.1353/cal.2004.0113

Premonition of June

p. 664 | DOI: 10.1353/cal.2004.0114

Listening to See

p. 665 | DOI: 10.1353/cal.2004.0115

Salt

p. 666 | DOI: 10.1353/cal.2004.0116

Saint Dolores

p. 669 | DOI: 10.1353/cal.2004.0117

What You Deserve in This World

p. 670 | DOI: 10.1353/cal.2004.0118

Rope

p. 650 | DOI: 10.1353/cal.2004.0121

Red Ball Express

p. 651 | DOI: 10.1353/cal.2004.0122

"Mercy, Mercy, Mercy"

p. 652 | DOI: 10.1353/cal.2004.0123

afterglow

p. 653 | DOI: 10.1353/cal.2004.0124

Apologies to My Hair: A Black Woman's Sonnet

p. 657 | DOI: 10.1353/cal.2004.0125

The Cure

pp. 646-647 | DOI: 10.1353/cal.2004.0131

The Way Back

pp. 647-648 | DOI: 10.1353/cal.2004.0132

Personal Essays

Whose Caribbean?*: An Allegory, in Part

pp. 671-681 | DOI: 10.1353/cal.2004.0112

Interviews

A Poet of Place: An Interview with M. NourbeSe Philip

pp. 682-697 | DOI: 10.1353/cal.2004.0127

Reader, I Married Him: An Interview with Alison Mills

pp. 698-714 | DOI: 10.1353/cal.2004.0129

Cinema of the Oppressed: An Interview with Francisco Newman

pp. 715-733 | DOI: 10.1353/cal.2004.0130

The Identity Repairman: from A Conversation with Thomas Sayers Ellis, Editor of Quotes Community: Notes for Black Poets

pp. 629-630 | DOI: 10.1353/cal.2004.0133

An Interview with Barbara Earl Thomas

pp. 736-749 | DOI: 10.1353/cal.2004.0134

Visual Arts

In My Father's House There Are Many Roomers, and: The Fire Carrier, and: Last Book, Last Fire, and: Passing Secrets, and: Night Crawlers and Earth Worms, and: Man Cleans Fish

pp. 751-754 | DOI: 10.1353/cal.2004.0119

Nonfiction

An Excerpt from Quotes Community: Notes for Black Poets

pp. 631-645 | DOI: 10.1353/cal.2004.0110

Remaking Identity, Unmaking Nation: Historical Recovery and the Reconstruction of Community in In the Time of the Butterflies and The Farming of Bones

pp. 788-807 | DOI: 10.1353/cal.2004.0120

Resistance, Reappropriation, and Reconciliation: The Blues and Flying Africans in Gayl Jones's Song for Anninho

pp. 755-767 | DOI: 10.1353/cal.2004.0126

Is This Resistance? African American Postmodernism in Sarah Phillips

pp. 808-828 | DOI: 10.1353/cal.2004.0128

'Voicing the Text': The Making of an Oral Poetics in Olive Senior's Short Fiction

pp. 829-843 | DOI: 10.1353/cal.2004.0135

Was Your Mama Mulatto? Notes Toward a Theory of Racialized Sexuality in Gayl Jones's Corregidora and Julie Dash's Daughters of the Dust

pp. 768-787 | DOI: 10.1353/cal.2004.0136

Contributors

Contributors

pp. 844-846 | DOI: 10.1353/cal.2004.0108