1. Performance as Composition
  2. Heiner Goebbels, Stathis Gourgouris
  3. pp. 1-16
  4. restricted access View | Download |
  1. Paper Trail: (Re)viewing Lines in the Sand and Other Key Works of Joan Jonas
  2. Jane Philbrick
  3. pp. 17-29
  4. restricted access View | Download |
  1. Joan Jonas: A Portfolio
  2. Joan Jonas
  3. pp. 30-34
  4. restricted access View | Download |
  1. Dan Flavin's Corner Square: Before and after the Mast
  2. Christopher Ho
  3. pp. 35-44
  4. restricted access View | Download |
  1. Appropriate Ending: Ben d'Armagnac's Last Performance
  2. Chris Thompson
  3. pp. 45-60
  4. restricted access View | Download |
  1. Three Blind Mice: Fairs, Festivals, Expositions
  2. Larry Qualls, Daryl Chin
  3. pp. 62-71
  4. restricted access View | Download |
  1. The Latin Explosion: Spanish- and Latin-Inspired Dance, Theatre, and Art in Chicago
  2. Cheryl Tobey
  3. pp. 72-77
  4. restricted access View | Download |
  1. Perhaps the Flood: The Fiery Torrent of Tsai Ming-Liang's Films
  2. Yvette Bíró
  3. pp. 78-86
  4. restricted access View | Download |
  1. Lara Croft: The Ultimate Young Adventure Girl or the unending media desire for models, sex, and fantasy
  2. Kurt Lancaster
  3. pp. 87-97
  4. restricted access View | Download |
  1. Faust/How I Rose
  2. John Jesurun
  3. pp. 98-127
  4. restricted access View | Download |
  1. Fluxux Familias
  2. Jennie Klein
  3. pp. 128-135
  4. restricted access View | Download |
  1. Sandwiched (in New York): A Project along Fulton Mall in Downtown Brooklyn
  2. Jacob Fabricius, Larry Qualls
  3. pp. 136-139
  4. restricted access View | Download |